In poetry, a stanza is a group of lines within a poem, usually set off from others by a blank line or indentation. Stanzas can have regular rhyme and metrical schemes, but they are not required to have either. There are many different forms of stanzas. Some stanzaic forms are simple, such as four-line quatrains. Other forms are more complex, such as the Spenserian stanza. Fixed verse poems, such as sestinas, can be defined by the number and form of their stanzas.
Völuspá is the best known poem of the Poetic Edda. It tells the story of the creation of the world and its coming end and subsequent rebirth, related to the audience by a völva addressing Odin. It is one of the most important primary sources for the study of Norse mythology. The poem is preserved whole in the Codex Regius and Hauksbók manuscripts while parts of it are quoted in the Prose Edda.
Rhyme royal is a rhyming stanza form that was introduced to English poetry by Geoffrey Chaucer. The form enjoyed significant success in the fifteenth century and into the sixteenth century. It has had a more subdued but continuing influence on English verse in more recent centuries.
A rhyme scheme is the pattern of rhymes at the end of each line of a poem or song. It is usually referred to by using letters to indicate which lines rhyme; lines designated with the same letter all rhyme with each other.
"This Be The Verse" is a lyric poem in three stanzas with an alternating rhyme scheme, by the English poet Philip Larkin (1922–1985). It was written around April 1971, was first published in the August 1971 issue of New Humanist, and appeared in the 1974 collection High Windows.
"The Tyger" is a poem by the English poet William Blake, published in 1794 as part of his Songs of Experience collection and rising to prominence in the romantic period. The poem is one of the most anthologised in the English literary canon, and has been the subject of both literary criticism and many adaptations, including various musical versions. The poem explores and questions Christian religious paradigms prevalent in late 18th century and early 19th century England, discussing God's intention and motivation for creating both the tiger and the Lamb.
"The Lamb" is a poem by William Blake, published in Songs of Innocence in 1789.
Burgess was a British title used in the medieval and early modern period to designate someone of the burgher class. It originally meant a freeman of a borough or burgh but later came to mean an official of a municipality or a representative in the House of Commons.
"The Town Mouse and the Country Mouse" is one of Aesop's Fables. It is number 352 in the Perry Index and type 112 in Aarne–Thompson's folk tale index. Like several other elements in Aesop's fables, "town mouse and country mouse" has become an English idiom.
Hindarfjall or Hindafjall is the mountain where Brynhildr lives in the Völsung cycle.
"Infant Joy" is a poem written by the English poet William Blake. It was first published as part of his collection Songs of Innocence in 1789 and is the counterpart to "Infant Sorrow", which was published at a later date in Songs of Experience in 1794.
The Morall Fabillis of Esope the Phrygian is a work of Northern Renaissance literature composed in Middle Scots by the fifteenth century Scottish makar, Robert Henryson. It is a cycle of thirteen connected narrative poems based on fables from the European tradition. The drama of the cycle exploits a set of complex moral dilemmas through the figure of animals representing a full range of human psychology. As the work progresses, the stories and situations become increasingly dark.
"Because I could not stop for Death" is a lyrical poem by Emily Dickinson first published posthumously in Poems: Series 1 in 1890. Dickinson's work was never authorized to be published, so it is unknown whether "Because I could not stop for Death" was completed or "abandoned". The speaker of Dickinson's poem meets personified Death. Death is a gentleman who is riding in the horse carriage that picks up the speaker in the poem and takes the speaker on her journey to the afterlife. According to Thomas H. Johnson's variorum edition of 1955 the number of this poem is "712".
The Preiching of the Swallow, is the eighth poem in the accepted text of Robert Henryson's Middle Scots cycle, The Morall Fabillis of Esope the Phrygian written around the 1480s. Often seen as the most beautiful of the poems in the cycle, it is a very rich expansion of material ultimately derived from Aesop. It is the second of two poems in the cycle which feature the narrator as protagonist in the taill.
"The Taill of the Uponlandis Mous and the Burges Mous", also known as "The Twa Mice," is a Middle Scots adaptation of Aesop's Fable The Town Mouse and the Country Mouse by the Scottish poet Robert Henryson. Written around the 1480s, it is the second poem in Henryson's collection called The Morall Fabillis of Esope the Phrygian.
"The Taill of the Cok and the Jasp" is a Middle Scots version of Aesop's Fable The Cock and the Jewel by the 15th-century Scottish poet Robert Henryson. It is the first in Henryson's collection known as the Morall Fabillis of Esope the Phrygian. The Cok and the Jasp is framed by a prologue and a moralitas, and as the first poem in the collection it operates on a number of levels, and in all its parts, to introduce the larger cycle.
"The Taill of Schir Chanticleir and the Foxe" is Fabill 3 of Robert Henryson's cycle of thirteen Morall Fabillis composed in Scotland in the later fifteenth century. It is the first of the fable in the poem to be based on Reynardian and beast epic sources rather than on any strictly Aesopian original, although the closest match from Aesop might be The Dog, the Cock and the Fox.
The Mental Traveller is a poem by William Blake. It is part of a collection of unpublished works called The Pickering Manuscript and was written in a manner that suggests the poem was to be read directly from the collection.
"The School Boy" is a 1789 poem by William Blake and published as a part of his poetry collection entitled Songs of Experience. These poems were later added with Blake's Songs of Innocence to create the entire collection entitled "Songs of Innocence and of Experience Shewing the Two Contrary States of the Human Soul". This collection included poems such as "The Tyger", "The Little Boy Lost", "Infant Joy" and "The Shepherd". These poems are illustrated with colorful artwork created by Blake first in 1789. The first printing in 1789 consisted of sixteen copies. None of the copies of Songs of Innocence are exactly alike as some of them are incomplete or were colored in posthumously "in imitation of" other copies.
"Ich hab in Gottes Herz und Sinn" is a Christian hymn with a text by Paul Gerhardt in twelve stanzas is sung to the melody of "Was mein Gott will, das g'scheh allzeit". The theme of the hymn is faith in God and the submission to his will.
