Temple of Poseidon, Sounion

Last updated

Temple of Poseidon
Ναός του Ποσειδώνα
Greece Cape Sounion BW 2017-10-09 10-12-43.jpg
View of the temple
Greece location map.svg
Red pog.svg
Location within Greece
General information
Type Greek temple
Architectural style Ancient Greek architecture
Location Cape Sounion, Greece
Coordinates 37.6592°N 24.0148°E
Completedc. 444–440 BC

The Temple of Poseidon is an ancient Greek temple on Cape Sounion, Greece, dedicated to the god Poseidon. There is evidence of the establishment of sanctuaries on the cape from as early as the 11th century BC. Sounion's most prominent temples, the Temple of Athena and the Temple of Poseidon, are however not believed to have been built until about 700 BC, and their kouroi (freestanding Greek statues of young men) date from about one hundred years later. [1] The material and size of the offerings at the Temple of Poseidon indicate that it was likely frequented by members of the elite and the aristocratic class. [2]

Contents

The Greeks considered Poseidon to be the "master of the sea". [3] Given the importance to Athens of trade by sea and the significance of its navy in its creation and survival during the fifth century, Poseidon was of a particular relevance and value to the Athenians. [3] 37°39′01″N24°01′28″E / 37.6502°N 24.02455°E / 37.6502; 24.02455

Geography

Approximately 13 kilometres (8.1 mi) south of Thorikos in the southern most region of Attica, the deme of Sounion is most well known for its sanctuaries of Poseidon and Athena. Its placement at the foot of Attica allowed it to function as a border deme as it could easily be seen by ships nearing Attica. [2]

History

1887 depiction Athene-Tempel auf Cap Sunion - Schweiger Lerchenfeld Amand (freiherr Von) - 1887.jpg
1887 depiction

The original, Archaic-period temple of Poseidon on the site, which was built of tufa, was probably destroyed in 480 BCE by Persian troops during Xerxes I's invasion of Greece. Although there is no direct evidence for Sounion, Xerxes certainly had the temple of Athena, and everything else on the Acropolis of Athens, razed as punishment for the Athenians' defiance. [4] After they defeated Xerxes in the naval Battle of Salamis, the Athenians placed an entire captured enemy trireme (warship with three banks of oars) at Sounion as a trophy dedicated to Poseidon. [5]

Placement

The temple of Poseidon at Sounion was constructed from 444 to 440 BCE. This was during the ascendancy of the Athenian statesman Pericles, who also rebuilt the Parthenon in Athens. The temple of Poseidon was built on the ruins of a temple dating from the Archaic period, about which the Greek geographer Strabo noted: "Geraistos [in Euboia] . . . is conveniently situated for those who are sailing across from Asia to Attica since it is near Sounion. It has a sanctuary (hieron) of Poseidon, the most notable of those in that part of the world, and also a noteworthy settlement." [6]

The Greeks often chose temple locations that were physically related to or suggestive of the deity honored in the temples. Peak sanctuaries, for example, were often dedicated to Zeus, the god of the heavens and weather. [7]

The choice of location was however also often influenced by practical considerations. According to the authors of Ancient Greece – Temples and Sanctuaries, the decision to build the temple at Sounion is clearly related to the visibility of the sea lanes to and from Piraeus, which provided the first and final vantage points from which incoming and exiting ships could be seen. [7] The Cape of Sounion can be found on the coast of the Myrtoan Sea in the southern part of Greece.

Jessica Paga and Margaret M. Miles argue that the most plausible explanation for the location of the temple was connected with the increasing strength and prominence of the Athenian navy. Coupled with the ongoing conflict of Athens with the islanders of Aegina was the threat to Athens from the Boeotians and Chalkidians in 506/5 BCE. The placement of the temple can be seen as serving both military and economic strategies. Cape Sounion, the most southern part of Attica, witnessed a lot of mercantile naval traffic. A temple there could also have served the purpose of surveillance for potential enemy attacks. [8] According to archaeologists from the University of Vienna's Institute of Classical Archeology, the degree of access or accessibility of Sounion itself for Athenians and members of the cult of Poseidon from other demes remains unclear. [9]

