Rumpelstiltskin from The Blue Fairy Book, by Henry J. Ford | |
The Blue Fairy Book The Red Fairy Book The Blue Poetry Book The Green Fairy Book The True Story Book The Yellow Fairy Book The Red True Story Book The Animal Story Book The Pink Fairy Book The Arabian Nights' Entertainments The Red Book of Animal Stories The Grey Fairy Book The Violet Fairy Book The Book of Romance The Crimson Fairy Book The Brown Fairy Book The Red Romance Book The Orange Fairy Book The Olive Fairy Book The Red Book of Heroes The Lilac Fairy Book The All Sorts of Stories Book The Book of Saints and Heroes The Strange Story Book | |
Author | Andrew Lang |
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Illustrator | Henry J. Ford (and others) |
Language | English |
Genre | Fairy tales |
Published | 1889–1913 |
No. of books | 25 |
The Langs' Fairy Books are a series of 25 collections of true and fictional stories for children published between 1889 and 1913. The best known books of the series are the 12 collections of fairy tales also known as Andrew Lang's "Coloured" Fairy Books or Andrew Lang's Fairy Books of Many Colors. In all, the volumes feature 798 stories, besides the 153 poems in The Blue Poetry Book.
Children's literature or juvenile literature includes stories, books, magazines, and poems that are enjoyed by children. Modern children's literature is classified in two different ways: genre or the intended age of the reader.
This article presents lists of literary events and publications in 1889.
This article presents lists of the literary events and publications in 1913.
Andrew Lang (1844–1912) was a Scots poet, novelist, and literary critic. He initially edited the series and wrote prefaces for its entire run, while his wife, the translator and author Leonora Blanche Alleyne, known to friends and family as Nora, assumed editorial control of the series in the 1890s [1] . She and other translators did a large portion of the translating and retelling of the actual stories, as acknowledged in the prefaces. Four of the volumes from 1908 to 1912 were published by "Mrs. Lang".
Andrew Lang was a Scottish poet, novelist, literary critic, and contributor to the field of anthropology. He is best known as a collector of folk and fairy tales. The Andrew Lang lectures at the University of St Andrews are named after him.
The Scottish people or Scots, are a nation and Celtic ethnic group native to Scotland. Historically, they emerged from an amalgamation of two Celtic-speaking peoples, the Picts and Gaels, who founded the Kingdom of Scotland in the 9th century. Later, the neighbouring Celtic-speaking Cumbrians, as well as Germanic-speaking Anglo-Saxons and Norse, were incorporated into the Scottish nation.
A poet is a person who creates poetry. Poets may describe themselves as such or be described as such by others. A poet may simply be a writer of poetry, or may perform their art to an audience.
According to Anita Silvey, "The irony of Lang's life and work is that although he wrote for a profession—literary criticism; fiction; poems; books and articles on anthropology, mythology, history, and travel ... he is best recognized for the works he did not write." [2]
Anita Silvey is a editor and literary critic in the genre of children’s literature. Born in Fort Wayne, Indiana, Silvey has served as Editor-in-Chief of The Horn Book Magazine and as vice-president at Houghton Mifflin where she oversaw children’s and young adult book publishing. She has also authored a number of critical books about children's literature, including 500 Great Books for Teens and The Essential Guide to Children's Books and Their Creators. In October 2010, she began publishing the Children's Book-A-Day Almanac on line, a daily essay on classic and contemporary children's books.
Anthropology is the scientific study of humans and human behavior and societies in the past and present. Social anthropology and cultural anthropology study the norms and values of societies. Linguistic anthropology studies how language affects social life. Biological or physical anthropology studies the biological development of humans.
The genre of travel literature encompasses outdoor literature, guide books, nature writing, and travel memoirs.
The 12 Coloured Fairy Books were illustrated by H. J. Ford (Henry Justice Ford)—the first two volumes shared with G. P. Jacomb-Hood and Lancelot Speed respectively, and the sequels alone. [3] A. Wallis Mills also contributed some illustrations.
Henry Justice Ford (1860–1941) was a prolific and successful English artist and illustrator, active from 1886 through to the late 1920s. Sometimes known as H. J. Ford or Henry J. Ford, he came to public attention when he provided the numerous beautiful illustrations for Andrew Lang's Fairy Books, which captured the imagination of a generation of British children and were sold worldwide in the 1880s and 1890s.
Lancelot Speed was a British illustrator of books in the Victorian era, usually of a fantastical or romantic nature. He is probably most well known for his illustrations for Andrew Lang's fairy story books. Speed is credited as the designer on the 1916 silent movie version of the novel She by H. Rider Haggard, which he had illustrated.
