FM broadcasting in the United States

FM broadcasting in the United States began in the 1930s at engineer and inventor Edwin Howard Armstrong's experimental station, W2XMN. The use of FM radio has been associated with higher sound quality in music radio.

History of FM radio in the U.S.

Main article: History of radio, FM and television start

In the United States, FM broadcasting stations currently are assigned to 101 channels, designated 87.9 to 107.9 MHz, within a 20.2 MHz-wide frequency band, spanning 87.8–108.0 MHz.

In the 1930s investigations were begun into establishing radio stations transmitting on "Very High Frequency" (VHF) assignments above 30 MHz. In October 1937, the Federal Communications Commission (FCC) announced new frequency allocations, which included a band of experimental and educational "Apex" stations, that consisted of 75 channels spanning from 41.02 to 43.98 MHz. ^[1] Like the existing AM band these stations employed amplitude modulation, however the 40 kHz spacing between adjacent frequencies was four times as much as the 10 kHz spacing on the standard AM broadcast band, which reduced adjacent-frequency interference, and provided more bandwidth for high-fidelity programming.

Also during the 1930s a competing transmission technology, "wide-band frequency modulation", was developed in the United States by Edwin Howard Armstrong, which was promoted as being superior to AM transmissions, in particular due to its high-fidelity and near immunity to static interference. On June 17, 1936 Armstrong formally demonstrated his FM system to the FCC. ^[2] That year he also set up the first FM radio station, W2XMN in Alpine, New Jersey, to function as a demonstration station. In 1937 the Yankee Network, looking to eventually establish commercial FM operations, was granted a construction permit for an experimental station, W1XOJ, in Paxton, Massachusetts. The first publicized W2XMN broadcast took place on July 18, 1939, which used a high-quality phone line link to rebroadcast a program from WQXR in New York City. ^[3] On July 24, 1939, W1XOJ inaugurated a regular schedule of 16 hours a day (8 a.m. to midnight). ^[4] On January 5, 1940, Armstrong, working with the Yankee Network, demonstrated FM broadcasting in a long-distance relay network, via five stations in five states. ^[5]

In May 1940, largely as the result of Armstrong's efforts, the FCC decided to eliminate the Apex band, and authorized an FM band effective January 1, 1941, operating on 40 channels spanning 42–50 MHz. ^[6] On October 31, 1940, the first 15 commercial station Construction Permit authorizations were issued. ^[7] On March 1, 1941 W47NV began broadcasting in Nashville, Tennessee, ^[8] becoming the first fully licensed commercial FM station. ^[9] There was significant interest in the new FM band by station owners, however, construction restrictions that went into place during World War II limited the growth of the new service.

Following the end of the war, the FCC moved to standardize its frequency allocations. One area of concern was the effects of tropospheric and Sporadic E propagation, which at times reflected station signals over great distances, causing mutual interference. A particularly controversial proposal, spearheaded by the Radio Corporation of America (RCA), which was headed by David Sarnoff, was that the FM band needed to be shifted to higher frequencies in order to avoid this potential problem. Armstrong charged that this reassignment had the covert goal of disrupting FM radio development, ^[10] however RCA's proposal prevailed, and on June 27, 1945 the FCC announced the reassignment of the FM band to 80 channels from 88–106 MHz (which was soon expanded to 100 channels from 88–108 MHz), while allocating the former FM band frequencies to "non-government fixed and mobile" (42–44 MHz), and television channel 1 (44–50 MHz), controversially ignoring the effect of tropospheric and Sporadic E propagation on those services. ^{[11] [12]}

A period of allowing existing FM stations to broadcast on both the original "low" and new "high" FM bands followed, though as late as 1947, in Detroit, there were only 3,000 FM receivers in use for the new band, and 21,000 for the old band. ^[13] The dual band transition period ended at midnight on January 8, 1949, at which time all low band transmissions had to end, making obsolete 395,000 receivers ^[14] already purchased by the public for the original band. Although converters were manufactured allowing low band FM sets to receive high band transmissions, they were complicated to install and often as (or more) expensive than buying a new high band set. ^[15] The greater expense was the cost for the radio stations converting to the new FM radio band. The FM radio industry did not recover significantly from the setback until the upsurge in high fidelity equipment in the late 1950s.

In the early 1960s, FM began to benefit from increased investment, as broadcasters looked to it to expand their markets; television had been built out by this point, and the shift to music as the dominant format of AM in the wake of television and the rise of rock 'n' roll had led to an AM band so crowded that the FCC was limiting many stations to daytime-only operation, a restriction to which FM was not subject. The FCC gave FM two boosts in the early 1960s: first by setting a technical standard for stereo broadcasts, and second by adopting the FM Non-Duplication Rule in 1964, prohibiting broadcasters with an AM and FM license in cities of more than 100,000 from transmitting more than 50% of the same programming on both stations. ^[16]

By the end of the 1970s, 50.1% of radio listeners were listening to FM stations, ending AM's historical lead. By 1982, FM commanded 70% of the general audience, and 84% among the 12- to 24-year-old demographic. ^[17] The shift in popularity of FM radio over AM in United States during the 1970s has been called by record producer Steve Greenberg "a seismic technological shift that had torn apart the very idea of the mass audience upon which pop hits depended". ^[17] (AM radio would adapt by shifting its focus to talk radio, which would be deregulated in the late 1980s after the repeal of the Fairness Doctrine.)

