The Ottoman Empire used anthems since its foundation in the late 13th century, but did not use a specific imperial or national anthem until the 19th century. During the reign of Mahmud II, when the military and imperial band were re-organized along Western European lines, Giuseppe Donizetti was invited to head the process. Donizetti Pasha, as he was known in the Ottoman Empire, composed the first Western-style imperial anthem, the "March of Mahmud".
As was the case in many 19th-century monarchies, such as the Austrian Empire, the anthem of the Ottoman Empire was an imperial anthem, not a national one, so it paid homage to a specific ruler. However, unlike Western Europe, where the same music was used with modified lyrics (e.g. „Gott erhalte Franz den Kaiser“ and « Marche Henri IV »), a new anthem was composed after each Ottoman imperial succession.
After the start of the imperial anthem tradition, two Sultans did not have specific anthems composed. The first was Murad V, who reigned for 3 months in 1876, and the second was the last Sultan of the Ottoman Empire, Mehmed VI, who used "March of Mahmud".
Only the "March of Hamid" and "March of Reshad" had lyrics, the first three anthems being purely instrumental. The lyrics of the "March of Reshad" seem to have been lost in history.[ citation needed ]
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Giuseppe Donizetti, also known as Donizetti Pasha, was an Italian composer. From 1828 he was Instructor General of the Imperial Ottoman Music at the court of Sultan Mahmud II (1808–39).
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The Mecidiye Marşı was the national anthem of the Ottoman Empire during the reign of Abdülmecid I & Abdülmecid II. There were different anthems for each sultan. Franz Liszt visited the imperial capital and composed a paraphrase to this march named Op. 87 Grande Paraphrase de la Marche de J. Donizetti. Donizetti had another march, Büyük Askerî Marş, also known as Grande March de Medjidie, composed for Abdülmecid I during the same period. Donizetti mentions Liszt as enjoying the two imperial marches and obtaining the sheet music from him to play them as variations.
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