Construction

Secured by its own peribolos (court enclosed by a wall), propylaea (gateway), and two stoas (covered walkways or porticos), the construction of the ancient Temple of Poseidon around 490 BCE was likely a large investment made by the state of Athens. Between 508/7 and 480/79 BCE Athens is believed to have supported the founding and expansion of several sanctuaries in Attica, including those at Rhamnous, Mounychia in Piraeus, and Eleusis. [10]

As already explained above, one reason for the construction of the temple may have been militarily important and strategic location of the temple. Following the battle with the Persians at Marathon, the Athenians were weak and were vulnerable to a naval strike. Athens at the time faced nearby enemies, like the island of Aigina, that could have taken advantage of Athen's recovering army by attacking by sea. Therefore, Athens needed a lookout, for which Cape Sounion was the perfect place because anyone traveling by the coast of Attica needed to go around Cape Sounion. So construction of the temple right beside the water was a military tactic that secured an outpost in a highly trafficked area in order to keep tabs on the movements of enemies. [8]

Cult activity

As indicated by literary and archaeological evidence, the "leveled summit" on the coast of Cape Sounion was likely a cult site from as early as the end of the eighth century BCE. Two cult centers dedicated to Athena and Poseidon respectively are believed to have been established by 700 BCE. [10]

Architecture

Floor plan Sounionplan.jpg
Floor plan

Physical layout

Excluding the corner blocks, each side of the temple was composed of twenty-three intermediate blocks. [7] At the centre of the temple, beyond the colonnade, there would have been the hall of worship (naos), a windowless rectangular room, similar to the partly intact hall at the Temple of Hephaestus. It would have contained, at one end facing the entrance, the cult image, a colossal, ceiling-height (6 metres (20 ft)) bronze statue of Poseidon. [11] It has been found that the original plan for the temple was to construct 6x12 columns rather than the 6x13 columns that we find at the temple today, which was discovered by German archaeologist Wilhelm Dorpfeld. [8] At the temple, it can be seen that there are large stretches of the paintings on the temple were preserved from erosion on the marble. The parts that did suffer erosion still have remnants of the outline of the art that once covered the surface. [12]

Design

American architectural historian William Dinsmoor argues that the marble ceilings of the flanks of the temple are rare in the design of Greek temples. Of the slot type they presented having marble beams wider than the slots. The holes formed by this design were then enveloped by two thin slabs of marble. Similar to the architecture of the Hephaisteion, the temple of Hephaestus, the ceilings of the porches including those behind the end colonnades were of the coffer type and normal beam. [7]

Materials

There are many materials that went into the construction of the Temple of Poseidon at Sounion. The main temple we see today is mainly made out of marble with an intricate taenia (the fancy borders on the ceiling). [8] The marble is an Agrileza marble. The marble used on the Temple of Poseidon at Sounion came from the marble quarries, a place where marble is removed from the earth, in the Agrileza mines. This type of marble was 'coarsed grained' meaning that it had a rougher texture than smooth, shiny marble. [13] What makes the Temple of Poseidon at Sounion so interesting is that it was built on top of another old temple. The materials that the older temple was made out of was limestone rock, which was also integrated into the structure of the current remains of the temple. This was discovered in 1884 by German archeologist Wilhelm Dorpfeld. Dorpfeld found that the new temple, considered Classical, was built on top of another temple from a different time period regarded as the Archaic period. [8] When building the new temple on top of the old, the marble was laid on top of the old limestone crepidoma, in a way that enveloped it. [8] The Archaic period dates back to 800 BCE to 650 BCE a period of time that began after the Persians left Greece. [14] The classical period dates from 480-323 BCE.

Observable features

Temple of Poseidon in 2022 Temple of Poseidon 01.jpg
Temple of Poseidon in 2022

Crepidoma

Two euthynteria blocks of the archaic temple remain somewhat visible and in situ lying beneath the southeast corner of the modern version of the temple. Their overall dimensions are difficult to determine given the overlap between modern limestone and ancient marble. There are visible indentations, however, from what were likely close-tined claw-tooth chisels. With nineteen individual step blocks along the east and south sides of the temple, these blocks remain distinguishable by the consistency in length, height, lifting bosses, and chamfered edges. Several of these blocks appear discolored, providing a potential indication of burning. [8]

The colonnades

At least forty-one column limestone drums have been identified. Several of these drums contain cuttings that are diverse in their depth and size, ranging from 6.5 to 7.5 centimetres (2.6 to 3.0 in) per side. At least one third of the column drums possess an articulated band that were likely used to properly arrange and align the drums into the correct placement or order within the column shaft. [8]

