A list of films produced by the Hindi film industry based in Mumbai in 1921: [1] [2] [3] [4] [5]
Title | Director | Cast | Genre | Notes Cinematographer |
---|---|---|---|---|
Behula | C. Legrand | Patience Cooper | Mythology | Madan Theatres Ltd. |
Belgian Emperor's Visit To India | Nitin Bose | Documentary | ||
Bhakta Vidur | Kanjibhai Rathod | Dwarkadas Sampat, Sakina, Maneklal Patel, Homi Master, Prabhashankar, Gangaram | Devotional | Kohinoor Film Company Gajanan S. Devare |
Bilet Pherat a.k.a. England Returned | Dhirendranath Ganguly | Dhirendranath Ganguly, Manmatha Pal, Sushilabala, Kunjalal Chakraborty | Social Comedy | Indo-British Films Jyotish Sarkar |
Chandrahasa | Kanjibhai Rathod | Khalil, Tara, Moti, Savita, Dhanji | Devotional | Kohinoor Film Company |
Dabbur Kelenkari | Debi Ghosh | Chani Datta | Aurora Film Company, Calcutta Debi Ghosh | |
Dhruva Charitra a.k.a. The Story Of Dhruva | Jyotish Bannerjee | Patience Cooper, M. Manilal, Master Mohan, Signor P. Mannelli, Signorina F. Mannelli, James Mcgrath, Dadabhai Sarkari, Kusumkumari, Aga Hashr Kashmiri, Pestonji Madan | Mythology | Madan Theatres Ltd. DOP: Eugenio De Liguoro |
King Gopichand a.k.a. Gopichand | Vishnupant Divekar | Hira Koregaonkar, Mama Bhatt | Legend | Bharat Film Company DOP: A. P. Karandikar |
Govardhan Dhari | G. V. Sane | Mythology | Hindustan Cinema Film Company, Nasik | |
Jagat Janani Jagadamba a.k.a. Ma Durga a.k.a. Mother Durga | Jyotish Bannerjee | Mythology | Madan Theatres Ltd. DOP: C. Legrand | |
Krishna Kumar a.k.a. Pradyumna | Vishnupant Divekar | Mythology | Bharat Film Company | |
Krishna Maya | Kanjibhai Rathod | Jamna | Mythology | Kohinoor Film Company |
Mahasati Ansuya a.k.a. Sati Ansuya a.k.a. Birth Of Shri Dattatreya | Kanjibhai Rathod | Khalil, Vaidya, Sakina | Devotional | Kohinoor Film Company DOP: Vishnu B. Joshi |
Meerabai a.k.a. Mira Bai | Sisir Kumar Bhaduri | Patience Cooper, S. K. Bhaduri | Devotional | Madan Theatres Ltd. |
Mohini | Sisir Kumar Bhaduri | Patience Cooper, S. K. Bhaduri | Devotional | Madan Theatres Ltd. |
Nal Damayanti | E. D. Liguoro | Patience Cooper, E. D. Liguoro, D. Sarkari, K. Adajania, Albertina, Chhapgar | Mythology | Madan Theatres Ltd. |
Pundalik | Ganpat Shinde | Devotional | Hindustan Cinema Film Co., Nasik | |
Pundalik | Kanjibhai Rathod | Devotional | Kohinoor Film Company |
Title | Director | Cast | Genre | Notes Cinematographer |
---|---|---|---|---|
Ratnakar | S. N. Ray | Chunilal Dev, Shosha Mukhi, Sushila Debi | Mythology | Aurora Cinema Co. |
Rukmini Haran | Kanjibhai Rathod | Khalil, Tara, Moti, Sakina, R. N. Vaidya, Gangaram | Mythology | Kohinoor Film Company DOP: Vishnu B. Joshi |
Rukmini Satyabhama a.k.a. Rukmini Kalyanam a.k.a. Rukmani Sathyabhama a.k.a. The Wedding Of Rukmani | R. Nataraja Mudaliar | Mythology | Indian Film Company, Madras [13] | |
Sant Tukaram a.k.a. Tukaram | Ganpat Shinde | Devotional | Hindustan Cinema Film Co., Nasik | |
Sati Madalsa | S. N. Patankar | Mythology | National Film Company DOP: Shree Nath Patankar | |
Sati Sulochana | G. V. Sane | Mythology | Hindustan Cinema Film Co., Nasik | |
Salaam Aleikum | Social | Oriental Film Company | ||
Shani Prabhav | G. V. Sane | Mythology | Hindustan Cinema Film Co., Nasik | |
Shivratri | C. Legrand | Kusum Kumari, Prabodh Bose | Mythology | Madan Theatres Ltd. |
Subhadra Haran | Kanjibhai Rathod | Mythology | Kohinoor Film Company Dop; Vishnu B. Joshi | |
Surekha Haran a.k.a. The Elopement Of Surekha a.k.a. Surekha Abhimanyu | Baburao Painter | V. Shantaram, Vishnupant Pagnis, Baburao Pendharkar, Ravji Mhaskar, Balasaheb Yadav, Ganpat Bakre, Zunzharrao Pawar, G. R. Mane, Gajrabai | Mythology | Maharashtra Film Co., Kolhapur DOP: S. Fattelal |
Themuras & Tehmuljee a.k.a. Aflatoon | Social | Madan Theatres Ltd. | ||
Tridandi Sanyas | Vishnupant Divekar | Soni, Limaye, Anand Shinde | Mythology | Bharat Film Company DOP: A. P. Karandikar |
Urvashi | Vishnupant Divekar | Hira Koregaonkar, Limaye, Vithabai | Mythology | Bharat Film Company DOP: A. P. Karandikar |
Valli Thirumanam a.k.a. Valli's Wedding | Whittaker | Mythology | Whittaker | |
Valmiki | G. V. Sane | Mythology | Hindustan Cinema Film Co., Nasik | |
Vikram Satva Pariksha | G. V. Sane | Mythology | Hindustan Cinema Film Co., Nasik | |
Vishwamitra Menaka | Kanjibhai Rathod | Ali Miyan, Jamna, Kesar, Raja Babu | Mythology | inoor Film Company DOP: Vishnu B. Joshi |
Vishnu Avatar a.k.a. The Incarnations Of Lord Vishnu | Jyotish Bannerjee, C. Legrand | Patience Cooper | Mythology | Madan Theatres Ltd. DOP: C. Legrand |
Yashoda Nandan a.k.a. Yashoda's Son a.k.a. Shri Radha Krishna | Dhirendranath Ganguly, Nitish Lahiri | Dhirendranath Ganguly, Sushiladevi, Manmatha Pal, Kunjalal Chakraborty, Pramodasundari, Amodini Dasi, Nitish Lahiri | Mythology | Indo-British Film Co., Calcutta Jyotish Sarkar |
Kohinoor Film Company was an Indian film studio established in 1918 by Dwarkadas Sampat (1884-1958).
