Wedding cord

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A newly wedded couple carry wedding cords in their hands Wedding with wedding cords in hand.jpg
A newly wedded couple carry wedding cords in their hands

The traditional wedding cord, also known as the "wedding lasso", is a piece of paraphernalia used in some Catholic wedding ceremonies. It is actually a representation of a loop of rosary beads made out of white satin or silk. During the wedding proper, this is traditionally formed into a figure-of-eight shape, and then placed around the neck areas of the bride and the groom after they have made their wedding vows, and are already kneeling on pillows for the pronouncement of a wedding prayer. This cord symbolizes lifetime unity or the everlasting union of the bride and groom when they officially become husband and wife, as well as a symbol of marital protection; while the loops formed signifies their love for one another. After the wedding, this marital twine is typically kept by the bride as a wedding souvenir. Use of the traditional wedding cord for weddings is common in Hispanic countries such as Mexico, the Philippines, and Spain.[ citation needed ]

Wedding cord ritual

Wedding cord ceremony Wedding cord ceremony.jpg
Wedding cord ceremony

After shrouding the bride and groom with the wedding veils, a pair of wedding participants is assigned in placing the wedding cord around the couple, with the groom being the first to be "lassoed" or "looped" by it at the shoulder area. [1] The cord is held in place by means of pins. In other wedding ceremonies, the wedding cord is tied around the couple’s wrists. The wedding cord stays on and around the couple until the wedding mass or religious service is finished. Then, it is removed by the same pair of wedding participants who were assigned to place the loop around the couple. [2] The significance of the "lassoing" is to symbolize the unification of the couple in matrimony for their entire lives. [3] [ better source needed ]

On the other hand, the ritual for the cord of three strands is performed by the bride and the groom. The groom holds the end of the cord that has a metal ring, while the bride braids the strands together. The braiding is done while an explanation of the significance of the braiding ritual is being read, or while a wedding music is being played, or while a wedding song is being chanted. The resulting braid is kept in place temporarily by a rubber band, and then permanently by a gold thread. The loop can signify the sacramental union itself or simply the, "yoke of marriage." [4]

This Hispanic tradition in Spanish was approved by the U.S. Conference of Catholic Bishops in 2010. In September 2016, an English language version was approved and placed in the English Order of Celebrating Matrimony along with the arras. [5]

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Las arras, or las arras matrimoniales are wedding paraphernalia used in Christian wedding ceremonies in Spain, Latin American countries, and the Philippines. The tradition is also followed, with varying names and customs, in other countries and communities bearing degrees of Hispanic influence. Traditionally, in Spain and Latin America, it is made up of thirteen gold coins presented in an ornate box or chest; in the Philippines, it is in an ornate basket or pouch. After being blessed by a priest, they are given or presented by the groom to the bride.

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Bahaghara is a wedding ceremony performed by Odia Hindu people in the Indian state of Odisha. There are subtle differences in the rites observed by different castes. In Odia marriage rituals, the mother of the bridegroom does not take part in the ceremony. The Utkala Brahmins have their weddings only in the daytime, preferably at midday or in the morning, while the other caste weddings are done during the evening or night. There is the custom of sending betel nuts to family friends for inviting them to the marriage. The first invitation is sent to the family deity as a respect to the lord. Marriages in Odisha are mostly fixed and arranged by the parents. Marriages for serving or capturing is not common.

Weddings in Myanmar, considered auspicious occasions in Burmese culture, reflect various ethnic, religious, and regional traditions. Depending on an individual's family social economic status, personal preferences and titles held, Burmese weddings can be religious or secular, and extravagant or simple. Wedding expenses are covered by the groom's family. Myanmar is a predominantly Buddhist country, and many wedding customs and traditions are influenced by Buddhism.

<span class="mw-page-title-main">Care cloth</span> Cloth used in ancient wedding tradition

The nuptial veil, which is also referred to as the care cloth, carde clothe or wedding canopy, is an ancient Christian wedding tradition where a cloth is held over the heads of the bride and groom during the Nuptial Blessing. Symbolizing the "marriage yoke joining the bride and groom together", it is a rectangular linen or silk sheet smaller than the analogous Chuppah of Judaism, typically featuring a red pattern or a red cord, and is white in color. St. Isidore of Seville explained that the white represents the purity of Christian and marital love, while the red signifies the continuation of the family bloodline.

References

  1. Daniels, Maggie; Loveless, Carrie (2007). Wedding planning and management: consultancy for diverse clients (2007 ed.). Butterworth-Heinemann. p.  227. ISBN   978-0-7506-8233-6.
  2. Candelaria, Cordelia; García, Peter J.; Aldama, Arturo J. (2004). Encyclopedia of Latino popular culture (2004 ed.). Greenwood Publishing Group. p. 879. ISBN   0-313-33211-8.
  3. "Getting Lassoed At Your Wedding–The History of the Wedding Lasso Rosary". Catholic Faith Store Blog. 2014-06-05. Retrieved 11 August 2015.
  4. Empereur, James L.; Fernández, Eduardo (2006). La vida sacra: contemporary Hispanic sacramental theology (2006 ed.). Rowman & Littlefield. p. 156. ISBN   0-7425-5157-1.
  5. Sangha, Soni (September 22, 2016). "Longtime Latino wedding traditions formally being adopted by Catholic Church in English". Fox News Latino. FOX News Network, LLC. Retrieved September 23, 2016.