Archaeology

Painting from Edward Dodwell, Views of Greece (1821) Dodwell Temple at Sounion.jpg
Painting from Edward Dodwell, Views of Greece (1821)

Excavations by Valerios Stais

Executed between 1897 and 1915, Valerios Stais’ excavations of the Temple of Poseidon and the Temple of Athena at Sounion were, and continue to remain, the most elaborate and thorough excavations of these sites. As a result of his excavation, Stais uncovered a significant array of pottery, which included terracotta relief and painted plaques, small, terracotta sculptures, seals, scarabs, faience amulets, and metal objects that were likely remnants of jewelry or weapons. [1] Stais also uncovered inscriptions that offered greater insight into who the temples were built for, falsifying Pausanias’ claim that the temple on the cliff was dedicated to the goddess Athena, rather than the god Poseidon. In his excavations of both the Temple of Poseidon at Sounion and the Temple of Athena at Sounion, Stais found large pits ( bothros ) filled with fragments of marble sculptures and remnants of votive offerings, leading him to believe that these remains came as a result of the destruction of both temples by the Persians in 479. [8]

Terracotta and plaques

At the temple of Poseidon at Sounion, there are many remnants of pottery and handmade ceramics. It has been observed that there are many handmade votives and made remarkable observations about the gendered figurines. Many terracotta artifacts have been found at the sanctuary. Votives in ancient Greece were a symbol and a representation that one visited and was present at the temple. The votives served as an offering to the god to whom the temple was dedicated. For example, three votives that are worth noting are the three plaques found at the Temple of Poseidon at Sounion. Notable remnants found at the temple are three plaques that each depict different images. One is of a god; it is believed that the figure on this plaque is a god because the figure on it has wings. Another plaque has an image of a piece of clothing called a chiton that was used by both men and women during that time period. This second plaque however does not show the entire figure, so it is unknown if it is male or female because only the lower half is depicted. The last one is the image of a male and it is believed that it due to the characteristics of the man, he was a chariot driver, also known as a charioteer. [1]

Bothros

Of particular significance of the bothros he uncovered was in 1907, just outside the old polygonal wall at the south-east corner of the sanctuary. Inside the bothros were a variety of offerings including scarabs and seals, terracotta relief plaques, pottery, and faience figurines, the majority of which could be date to the late eighth to the early fifth centuries BC. [10]

The most significant of these offerings is the intricate metalwork. Consisting of twenty four copper based artifacts found not too far from the Laurion mines, it is very possible that several of these objects were produced locally. These artifacts include a human figurine depicting that of a warrior god from the east with two spiral rings from the eighth century BC, the sculpture of bull from the mid-seventh century, and a cylinder shaped bead, six functional arrowheads, seven plain-finger rings, a pair of tweezers and a nail cap, one ex-voto double axe, and one ex-voto spearhead all from the seventh-sixth centuries BC. [10]

Zoomorphic figurines

Zoomorphic figurines also compose a large portion of the offerings uncovered in the bothros. At least two thirds of those found are chariot groups and horses with and without a rider. The remaining third of figurines includes bovines, goats, rams, a dove, and a dog. [1]

Archaic temple

In 1884, Wilhelm Dörpfeld conducted a systematic excavation of the area surrounding the Temple of Poseidon. Of his most significant findings, Dörpfeld uncovered the remnants of a previous Archaic limestone temple beneath the modern Temple of Poseidon. This led Dörpfeld to argue that the previous temple had been demolished by the Persians in 480/479 BC, thereby providing explanations for the archaic temple's unfluted columns, lack of a roof, and evidence of a tremendous fire. During his excavations, Valerios Stais uncovered part of the inner foundation that likely supported an interior colonnade of the previous temple. [8] According to archaeologists Jessica Paga and Margaret M. Miles, although not complete in its construction at the time of its demise, this archaic temple possessed measurements (ca. 13.06 by 30.20 metres (42.8 ft × 99.1 ft)). that are consistent with today's temple. The Archaic temple, before its destruction, is likely to have been considerably close to being completed. Archaeologists have found that the Archaic temple may have had at least its walls up before it was destroyed. The construction is believed to have reached to geison-level, and possibly have been partially roofed with just the wooden structure. It is very likely that the Archaic temple's peristyle was as tall as the geison and columns of the current temple. The Archaic temple and modern temple share very similar features and dimensions. However, the modern temple was constructed just slightly large enough to cover the crepidoma of the old temple. The crepidoma is the slightly raised structure at the base of a Greek temple, which are considered as the steps that lead into the temple. [8] Based upon its architectural style, this earlier temple was likely constructed sometime around the first quarter of the 5th century. [2]

