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1723 (MDCCXXIII) was a common year starting on Friday of the Gregorian calendar and a common year starting on Tuesday of the Julian calendar, the 1723rd year of the Common Era (CE) and Anno Domini (AD) designations, the 723rd year of the 2nd millennium, the 23rd year of the 18th century, and the 4th year of the 1720s decade. As of the start of 1723, the Gregorian calendar was 11days ahead of the Julian calendar, which remained in localized use until 1923.
The 1720s decade ran from January 1, 1720, to December 31, 1729.
1652 (MDCLII) was a leap year starting on Monday of the Gregorian calendar and a leap year starting on Thursday of the Julian calendar, the 1652nd year of the Common Era (CE) and Anno Domini (AD) designations, the 652nd year of the 2nd millennium, the 52nd year of the 17th century, and the 3rd year of the 1650s decade. As of the start of 1652, the Gregorian calendar was 10 days ahead of the Julian calendar, which remained in localized use until 1923.
1725 (MDCCXXV) was a common year starting on Monday of the Gregorian calendar and a common year starting on Friday of the Julian calendar, the 1725th year of the Common Era (CE) and Anno Domini (AD) designations, the 725th year of the 2nd millennium, the 25th year of the 18th century, and the 6th year of the 1720s decade. As of the start of 1725, the Gregorian calendar was 11 days ahead of the Julian calendar, which remained in localized use until 1923.
The year 1723 in music involved some significant events.
In 1724 Johann Sebastian Bach composed the church cantata Meine Seel erhebt den Herren, BWV 10, as part of his second cantata cycle. Taken from Martin Luther's German translation of the Magnificat canticle, the title translates as "My soul magnifies the Lord". Also known as Bach's German Magnificat, the work follows his chorale cantata format.
Throughout his life as a musician, Johann Sebastian Bach composed cantatas for both secular and sacred use. His church cantatas are cantatas which he composed for use in the Lutheran church, mainly intended for the occasions of the liturgical year.
Johann Sebastian Bach's Magnificat, BWV 243, is a musical setting of the biblical canticle Magnificat. It is scored for five vocal parts, and a Baroque orchestra including trumpets and timpani. It is the first major liturgical composition on a Latin text by Bach.
Johann Sebastian Bach was a German composer and musician of the late Baroque period. He is known for his orchestral music such as the Brandenburg Concertos; instrumental compositions such as the Cello Suites; keyboard works such as the Goldberg Variations and The Well-Tempered Clavier; organ works such as the Schubler Chorales and the Toccata and Fugue in D minor; and vocal music such as the St Matthew Passion and the Mass in B minor. Since the 19th-century Bach revival he has been generally regarded as one of the greatest composers in the history of Western music.
Erforsche mich, Gott, und erfahre mein Herz, BWV 136 is a church cantata by Johann Sebastian Bach. Bach composed the cantata in 1723 in Leipzig to be used for the eighth Sunday after Trinity. He led the first performance on 18 July 1723.
Most of Johann Sebastian Bach's extant church music in Latin—settings of the Mass ordinary and of the Magnificat canticle—dates from his Leipzig period (1723–50). Bach started to assimilate and expand compositions on a Latin text by other composers before his tenure as Thomaskantor in Leipzig, and he continued to do so after he had taken up that post. The text of some of these examples by other composers was a mixture of German and Latin: also Bach contributed a few works employing both languages in the same composition, for example his early Kyrie "Christe, du Lamm Gottes".
Schlage doch, gewünschte Stunde, BWV 53, is an aria for alto, bells, strings and continuo. It was likely composed in the early 18th century, although its date of first performance is unknown. From the second half of the 18th century until the early 1950s the aria was attributed to Johann Sebastian Bach. In 1955, it was suggested by the Bach scholar Karl Anton that the aria's composer was more likely to be a member of Melchior Hoffmann's circle.
The Magnificat in E-flat major, BWV 243a, also BWV 243.1, by Johann Sebastian Bach is a musical setting of the Latin text of the Magnificat, Mary's canticle from the Gospel of Luke. It was composed in 1723 and is in twelve movements, scored for five vocal parts and a Baroque orchestra of trumpets, timpani, oboes, strings and basso continuo including bassoon. Bach revised the work some ten years later, transposing it from E-flat major to D major, and creating the version mostly performed today, BWV 243.
Performances of Johann Sebastian Bach's Magnificat come in three formats:
Events from the year 1723 in France
Bach's first cantata cycle refers to the church cantatas Johann Sebastian Bach composed for the somewhat less than 60 occasions of the liturgical year of his first year as Thomaskantor in Leipzig which required concerted music. That year ran from the first Sunday after Trinity in 1723 to Trinity Sunday of the next year:
Johann Sebastian Bach worked at the ducal court in Weimar from 1708 to 1717. The composition of cantatas for the Schlosskirche on a regular monthly basis started with his promotion to Konzertmeister in March 1714.
The Magnificat in A minor, BWV Anh. 21, TWV 1:1748, is Melchior Hoffmann's musical setting of a German version of the Song of Mary from the Gospel of Luke. The composition originated around 1707, when the composer was director musices and organist of the Neue Kirche in Leipzig. Composed in A minor, the Magnificat is scored for soprano and small orchestra. The work was first published in the 1950s, and it was recorded by Magda László, by Joshua Rifkin, by Wolfgang Helbich, and by Deborah York, among others.