FM radio channel assignments in the U.S.

In the United States, FM broadcasting stations operate on a 20.2 MHz-wide frequency band, spanning from 87.8 MHz to 108 MHz. This is divided into 101 0.2 MHz-wide channels, which are designated as channels 200 through 300. In actual practice, few except the FCC use these channel numbers; the frequencies are used instead. (Stations that broadcast on 87.7 MHz are in actuality licensed as television stations.)

FM radio channels, established in 1945 ^[18] (channel 200 was added in 1978) ^[19]

MHz	Chan No.	MHz	Chan No.	MHz	Chan No.	MHz	Chan No.	MHz	Chan No.
87.9	200	92.9	225	97.9	250	102.9	275	107.9	300
88.1	201	93.1	226	98.1	251	103.1	276
88.3	202	93.3	227	98.3	252	103.3	277
88.5	203	93.5	228	98.5	253	103.5	278
88.7	204	93.7	229	98.7	254	103.7	279
88.9	205	93.9	230	98.9	255	103.9	280
89.1	206	94.1	231	99.1	256	104.1	281
89.3	207	94.3	232	99.3	257	104.3	282
89.5	208	94.5	233	99.5	258	104.5	283
89.7	209	94.7	234	99.7	259	104.7	284
89.9	210	94.9	235	99.9	260	104.9	285
90.1	211	95.1	236	100.1	261	105.1	286
90.3	212	95.3	237	100.3	262	105.3	287
90.5	213	95.5	238	100.5	263	105.5	288
90.7	214	95.7	239	100.7	264	105.7	289
90.9	215	95.9	240	100.9	265	105.9	290
91.1	216	96.1	241	101.1	266	106.1	291
91.3	217	96.3	242	101.3	267	106.3	292
91.5	218	96.5	243	101.5	268	106.5	293
91.7	219	96.7	244	101.7	269	106.7	294
91.9	220	96.9	245	101.9	270	106.9	295
92.1	221	97.1	246	102.1	271	107.1	296
92.3	222	97.3	247	102.3	272	107.3	297
92.5	223	97.5	248	102.5	273	107.5	298
92.7	224	97.7	249	102.7	274	107.7	299

To receive a station, an FM receiver is tuned to the center frequency of the station's channel. The lowest and almost-unused channel, channel 200, extends from 87.8 MHz to 88.0 MHz; thus its center frequency is 87.9 MHz. Channel 201 has a center frequency of 88.1 MHz, and so on, up to channel 300, which extends from 107.8 to 108.0 MHz and has a center frequency of 107.9 MHz.

Because each channel is 0.2 MHz wide, the center frequencies of adjacent channels differ by 0.2 MHz. Because the lowest channel is centered on 87.9 MHz, the tenths digit (in MHz) of the center frequency of any FM station in the United States is always an odd number. FM audio for analog television channel 6 is broadcast at a carrier frequency of 87.75 MHz, and many radios can tune this low; full-power stations ceased analog operations in 2009 under FCC orders, but a few low-power stations are still operated solely for their right to use this frequency and broadcast only nominal video programming, if any (these, too, will reportedly eventually be forced to shut down). For the same reason, assignment restrictions between TV stations on channel 6 and nearby FM stations are stringent: there is only one station in the United States (CSN International translator K200AA in Sun Valley, Nevada) licensed to operate on 87.9 MHz, because it was forced off of another channel. Therefore, in effect, the FM broadcast band comprises only FM channels 201 (88.1 MHz) through 300 (107.9 MHz).

Originally, FM stations in a market were generally spaced four channels (800 kHz) apart. This spacing was developed in response to problems perceived on the original FM band, mostly due to deficiencies in receiver technology of the time. With modern equipment, this is widely understood to be unnecessary, and in many countries shorter spacings are used. (See FM broadcast band.) Other spacing restrictions relate to mixing products with nearby television, air-traffic control, and two-way radio systems as well as other FM broadcast stations. The most significant such taboo restricts the allocation of stations 10.6 and 10.8 MHz apart, to protect against mixing products which will interfere with an FM receiver's standard 10.7 MHz intermediate frequency stage.

