This is a list of illuminated manuscripts.
Books of hours are Christian prayer books, which were used to pray the canonical hours. The use of a book of hours was especially popular in the Middle Ages, and as a result, they are the most common type of surviving medieval illuminated manuscript. Like every manuscript, each manuscript book of hours is unique in one way or another, but most contain a similar collection of texts, prayers and psalms, often with appropriate decorations, for Christian devotion. Illumination or decoration is minimal in many examples, often restricted to decorated capital letters at the start of psalms and other prayers, but books made for wealthy patrons may be extremely lavish, with full-page miniatures. These illustrations would combine picturesque scenes of country life with sacred images.
In the Western Church of the Early and High Middle Ages, a sacramentary was a book used for liturgical services and the mass by a bishop or priest. Sacramentaries include only the words spoken or sung by him, unlike the missals of later centuries that include all the texts of the mass whether read by the bishop, priest, or others. Also, sacramentaries, unlike missals, include texts for services other than the mass such as ordinations, the consecration of a church or altar, exorcisms, and blessings, all of which were later included in Pontificals and Rituals instead.
British Library, MS Cotton Tiberius C. II, or the Tiberius Bede, is an 8th-century illuminated manuscript of Bede's Historia ecclesiastica gentis Anglorum. It is one of only four surviving 8th-century manuscripts of Bede, another of which happens to be MS Cotton Tiberius A. XIV, produced at Monkwearmouth–Jarrow Abbey. As such it is one of the closest texts to Bede's autograph. The manuscript has 155 vellum folios. This manuscript may have been the Latin text on which the Alfredian Old English translation of Bede's Ecclesiastical History was based. The manuscript is decorated with zoomorphic initials in a partly Insular and partly Continental style.
The Paris Psalter is a Byzantine illuminated manuscript, 38 x 26.5 cm in size, containing 449 folios and 14 full-page miniatures. The Paris Psalter is considered a key monument of the so-called Macedonian Renaissance, a 10th-century renewal of interest in classical art closely identified with the emperor Constantine VII Porphyrogenitus (909-959) and his immediate successors.
The Bedford Master was a manuscript illuminator active in Paris during the fifteenth century. He is named for the work he did on two books illustrated for John of Lancaster, 1st Duke of Bedford between 1415 and 1435. One is the Bedford Hours, a book of hours in the British Library ; the other, the Salisbury Breviary, is in the Bibliothèque nationale de France. Another manuscript is in the Royal Collection. The Bedford Master is known to have been the head of a workshop; his chief assistant is known as the Chief Associate of the Bedford Master.
The Rosary of the Philosophers is a 16th-century alchemical treatise. It was published in 1550 as part II of De Alchimia Opuscula complura veterum philosophorum (Frankfurt). The term rosary in the title is unrelated to the Catholic prayer beads; it refers to a "rose garden", metaphoric of an anthology or collection of wise sayings.
The Master of the Registrum Gregorii, also known as the Registrum Master or the Gregory Master, was an anonymous 10th-century scribe and illuminator, active in Trier during the episcopate of Egbert of Trier.
Gothic book illustration, or gothic illumination, originated in France and England around 1160/70, while Romanesque forms remained dominant in Germany until around 1300. Throughout the Gothic period, France remained the leading artistic nation, influencing the stylistic developments in book illustration. During the transition from the late Gothic period to the Renaissance, book illustration lost its status as one of the most important artistic genres in the second half of the 15th century, due to the widespread adoption of printing.