The best-known volumes of the series are the 12 Fairy Books, each of which is distinguished by its own color. The Langs did not collect any fairy tales from oral primary sources, yet only they and Madame d'Aulnoy (1651–1705) have collected tales from such a large variety of sources. These collections have been immensely influential; the Langs gave many of the tales their first appearance in English. Andrew selected the tales for the first four books, while Nora took over the series thereafter. [4] She and other translators did a large portion of the translating and retelling of the actual stories.
Folklore is the expressive body of culture shared by a particular group of people; it encompasses the traditions common to that culture, subculture or group. These include oral traditions such as tales, proverbs and jokes. They include material culture, ranging from traditional building styles to handmade toys common to the group. Folklore also includes customary lore, the forms and rituals of celebrations such as Christmas and weddings, folk dances and initiation rites. Each one of these, either singly or in combination, is considered a folklore artifact. Just as essential as the form, folklore also encompasses the transmission of these artifacts from one region to another or from one generation to the next. Folklore is not something one can typically gain in a formal school curriculum or study in the fine arts. Instead, these traditions are passed along informally from one individual to another either through verbal instruction or demonstration. The academic study of folklore is called Folklore studies, and it can be explored at undergraduate, graduate and Ph.D. levels.
In the study of history as an academic discipline, a primary source is an artifact, document, diary, manuscript, autobiography, recording, or any other source of information that was created at the time under study. It serves as an original source of information about the topic. Similar definitions can be used in library science, and other areas of scholarship, although different fields have somewhat different definitions. In journalism, a primary source can be a person with direct knowledge of a situation, or a document written by such a person.
Marie-Catherine Le Jumel de Barneville, Baroness d'Aulnoy, also known as Countess d'Aulnoy, was a French writer known for her fairy tales. When she termed her works contes de fées, she originated the term that is now generally used for the genre.
Lang's urge to gather and publish fairy tales was rooted in his own experience with the folk and fairy tales of his home territory along the Anglo-Scottish border. British fairy tale collections were rare at the time; Dinah Craik's The Fairy Book (1869) was a lonely precedent. According to Roger Lancelyn Green, Lang "was fighting against the critics and educationists of the day" who judged the traditional tales' "unreality, brutality, and escapism to be harmful for young readers, while holding that such stories were beneath the serious consideration of those of mature age". [5] Over a generation, Lang's books worked a revolution in this public perception.
The border between England and Scotland runs for 96 miles (154 km) between Marshall Meadows Bay on the east coast and the Solway Firth in the west. It is Scotland's only land border with another country, and one of England's two.
Dinah Maria Craik was an English novelist and poet. She is best remembered for her novel John Halifax, Gentleman, which presents the ideals of English middle-class life.
The series was immensely popular, helped by Lang's reputation as a folklorist and by the packaging device of the uniform books. The series proved of great influence in children's literature, increasing the popularity of fairy tales over tales of real life. [6] It inspired such imitators as English Fairy Tales (1890) and More English Fairy Tales (1894) by Joseph Jacobs. Other followers included the American The Oak-Tree Fairy Book (1905), The Elm-Tree Fairy Book (1909), and The Fir-Tree Fairy Book (1912) series edited by Clifton Johnson, and the collections of Kate Douglas Wiggin and Nora Archibald Smith.
Some of Lang's collected stories were included without any attribution at all (e.g., "The Blue Mountains"), and the rest are listed with brief notes. The sources can be tracked down when given as "Grimm" or "Madame d'Aulnoy" or attributed to a specific collection, but other notes are less helpful. For instance, "The Wonderful Birch" is listed only as "from the Russo-Karelian". Lang repeatedly explained in the prefaces that the tales which he told were all old and not his, and that he found new fairy tales no match for them:
But the three hundred and sixty-five authors who try to write new fairy tales are very tiresome. They always begin with a little boy or girl who goes out and meets the fairies of polyanthuses and gardenias and apple blossoms: "Flowers and fruits, and other winged things". These fairies try to be funny, and fail; or they try to preach, and succeed. Real fairies never preach or talk slang. At the end, the little boy or girl wakes up and finds that he has been dreaming.
Such are the new fairy stories. May we be preserved from all the sort of them!
The collections were specifically intended for children and were bowdlerised, as Lang explained in his prefaces. J. R. R. Tolkien stated in his essay "On Fairy-Stories" (1939) that he appreciated the collections but objected to his editing the stories for children. He also criticized Lang for including stories without magical elements in them, with "The Heart of a Monkey" given as an example, where the monkey claims that his heart is outside his body, unlike "The Giant Who Had No Heart in His Body" or other similar stories. However, many fairy tale collectors include tales with no strictly marvelous elements.