Demise

Some archaeologists have argued that disaster struck the Archaic temple, the date of which is unknown. Staїs, for example, theorizes that the temple's collapse could have been due to the strength of high winds or by an earthquake. Based upon the architectural style of the remains, archaeologists argue that the archaic temple was built around 500 BC. It is worth noting that the construction of such an extravagant building likely required the receiving of funds and administrative support from central Athens. Given the evidence of advanced organizations dedicated to administration and finances, Athens was likely capable of supporting the construction of these temples. [8]

Current situation

The temple at sunset Temple of Poseidon at Cape Sounion, Greece.jpg
The temple at sunset

Visitor accessibility

According to the Ministry of Culture and Sports, the sanctuary is open to visitors during the winter and summer seasons, from 9:30 am to sunset. Free admission days include the sixth of March (to remember and honor Melina Mercouri), International Monuments Day (April 18), International Museums Day (May 18), the last weekend of September every year, October 28, and the first Sunday of the month beginning November 1 to March 31. The full price of admission is €10 and the reduced rate is €5. The sanctuary is closed on March 25 in celebration of Greek Independence Day. [15]

Columns in Venice and England

In 1825, two columns of the temple collapsed. At least one of the two, the fifth from the northeast corner, was dismantled on the orders of Amilcare Paulucci, commander of the Imperial Austrian Navy, and taken to the Venetian Arsenal in 1826. Five of the eight original drums and the column capital were afterwards reassembled and placed in the garden of a neoclassical palazzo on Fondamenta Briati ( 45°26′01″N12°19′15″E / 45.433728°N 12.320703°E / 45.433728; 12.320703 (Sounion temple column, Venice) ). The blocks bear a number of modern inscriptions, including by French sailors: "Le Zefire Bric Du ROI 1816." [16]

From the column, an intact pair of wooden dowels, inscribed ΕΥΘΥ and Ε in early-to-mid-5th century BCE lettering, was recovered and placed on display in the Seminario Patriarcale in Venice. The current location is unknown. [16]

Currently there are five known column drums of the temple located in England. Four drums are displayed in the garden of Chatsworth House as a base of a bust of the sixth Duke of Devonshire. They are presumably the bottom, third, fourth and the sixth drum taken from a single column. [16] The British Museum preserves another one which is probably the seventh. [17]

Related Research Articles

<span class="mw-page-title-main">Acropolis of Athens</span> Ancient citadel above the city of Athens

The Acropolis of Athens is an ancient citadel located on a rocky outcrop above the city of Athens, Greece, and contains the remains of several ancient buildings of great architectural and historical significance, the most famous being the Parthenon. The word Acropolis is from the Greek words ἄκρον and πόλις. The term acropolis is generic and there are many other acropoleis in Greece. During ancient times the Acropolis of Athens was also more properly known as Cecropia, after the legendary serpent-man Cecrops, the supposed first Athenian king.

<span class="mw-page-title-main">Parthenon</span> Temple on the Athenian Acropolis, Greece

The Parthenon is a former temple on the Athenian Acropolis, Greece, that was dedicated to the goddess Athena during the fifth century BC. Its decorative sculptures are considered some of the high points of classical Greek art, an enduring symbol of Ancient Greece, democracy and Western civilization.

<span class="mw-page-title-main">Eleusinion</span> Ancient sanctuary of Eleusinian Demeter in Athens near the Ancient Agora

Eleusinion, also called the City Eleusinion was a sanctuary on the lower part of the north slope of the Acropolis in Athens, Greece, dedicated to Demeter and Kore (Persephone). It was the central hub of Eleusinian Mysteries within Athens and the starting point for the annual procession to Eleusis, in the northwest of Attica. Religious activity is attested in the area from the 7th century BC and construction took place throughout late Archaic, Classical, Hellenistic, and Roman periods. The sanctuary was enclosed within the new city walls built after the Herulian sack of Athens in AD 267 and it remained in use until the late fourth century AD.