Commercial broadcasting is licensed only on channels 221 through 300 (the upper 80 channels, frequencies between 92.1 and 107.9 MHz), with 200 through 220 (the lower 21 channels, frequencies between 87.9 and 91.9 MHz) reserved for non-commercial educational (NCE) broadcasting. In some "Twin city" markets close to the Canada–United States or Mexico–United States border, such as Detroit, Michigan, and Windsor, Ontario, or San Diego, California, and Tijuana, Baja California, commercial stations operating from those countries target U.S. audiences on "reserved band" channels, as neither Canada nor Mexico has such a reservation. Because of this necessary sharing, the FCC reserves a few other channels for such NCE stations.

FM stations in the U.S. are now assigned based on a table of separation distance values from currently licensed stations, based on station "class" (power output, antenna height, and geographical location). These regulations (see Docket 80-90) have resulted in approximately double the number of possible stations, and increases in allowable power levels, over the original bandplan scheme described above. All powers are specified as effective radiated power (ERP), which takes into account the magnifying effect (gain) of certain antenna types.

FM broadcast zones in the U.S.

The U.S. is divided into Zone I (roughly the northeastern quarter of the U.S. mainland, excluding the far northern areas), Zone I-A (California south of 40 degrees latitude, U.S. Virgin Islands, Puerto Rico), and Zone II (all other locations). The highest-power stations are class C in zone II, and class B in the others. There are no B stations in zone II, nor any C stations in the others. (See the list of broadcast station classes.) Canada is also divided in this manner, based on the most highly populated regions.

High power is useful in penetrating buildings, diffracting around hills, and refracting for some distance beyond the horizon. 100,000-watt FM stations can regularly be heard up to 100 miles (160 km) away, and farther (e.g., 150 miles, 240 km) if there are no competing signals.

A few old "grandfathered" stations do not conform to these power rules. WBCT (93.7) in Grand Rapids, Michigan, runs 320,000 watts ERP, and can increase to 500,000 watts ERP by the terms of its original license. This huge power level does not usually help to increase range as much as one might expect, because VHF frequencies travel in nearly straight lines over the horizon and off into space. Nevertheless, when there were fewer FM stations competing, this station could be heard near Bloomington, Illinois, almost 300 miles (480 km) distant.

See also

• FM broadcasting
• FM broadcast band
• AM broadcasting
• AM stereo
• List of broadcast station classes
• History of radio
• RDS (Radio Data System)
• Oldest radio station

References

1. "Upper Bands Set Aside for Television", Broadcasting, November 1, 1937, pages 60-61.
2. "New Static-Less Radio Broadcast Eliminates All Extraneous Noises" (UP), San Bernardino (California) Sun, June 18, 1936, page 2.
3. Rebel in Radio by Elliot A. Sanger, 1973, page 50.
4. "Armstrong Modulation System Makes Public Bow on Yankee", Broadcasting, August 1, 1939, page 24.
5. "First F-M Network Broadcast", Broadcasting, January 15, 1940, page 32.
6. "FCC Order No. 67", Federal Register, May 25, 1940, page 2011.
7. "New FM Call Letters Proposed", Broadcasting, November 15, 1940, page 77.
8. "New FM Station of WSM, Nashville, Starts Operation With 70 Hours Weekly", Broadcasting, March 10, 1941, page 46.
9. "Really the First", Broadcasting, March 24, 1941, page 39.
10. Lawrence Lessing (1956). Man Of High Fidelity. J. B. Lippincott.
11. "FCC Allocates 88-106 mc Band to FM" by Bill Bailey, Broadcasting, July 2, 1945, pages 13-14.
12. "FCC Allocations Order Text", Broadcasting, July 2, 1945, pages 64-68.
13. "From Fledgling to Floundering to Flourishing: A history of FM Broadcasting in Michigan from the 1930s through the 1960s" by George Bednarik, 2003 (michiguide.com)
14. INS (June 27, 1945). "395,000 FM Radio Sets Must Be Replaced". Journal Gazette. p. 6. Retrieved 2017-08-14– via Newspapers.com.
15. "Pre-War FM Radio Sets to Become Obsolete Saturday". The Times. January 6, 1949. p. 1. Retrieved 2017-08-14– via Newspapers.com.
16. McGregor, Michael A.; Driscoll, Paul D.; McDowell, Walter (2016). Head's Broadcasting in America: A Survey of Electronic Media (10th ed.). Routledge. p. 33. ISBN   9781317347934 . Retrieved June 24, 2019.
17. Greenberg, Steve (November 29, 2012), Michael Jackson's 'Thriller' at 30: How One Album Changed the World, Billboard, retrieved April 15, 2014
18. "FCC Adopts FM Set Numbering System", Broadcasting, November 19, 1945, page 4.
19. "FCC moves to overhaul rules for noncommercial radio and TV", Broadcasting, June 12, 1978, page 50.

External links

Related websites

• An Introduction to FM MPX
• Stereo for Dummies Many graphs that show waveforms at different points in the FM Multiplex process
• FM Transmitters