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The first edition consisted of 5000 copies, which sold for 6 shillings each. The book assembled a wide range of tales, with seven from the Brothers Grimm, five from Madame d'Aulnoy, three from the Arabian Nights, and four Norwegian fairytales, among other sources. [7] The Blue Fairy Book was the first volume in the series, and so it contains some of the best known tales, taken from a variety of sources.
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It appeared at Christmas 1890 in a first printing of 10,000 copies. Sources include French, Russian, Danish, and Romanian tales as well as Norse mythology.
Contains 153 poems by great British and American poets.
In his Preface to this volume, Lang expressed the view that it would be "probably the last" of the collection. Their continuing popularity, however, demanded subsequent collections. In The Green Fairy Book, the third in the series, Lang has assembled stories from Spanish and Chinese traditions.
Contains twenty-four true stories, mainly drawn from European history.
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Its initial printing was 15,000 copies. The Yellow Fairy Book is a collection of tales from all over the world. It features many tales from Hans Christian Andersen.
Contains thirty true stories, mainly drawn from European history. Includes the life of Joan of Arc and the Jacobite uprising of 1745.
Contains sixty-five stories about animals. Some of them are simple accounts of how animals live in the wild. Others are stories about pets, or remarkable wild animals, or about hunting expeditions. Many are taken from Alexandre Dumas.
Forty-one Japanese, Scandinavian, and Sicilian tales.
Contains thirty-four stories from the Arabian Nights, adapted for children. The story of Aladdin is in this volume as well as in the Blue Fairy Book.
Contains forty-six stories about real and mythical animals. Some of them are simple accounts of how animals live in the wild. Others are stories about pets, or remarkable wild animals, or about hunting expeditions.
Thirty-five stories, many from oral traditions, and others from French, German and Italian collections.
Romania, Japan, Serbia, Lithuania, Africa, Portugal, and Russia are among the sources of these 35 stories that tell of a haunted forest, chests of gold coins, a magical dog, and a man who outwits a dragon.
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Contains nineteen stories from various medieval and Renaissance romances of chivalry, adapted for children. Includes stories about King Arthur, Charlemagne, William of Orange, and Robin Hood.
These 36 stories originated in Hungary, Russia, Finland, Iceland, Tunisia, the Baltic, and elsewhere.
The Brown Fairy Book contains stories from the American Indians, Australian Bushmen and African Kaffirs, and from Persia, Lapland, Brazil, and India.
Contains twenty-nine stories from various medieval and Renaissance romances of chivalry, adapted for children. Includes stories about Don Quixote, Charlemagne, Bevis of Hampton and Guy of Warwick.
Includes 33 tales from Jutland, Rhodesia, Uganda, and various other European traditions.
The Olive Fairy Book includes unusual stories from Turkey, India, Denmark, Armenia, the Sudan, and the pen of Anatole France.
Published by Longmans as written by "Mrs. Lang"; illustrated by H. J. Ford (LCCN 08-28404).
Contains fourteen stories about the childhoods of European monarchs, including Napoleon, Elizabeth I, and Frederick the Great.
Published by Longmans as written by "Mrs. Lang"; illustrated by H. J. Ford (LCCN 09-17962).
Contains twelve true stories about role models for children, including Hannibal, Florence Nightingale, and Saint Thomas More.
The Lilac Fairy Book contains stories from Portugal, Ireland, Wales, and points East and West.
Published by Longmans as written by "Mrs. Lang"; illustrated by H. J. Ford (LCCN 11-27934).
Contains thirty stories on a variety of subjects, including true stories, Greek myths, and stories from Alexandre Dumas, Walter Scott and Edgar Allan Poe.
Published by Longmans as written by "Mrs. Lang"; illustrated by H. J. Ford (LCCN 12-24314).
Contains twenty-three stories about saints. Most of these are true stories, although a few legends are also included.
Published after Andrew Lang's death, with an introduction by Mrs. Lang. Contains thirty-four stories on a variety of subjects, including ghost stories, Native American legends, true stories, and tales from Washington Irving.
A fairy tale, wonder tale, magic tale, or Märchen is an instance of a folklore genre that takes the form of a short story. Such stories typically feature entities such as dwarfs, dragons, elves, fairies, giants, gnomes, goblins, griffins, mermaids, talking animals, trolls, unicorns, or witches, and usually magic or enchantments. In most cultures, there is no clear line separating myth from folk or fairy tale; all these together form the literature of preliterate societies. Fairy tales may be distinguished from other folk narratives such as legends and explicit moral tales, including beast fables. The term is mainly used for stories with origins in European tradition and, at least in recent centuries, mostly relates to children's literature.