<span class="mw-page-title-main">Erechtheion</span> Ancient Greek temple

The Erechtheion or Temple of Athena Polias is an ancient Greek Ionic temple on the north side of the Acropolis, Athens, which was primarily dedicated to the goddess Athena.

<span class="mw-page-title-main">Temple of Athena Nike</span> Ancient Greek temple on the Acropolis of Athens

The Temple of Athena Nike is a temple on the Acropolis of Athens, dedicated to the goddesses Athena and Nike. Built around 420 BC, the temple is the earliest fully Ionic temple on the Acropolis. It has a prominent position on a steep bastion at the south west corner of the Acropolis to the right of the entrance, the Propylaea. In contrast to the Acropolis proper, a walled sanctuary entered through the Propylaea, the Victory Sanctuary was open, entered from the Propylaea's southwest wing and from a narrow stair on the north. The sheer walls of its bastion were protected on the north, west, and south by the Nike Parapet, named for its frieze of Nikai celebrating victory and sacrificing to their patroness, Athena and Nike.

<span class="mw-page-title-main">Kouros</span> Ancient Greek sculptures

Kouros is the modern term given to free-standing Ancient Greek sculptures that depict nude male youths. They first appear in the Archaic period in Greece and are prominent in Attica and Boeotia, with a less frequent presence in many other Ancient Greek territories such as Sicily. Such statues are found across the Greek-speaking world; the preponderance of these were found in sanctuaries of Apollo with more than one hundred from the sanctuary of Apollo Ptoion, Boeotia, alone. These free-standing sculptures were typically marble, but the form is also rendered in limestone, wood, bronze, ivory and terracotta. They are typically life-sized, though early colossal examples are up to 3 meters tall.

<span class="mw-page-title-main">Ancient Greek temple</span> Buildings housing cult statues in Greek sanctuaries

Greek temples were structures built to house deity statues within Greek sanctuaries in ancient Greek religion. The temple interiors did not serve as meeting places, since the sacrifices and rituals dedicated to the respective ouranic deity took place outside them, within the wider precinct of the sanctuary, which might be large. Temples were frequently used to store votive offerings. They are the most important and most widespread surviving building type in Greek architecture. In the Hellenistic kingdoms of Southwest Asia and of North Africa, buildings erected to fulfill the functions of a temple often continued to follow the local traditions. Even where a Greek influence is visible, such structures are not normally considered as Greek temples. This applies, for example, to the Graeco-Parthian and Bactrian temples, or to the Ptolemaic examples, which follow Egyptian tradition. Most Greek temples were oriented astronomically.

<span class="mw-page-title-main">Sounion</span> Greek cape at the southernmost tip of the Attic peninsula

Cape Sounion is the promontory at the southernmost tip of the Attica peninsula, 8 kilometres (5.0 mi) south of the town of Lavrio, and 69.5 km southeast of Athens in the Athens Riviera. It is part of Lavreotiki municipality, East Attica, Greece.

<span class="mw-page-title-main">National Archaeological Museum, Athens</span> National museum in Athens, Greece

The National Archaeological Museum in Athens houses some of the most important artifacts from a variety of archaeological locations around Greece from prehistory to late antiquity. It is considered one of the greatest museums in the world and contains the richest collection of Greek Antiquity artifacts worldwide. It is situated in the Exarcheia area in central Athens between Epirus Street, Bouboulinas Street and Tositsas Street while its entrance is on the Patission Street adjacent to the historical building of the Athens Polytechnic university.

<span class="mw-page-title-main">Brauron</span> City of ancient Attica, Greece

Brauron was one of the twelve cities of ancient Attica, but never mentioned as a deme, though it continued to exist down to the latest times. It was situated on or near the eastern coast of Attica, between Steiria and Halae Araphenides, near the river Erasinus. Brauron is celebrated on account of the worship of Artemis Brauronia, in whose honour a festival was celebrated in this place. This site includes the remains of a temple, a stoa, and a theatre, providing insights into the religious practices and social life of ancient Greece. Its significance as a religious and cultural site can be further understood through the exploration of its archeological remains and historical accounts.

