"Christopher White" (Roud 3974, Child 108) is an English-language folk ballad. [1]
A maid bemoans the absence of her lover, Christopher White. A merchant offers to marry her instead. She tells him that if she was false to her lover, she'd be false to him. He offers more and more until he persuades her. She marries him, sends a letter to her lover with money, and when he comes, runs off with him and much of the merchant's treasure. The merchant laments, but acknowledges that she told him she would be false to him if she were false to her lover. [2] [1]
Sir Aldingar is an English-language folk song. Francis James Child collected three variants, two fragmentary, in The English and Scottish Popular Ballads. All three recount the tale where a rebuffed Sir Aldingar slanders his mistress, Queen Eleanor, and a miraculous champion saves her.
"Allison Gross", also known as "Alison Cross", is a traditional folk ballad. It tells the story of "the ugliest witch in the north country" who tries to persuade a man to become her lover and then punishes him by a transformation.
"Lady Isabel and the Elf Knight" is the English common name representative of a very large class of European ballads.
"Young Hunting" is a traditional folk song, Roud 47, catalogued by Francis James Child as Child Ballad number 68, and has its origin in Scotland. Like most traditional songs, numerous variants of the song exist worldwide, notably under the title of "Henry Lee" and "Love Henry" in the United States and "Earl Richard" and sometimes "The Proud Girl" in the United Kingdom.
Child Waters is an English-language folk song, existing in several variants.
John of Hazelgreen or Jock o' Hazeldean is an English-language traditional folk song. Jock of Hazeldean is a poem and song by Sir Walter Scott based on a fragment of the ballad. Versions of the ballad were published by Chambers, Kinloch and Buchan. The version printed by John S. Roberts (1887) was compiled from those of Kinloch and Buchan.
"The Fair Flower of Northumberland" is a folk ballad.
Fause Foodrage is a Scottish murder ballad of the 17th or 18th century. It was first printed by Walter Scott in Minstrelsy of the Scottish Border (1802). Scott cited Elizabeth, Lady Wardlaw as the ballad's probable author.
The Lord of Lorn and the False Steward, sometimes simply The Lord of Lorn, is an English-language folk ballad. The ballad was first entered in the Stationers' Register in 1580, with a note that it is sung to the tune of Greensleeves.
"The Marriage of Sir Gawain" is an English Arthurian ballad, collected as Child Ballad 31. Found in the Percy Folio, it is a fragmented account of the story of Sir Gawain and the loathly lady, which has been preserved in fuller form in the medieval poem The Wedding of Sir Gawain and Dame Ragnelle. The loathly lady episode itself dates at least back to Geoffrey Chaucer's "Wife of Bath's Tale" from The Canterbury Tales. Unlike most of the Child Ballads, but like the Arthurian "King Arthur and King Cornwall" and "The Boy and the Mantle", "The Marriage of Sir Gawain" is not a folk ballad but a song for professional minstrels.
Crow and Pie is an English-language folk song. It is one of the oldest preserved ballads, dating to c. 1500. Pie is the now-obsolete original name for the magpie, a bird often connected with sorrow and misfortune. The crow is a scavenger, often thought of as feeding upon the bodies of men hanged or slain in battle, and thus associated with unhallowed and violent death.
"James Hatley" is an English-language folk ballad, existing in several variants. The ballad tells the story of a man who steals a king's keys, a story that seems to have no historical basis. The identity of the man and his fate differ depending on the ballad's variation.
Sweet William's Ghost is an English ballad and folk song which exists in many lyrical variations and musical arrangements. Early known printings of the song include Allan Ramsay's The Tea-Table Miscellany in 1740 and Thomas Percy's Reliques of Ancient English Poetry in 1765. Percy believed that the last two stanzas of the version he published were later additions, but that the details of the story they recounted were original.
"The Baffled Knight" or "Blow Away the Morning Dew" is a traditional ballad existing in numerous variants. The first-known version was published in Thomas Ravenscroft's Deuteromelia (1609) with a matching tune, making this one of the few early ballads for which there is extant original music. The song was included in such notable collections as Pills to Purge Melancholy by Thomas d'Urfey (1719–1720) and Reliques of Ancient English Poetry by Thomas Percy (1765).
Will Stewart and John is an English-language folk song, catalogued as Roud 3973 and Child 107.
"Bonnie Annie" is a folk ballad recorded from the Scottish and English traditions. Scottish texts are often called Bonnie Annie or The Green Banks of Yarrow, English texts are most often called The Banks of Green Willow. Other titles include The Undutiful Daughter, The High Banks O Yarrow, The Watery Grave, Green Willow, There Was a Rich Merchant that Lived in Strathdinah and The Merchant's Daughter.
The Suffolk Miracle is Child ballad 272 and is listed as #246 in the Roud Folk Song Index. Versions of the ballad have been collected from traditional singers in England, Ireland and North America. The song is also known as "The Holland Handkerchief" and sometimes as "The Lover's Ghost".
The (Bonnie) Rantin' Laddie or Lord Aboyne is a traditional Scottish folk ballad telling of the valiant rescue of his lover by a noble Highland lord.
"Broom of the Cowdenknowes", also known as "Bonny May", is a traditional Scottish love ballad,. It has been traced to the seventeenth century, but its exact origin is unknown.
"The False Lover Won Back" is a Scottish ballad, cataloged as Child Ballad 218.