Joseph Frank "Buster" Keaton was an American actor, comedian and director. He is best known for his silent film work, in which his trademark was physical comedy accompanied by a stoic, deadpan expression that earned him the nickname "The Great Stone Face".
Andrew Sarris was an American film critic. He was a leading proponent of the auteur theory of film criticism.
Claude Henri Jean Chabrol was a French film director and a member of the French New Wave group of filmmakers who first came to prominence at the end of the 1950s. Like his colleagues and contemporaries Jean-Luc Godard, François Truffaut, Éric Rohmer and Jacques Rivette, Chabrol was a critic for the influential film magazine Cahiers du cinéma before beginning his career as a film maker.
Yasujirō Ozu was a Japanese filmmaker. He began his career during the era of silent films, and his last films were made in colour in the early 1960s. Ozu first made a number of short comedies, before turning to more serious themes in the 1930s. The most prominent themes of Ozu's work are family and marriage, and especially the relationships between generations. His most widely beloved films include Late Spring (1949), Tokyo Story (1953) and An Autumn Afternoon (1962).
Kinuyo Tanaka was a Japanese actress and film director. She had a career lasting over 50 years with more than 250 acting credits, but was best known for her 15 films with director Kenji Mizoguchi, such as The Life of Oharu (1952) and Ugetsu (1953). With her 1953 directorial debut, Love Letter, Tanaka became the second Japanese woman to direct a film, after Tazuko Sakane.
Sight and Sound is a monthly film magazine published by the British Film Institute (BFI). It has conducted the well-known ten-yearly Sight and Sound Poll of the Greatest Films of All Time since 1952.
In filmmaking, a long take is shot with a duration much longer than the conventional editing pace either of the film itself or of films in general. Significant camera movement and elaborate blocking are often elements in long takes, but not necessarily so. The term "long take" should not be confused with the term "long shot", which refers to the distance between the camera and its subject and not to the temporal length of the shot itself. The length of a long take was originally limited to how much film the magazine of a motion picture camera could hold, but the advent of digital video has considerably lengthened the maximum potential length of a take.
A Personal Journey with Martin Scorsese Through American Movies is a 1995 British documentary film of 225 minutes in length, presented by Martin Scorsese and produced by the British Film Institute.
Douglas Pipes is an American film score composer whose feature films include the Academy Award-nominated Monster House, the horror film Trick 'r Treat, and the Christmas comedy-horror film Krampus. His brassy instrumentations have drawn comparisons to action-music composer guru Alan Silvestri and his other orchestral-music composer counterparts Michael Giacchino, J.A.C. Redford and Joel McNeely. His chance encounter with Gil Kenan at UCLA California made him the perfect composer for this soundtrack and composed the music on his short film The Lark.
Film at Lincoln Center (FLC), previously known as the Film Society of Lincoln Center (FSLC) until 2019, is a nonprofit organization based in New York City, United States. Founded in 1969 by three Lincoln Center executives—William F. May, Martin E. Segal and Schuyler G. Chapin—the organization presents film festivals, retrospectives, new releases, restorations, and talks. Film at Lincoln Center is one of the eleven resident organizations at the Lincoln Center for the Performing Arts.
All-TIME 100 Movies is a list compiled by TIME magazine of the 100 "greatest" films that were released between March 3, 1923—when the first issue of TIME was published—and early 2005, when the list was compiled. Compiled by critics Richard Schickel and Richard Corliss, the list generated significant attention, receiving 7.8 million hits in its first week alone.
Shigehiko Hasumi is an influential film critic and an academic researcher on French literature from Japan. He was president of the University of Tokyo from 1997 to 2001.
This is Orson Welles is a 1992 book by Orson Welles and Peter Bogdanovich that comprises conversations between the two filmmakers recorded over several years, beginning in 1969. The wide-ranging volume encompasses Welles's life and his own stage, radio, and film work as well as his insights on the work of others. The book was edited after Welles's death, at the request of Welles's longtime companion and professional collaborator, Oja Kodar. Jonathan Rosenbaum drew from several incomplete drafts of the manuscript and many reel-to-reel tapes, most of which had already been transcribed. Much of the dialogue, however, had been rewritten by Welles, often in several drafts.
Le Giornate del cinema muto is an annual festival of silent film held in October in Pordenone, northern Italy. It is the first, largest and most important international festival dedicated to silent film and also is present in the list of the top 50 unmissable film festivals in the world according to Variety. The Pordenone Silent Film Festival is a non-profit association, whose president is Livio Jacob. The director from 1997 until 2015 was David Robinson. In 2016, Jay Weissberg became director. Other members of the festival board are Paolo Cherchi Usai, Lorenzo Codelli, Piero Colussi, Luciano De Giusti, Carlo Montanaro, Piera Patat.
David Sterritt is a film critic, author and scholar. He is most notable for his work on Alfred Hitchcock and Jean-Luc Godard, and his many years as the Film Critic for The Christian Science Monitor, where, from 1968 until his retirement in 2005, he championed avant garde cinema, theater and music. He has a Ph.D. in Cinema Studies from New York University and is the Chairman of the National Society of Film Critics.
Six in Paris is a 1965 French comedy-drama anthology film.
Minimalist cinema is related to the art and philosophy of minimalism.
Modernist film is related to the art and philosophy of modernism.
The "Top 100 Greatest Films of All Time" is a list published every ten years by Sight and Sound according to worldwide opinion polls they conduct. They published the critics' list, based on 1,639 participating critics, programmers, curators, archivists and academics, and the directors' list, based on 480 directors and filmmakers. Sight and Sound, published by the British Film Institute, has conducted a poll of the greatest films every 10 years since 1952.