Bhakta Vidur is a 1921 silent Indian film directed by Kanjibhai Rathod and made under Kohinoor Film Company banner. In this film the Hindu mythological character Vidura was moulded on the personality of Mohandas Karamchand Gandhi. This was the first Indian film to face a ban.
Kanjibhai Rathod was an Indian film director.
Chandrahasa is a 1933 Hindi mythological costume drama film directed by Sarvottam Badami. It was the first Hindi film directed by Badami, bringing him into prominence, even though he did not know Hindi. It was also one of the first Talkie versions of the film which was remade several times. Produced by Sagar Movietone, it had music composed by S. P. Rane. The film starred Noor Mohammed Charlie, Gulzar, Kamala, Master Bachchu, Dinkar, Mehboob Khan and Baburao Sansare.
Netaji Palkar is a 1927 Indian biopic historical silent film directed by V. Shantaram. Kaishavrao Dhaiber who was an apprentice with Damle, co-directed the film. He was to become the chief cinematographer for Shantaram in his later films. Made under the Maharashtra Film Company, Kolhapur, it was the first film directed by Shantaram. The director of photography was S. Fattelal and the cast included Ansuya, Balasaheb Yadav, Ganpat Bakre and Zunzarrao Pawar.
Gopal Krishna is an Indian religious silent film made in 1929. It was directed by V. Shantaram for his newly formed Prabhat Film Company. The film was a "solo debut" for Shantaram, after co-directing Netaji Palkar (1927) with K. Dhaiber for the Maharashtra Film Company. The story was written by Shivram Vashikar and the cast composed of Suresh, Kamaladevi, Anant Apte, Sakribai and G.R. Mane.
Chandrasena is a 1935 Hindi/Marathi mythology drama film directed by V. Shantaram for his Prabhat Film Company. The film was the first Indian trilingual film to be made simultaneously in Hindi, Marathi. The cinematographer was K. Dhiaber and the story and dialogue were by Shivram Vashikar. The music direction was by Keshavrao Bhole, with lyrics written by K. Narayan Kale. The cast included Nalini Tarkhud, Sureshbabu Mane, Kelkar, Rajani, Shantabai and Azurie.
Manoos, also called Life's for Living, is a 1939 Indian Marathi social melodrama film directed by V. Shantaram. The movie was simultaneously made in Hindi as Aadmi. The film was based on a short story called "The Police Constable". The story was by A. Bhaskarrao, with screenplay and dialogue by Anant Kanekar. The cinematographer was V. Avadhoot and the music was composed by Master Krishna Rao, with lyrics by Kanekar. The cast included Shahu Modak, Shanta Hublikar, Sundara Bai, Ram Marathe, Narmada, Ganpatrao and Raja Paranjpe.
Homi Master (?–1949) was an actor-director of early Indian cinema. His work extended from the silent era to the talkie era and up to his death. He produced his best films for Kohinoor Film Company and he has been referred to as "silent cinema's most successful film-maker".
Sardar Akhtar (1915–1986) was an Indian actress who worked in Hindi and Urdu films. She started her acting career on the Urdu stage. Her early films were with Saroj Movietone, where she did a majority of stunt (action) roles. She came into prominence as the washer-woman in the role of Rami Dhoban in Sohrab Modi's Pukar (1939). As a woman seeking justice for the death of her husband, it was a breakthrough role for her. A popular song she sang in the film was "Kaheko Mohe Chhede". Her career defining role was as a "peasant woman" deserted by her husband, in Mehboob Khan's Aurat (1940), a role later made famous by Nargis in Mehboob's remake Mother India.
Mazhar Khan was an actor, producer, and director in Indian Cinema. He started his career as a police officer, which he left to study law for a short period. After abandoning his studies, he came to Bombay and started his career in cinema with the silent film Fatal Garland (1928) opposite the top actress of the time, Ermeline. He became a popular actor, gaining success in several silent films. During his stint in silent films he worked with well-established directors such as Bhagwati Prasad Mishra, Ezra Mir, Moti P. Bhagnani, R. S. Chowdhary, and M. D. Bhavnani. Magazines in the 1940s compared Khan to Hollywood actors such as Paul Muni, Bela Lugosi and Boris Karloff.