Sleeping Beauty, or Little Briar Rose, also titled in English as The Sleeping Beauty in the Woods, is a classic fairy tale about a princess that is cursed to sleep for a hundred years by an evil fairy, where she would be awakened by a handsome prince. The Aarne-Thompson classification system for folktales classifies Sleeping Beauty as being a 410 tale type, meaning it includes a princess who is forced into an enchanted sleep and is later awakened by a prince breaking the magic placed upon her.
Beauty and the Beast is a fairy tale written by French novelist Gabrielle-Suzanne Barbot de Villeneuve and published in 1740 in La Jeune Américaine et les contes marins. Her lengthy version was abridged, rewritten, and published first by Jeanne-Marie Leprince de Beaumont in 1756 in Magasin des enfants and by Andrew Lang in the Blue Fairy Book of his Fairy Book series in 1889, to produce the version(s) most commonly retold. It was influenced by some earlier stories, such as "Cupid and Psyche", The Golden Ass written by Lucius Apuleius Madaurensis in the 2nd century AD, and "The Pig King", an Italian fairytale published by Giovanni Francesco Straparola in The Facetious Nights of Straparola.
Princess and dragon is a generic premise common to many legends, fairy tales, and chivalric romances. Northrop Frye identified it as a central form of the quest romance.
Prince Charming is a fairy tale character who comes to the rescue of a damsel in distress and must engage in a quest to liberate her from an evil spell. This classification suits most heroes of a number of traditional folk tales, including "Snow White", "Sleeping Beauty", and "Cinderella", even if in the original story they were given another name, or no name at all.
"The Frog Prince; or, Iron Henry" is a fairy tale, best known through the Brothers Grimm's written version; traditionally it is the first story in their collection.
The Frog Princess is a fairy tale that has multiple versions with various origins. It is classified as type 402, the animal bride, in the Aarne–Thompson index. Another tale of this type is Doll i' the Grass.
"The Twelve Dancing Princesses" is a German fairy tale originally published by the Brothers Grimm in 1812 in Kinder- und Hausmärchen as tale number 133. Its closest analogue is the Scottish Kate Crackernuts, where it is a prince who is obliged to dance every night.
"The Golden Bird" is a Brothers Grimm fairy tale, number 57, about the pursuit of a golden bird by a gardener's three sons.
"The Prince and the Princess in the Forest" is a Danish fairy tale collected by Evald Tang Kristensen (1843–1929) in Æventyr fra Jylland in 1881. Andrew Lang included it in his The Olive Fairy Book (1907).
The Mermaid and the Boy is a Sámi fairy tale collected by Josef Calasanz Poestion in Lapplandische Märchen. Andrew Lang included an English-language version in The Brown Fairy Book (1904).
The Bird 'Grip' is a Swedish fairy tale. Andrew Lang included it The Pink Fairy Book. It is Aarne-Thompson type 550, the quest for the golden bird/firebird; other tales of this type include The Golden Bird, The Greek Princess and the Young Gardener, How Ian Direach got the Blue Falcon, The Nunda, Eater of People, and Tsarevitch Ivan, the Fire Bird and the Gray Wolf.
A Choice of Magic is a 1971 anthology of 32 fairy tales from around the world that have been collected and retold by Ruth Manning-Sanders. In fact, the book is mostly a collection of tales published in previous Manning-Sanders anthologies. Stories are pulled from A Book of Princes and Princesses (1969), A Book of Giants (1962), A Book of Dwarfs (1963), A Book of Dragons (1964), A Book of Ghosts and Goblins (1968), A Book of Witches (1965), A Book of Mermaids (1967), and A Book of Wizards (1966). There are also four previously unpublished stories.
The Snake Prince is an Indian fairy tale, a Punjabi story collected by Major Campbell in Feroshepore. Andrew Lang included it in The Olive Fairy Book (1907).
In folklore and fantasy, an enchanted forest is a forest under, or containing, enchantments. Such forests are described in the oldest folklore from regions where forests are common, and occur throughout the centuries to modern works of fantasy. They represent places unknown to the characters, and situations of liminality and transformation. The forest can feature as a place of threatening danger, or one of refuge, or a chance at adventure.
French folklore encompasses the fables, folklore and fairy tales and legends of the French people.
The Enchanted Snake or The Snake is an Italian fairy tale. Giambattista Basile wrote a variant in the Pentamerone. Andrew Lang drew upon this variant, for inclusion in The Green Fairy Book.