<span class="mw-page-title-main">Lycosura</span> Archaeological site in Greece

Lycosura was a city in the ancient Parrhasia region of south Arcadia said by Pausanias to be the oldest city in the world, although there is no evidence for its existence before the fourth century BCE. Its current significance is chiefly associated with the sanctuary of the goddess Despoina, which contained a colossal sculptural group that Pausanias wrote was made by Damophon of Messene. This group comprises acrolithic-technique statues of Despoina and Demeter seated on a throne, with statues of Artemis and the Titan Anytos standing on either side of them – all in Pentelic marble. The dates of both the temple and the sculptural group have occasioned some dispute. Remains of a stoa, altars, and other structures have been found at the site as well. The Sanctuary of Despoina at Lycosoura is located 9 km WSW of Megalopolis, 6.9 km SSE of Mount Lykaion, and 160 km SW of Athens. There is a small museum at the archaeological site housing small finds as well as part of the cult group, while the remains of the cult statues of Despoina and Demeter are displayed at the National Archaeological Museum of Athens.

<span class="mw-page-title-main">Kalaureia</span> Island in Greece

Kalaureia or Calauria or Kalavria is an island close to the coast of Troezen in the Peloponnesus of mainland Greece, part of the modern island-pair Poros.

<span class="mw-page-title-main">Old Temple of Athena</span> Ancient temple on the Athenian Acropolis

The Old Temple of Athena or the Archaios Neos was an archaic Greek limestone Doric temple on the Acropolis of Athens probably built in the second half of the sixth-century BCE, and which housed the xoanon of Athena Polias. The existence of an archaic temple to Athena had long been conjectured from literary references until the discovery of substantial building foundations under the raised terrace between the Erechtheion and Parthenon in 1886 confirmed it. While it is uncontroversial that a temple stood on the central acropolis terrace in the late archaic period and was burnt down in the Persian invasion of 480, nevertheless questions of its nature, name, reconstruction and duration remain unresolved.

<span class="mw-page-title-main">Older Parthenon</span> Ancient temple in the Acropolis of Athens

The Older Parthenon or Pre‐Parthenon, as it is frequently referred to, constitutes the first endeavour to build a sanctuary for Athena Parthenos on the site of the present Parthenon on the Acropolis of Athens. It was begun shortly after the battle of Marathon upon a massive limestone foundation that extended and leveled the southern part of the Acropolis summit. This building replaced a hekatompedon and would have stood beside the archaic temple dedicated to Athena Polias.

<span class="mw-page-title-main">Delphi Archaeological Museum</span> Archaeological museum in Delphi, Greece

Delphi Archaeological museum is one of the principal museums of Greece and one of the most visited. It is operated by the Greek Ministry of Culture. Founded in 1903, it has been rearranged several times and houses the discoveries made at the Panhellenic sanctuary of Delphi, which date from the Late Helladic (Mycenean) period to the early Byzantine era.

<span class="mw-page-title-main">Temple of Apollo Patroos</span>

The Temple of Apollo Patroos is a small ruined temple on the west side of the Ancient Agora of Athens. The original temple was an apsidal structure, built in the mid-sixth century BC and destroyed in 480/79 BC. The area probably remained sacred to Apollo. A new hexastyle ionic temple was built ca. 306-300 BC, which has an unusual L-shaped floor plan. Some fragments from the sculptural decoration of this structure survive. The colossal cult statue, by Euphranor, has also been recovered.

<span class="mw-page-title-main">Athenian Treasury</span> Building in Delphi, Greece

The Athenian Treasury at Delphi was constructed by the Athenians to house dedications and votive offerings made by their city and citizens to the sanctuary of Apollo. The entire treasury including its sculptural decoration is built of Parian marble. The date of construction is disputed, and scholarly opinions range from 510 to 480 BCE. It is located directly below the Temple of Apollo along the Sacred Way for all visitors to view the Athenian treasury on the way up to the sanctuary.

The Sounion Kouros is an early archaic Greek statue of a naked young man or kouros carved in marble from the island of Naxos around 600 BCE. It is one of the earliest examples that scholars have of the kouros-type which functioned as votive offerings to gods or demi-gods, and were dedicated to heroes. Found near the Temple of Poseidon at Cape Sounion, this kouros was found badly damaged and heavily weathered. It was restored to its original height of 3.05 meters (10.0 ft) returning it to its larger than life size. It is now held by the National Archaeological Museum of Athens.

<span class="mw-page-title-main">Athens Riviera</span> Riviera in Attica, Greece

Athens Riviera is the coastal area in the southern suburbs of Athens, Greece from Piraeus to Sounio and Lavrio. It is located about 16 km (9.9 mi) from downtown Athens stretching from the southern suburbs of Athens to the southernmost points of Attica.

<span class="mw-page-title-main">Sanctuary of Artemis Orthia</span> Sanctuary at Sparta

The Sanctuary of Artemis Orthia, an Archaic site devoted in Classical times to Artemis, was one of the most important religious sites in the Greek city-state of Sparta, and continued to be used into the fourth century CE, when all non-Christian worship was banned during the persecution of pagans in the late Roman Empire. The sanctuary was destroyed and rebuilt a few times over many centuries and has today produced many artefacts that allow historians to better understand exactly what went on in the sanctuary during that period of time. This sanctuary held many rituals, that included cult-like behaviour by both young males and females in varying ways and has also since revealed many artefacts due to multiple excavations that have helped to deliver new information on acts and behaviours that have occurred in at the temple in Orthia.

References

  1. 1 2 3 4 Theodoropoulou Polychroniadis, Zetta (2014). "Terracotta Offerings from the Sanctuaries of Poseidon and of Athena at Sounion". Les Carnets de l'Acost (11). doi: 10.4000/acost.426 .
  2. 1 2 3 Autopsy in Athens : Recent Archaeological Research on Athens and Attica, edited by Margaret M. Miles, Oxbow Books, Limited, 2015. ProQuest   2148251256.
  3. 1 2 Chatzifoti, Litsa, et al. “An Overview: Greek Sanctuaries and Worshop.” Ancient Greece: Temples and Sanctuaries, Toubis Editions, 2014, pp. 1–31.
  4. Herodotus, Histories VIII.53.
  5. Herodotus, Histories, VIII.121.
  6. Strabo, Geography 10. 1. 7
  7. 1 2 3 4 Dinsmoor, William B. (1974). "The Temple of Poseidon: A Missing Sima and Other Matters". American Journal of Archaeology. 78 (3): 211–238. doi:10.2307/503144. JSTOR   503144. S2CID   193085627.
  8. 1 2 3 4 5 6 7 8 9 10 11 12 Jessica Paga; Margaret m. Miles (2016). "The Archaic Temple of Poseidon at Sounion". Hesperia: The Journal of the American School of Classical Studies at Athens. 85 (4): 657. doi:10.2972/hesperia.85.4.0657. S2CID   133192326.
  9. Graml, Constanze; Hunziker, Manuel; Vukadin, Katharina (2019). "Cult and Crisis: A GIS Approach to the Sacred Landscape of Hellenistic Attica". Open Archaeology. 5: 383–395. doi: 10.1515/opar-2019-0024 . S2CID   203848709.
  10. 1 2 3 4 Theodoropoulou-Polychroniadis, Zetta, and Alexandros Andreou. “The Enigmatic Tool from the  Sanctuary of Poseidon at Sounion  New Evidence.” Metallurgy in Numismatics, The Royal Numismatic Society, Special publication No. 56 6 (2020): 291–302. Print.
  11. W. Burkert, Greek Religion (1987).
  12. Plommer, W. H. (1960). "The Temple of Poseidon on Cape Sunium: Some Further Questions". The Annual of the British School at Athens. 55: 218–233. doi:10.1017/S0068245400013393. JSTOR   30104489. S2CID   130757561.
  13. Plommer, W. H. (1950). "Three Attic Temples". The Annual of the British School at Athens. 45: 66–112. doi:10.1017/S0068245400006717. JSTOR   30096749. S2CID   191368719.
  14. "Greek Archaic Period". World History Encyclopedia. Retrieved 14 December 2021.
  15. “Sounion Information.” Ministry of Culture and Sports , http://odysseus.culture.gr/h/3/eh355.jsp?obj_id=2390 .
  16. 1 2 3 Beschi, Luigi (1970). "Disiecta membra del tempio di Poseidon al Capo Sunio". Annuario della Scuola Archeologica di Atene. 47-48 (1969-1970): 417–433.
  17. "column | British Museum". The British Museum. Retrieved 5 November 2022.