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The Kaapse Klopse (or simply Klopse), officially named the Cape Town Minstrel Carnival, is a traditionally Cape coloured minstrel festival that takes place annually on 2 January in Cape Town, South Africa. [1]
The festival is also referred to as Tweede Nuwe Jaar (Afrikaans for Second New Year). As many as 13,000 minstrels[ citation needed ] take to the streets, garbed in bright colours, carrying colourful umbrellas and playing an array of musical instruments. The minstrels are self-organised into klopse ("clubs" in Kaapse Afrikaans, but more accurately translated as troupes in English). The custom has been preserved since the mid-19th century.[ citation needed ]
Under apartheid, the period of government-enforced racial segregation and stratification in South Africa, the festival was known as the Coon Carnival, but local authorities have since renamed the festival the Cape Town Minstrel Carnival as the term coon is widely considered an ethnic slur. [2] [3] [4]
There is contention around the continued use of blackface by festival performers. [2]
On the eve of 30 December, people gather in the Bo-Kaap (Malay Quarter in Signal Hill) to await the Tweede Nuwe Jaar (2 January) with the songs of Malay choirs and ghoema drums ushering in the dawn of a New Year. [5] During the 19th century, the New Year was celebrated by the Dutch and was considered to be the biggest annual feast. Slaves would get a day off on 2 January and were allowed to celebrate in their own manner. Slavery was officially abolished in the Cape on 1 December 1834. The Tweede Nuwe Jaar became a celebration that united the "creole culture" in Cape Town. It is estimated that the first carnival troupe was organised in 1887. [6] In the apartheid years, the Cape Minstrels sang songs like "Dis'n nuwe jaar" ("It's a new year"), and many local songs, which were more true to the Cape Province and the local milieu.
Modern Cape Minstrel tradition was influenced by the visit to the Cape by American minstrels. Old Cape minstrels, such as "The Ethiopians", had their own collection of Dutch and American songs. These minstrels used to parade the streets of Cape Town and serenade the locals with their songs. An etching by Heinrich Egersdorfer in 1884 depicted those regular marches by the local chapter of the Salvation Army, which included many of the locals, could have contributed to the style of the marching that the Klopse displays today. [6] In 1862, the then-internationally renowned Christy's Minstrels visited the Cape from the United States and in 1890 Orpheus McAdoo's Virginia Jubilee Singers performed in Cape Town. The Christy's Minstrels were white men and women who had blackened their faces with burnt cork to impersonate the African-American slaves. Between July 1890 and June 1898 they staged many minstrel shows in Cape Town and it is believed that this contributed to the birth of the Cape Minstrels and the Coon Carnival. [5] The visitors' influence on the Coon Carnival included the tradition of painting their faces black and whited out their eyes to look like "racoons". [7] In the 1900s, the celebrations took place at various locations. In 1907 Green Point Cricket Club organised the first formal Carnival and moved it to the Green Point Track which later became a tradition. [6] The events continued in 1908 and 1909, but discontinued thereafter until 26 January 1920, when the leader of the African People Organization, Abdullah Abdurahman, re-instated the "Grand Carnival on Green Point Track". [6] In 1921, the Cape Town Cricket Club held a rival carnival in Newlands and this was the start of minstrel competitions in various venues and by various organising boards. New Year Carnivals of the 1920s and 1930s brought Minstrels, Privates, Brass Bands, Choirs and Malay Choirs together. [6]
The Group Areas Act of 1966 declared District Six a whites only area resulting in approximately 60,000 residents being evicted and moved to parts of the Cape Flats, such as Manenberg and Mitchells Plain. [7] The implementation of the Group Areas Act resulted in communities losing their sense of belonging to the communities they grew up in because of the forced removals. The Minstrel performances were spread across the Cape Peninsula to various areas. In 1967, the Carnival was banned from its home at the Green Point stadium. In 1968 there were no Minstrels parading in the Cape Town CBD. [6] Transportation to attend rehearsals became an additional challenge and expense for the different competing minstrel groups. During the 1970s, the traffic by laws and the "Illegal Gathering Act" were used to place additional challenges on the minstrel festival organizers. [7] From 1971, Athlone Stadium was used for the 'non-white' spectators. In 1977, all Minstrel marches were forbidden in any part of Cape Town and as a result people lost interest in watching the parade. [6] The event was moved between various stadiums in order to keep it alive until 1989, when the event returned to its original route: from District Six to the Green Point stadium. [7]
Tweede Nuwe Jaar ("Second New Year") is a day that is unique to Cape Town and stems from practices associated with slavery, and its history is linked with the Coon Carnival. In the mid-nineteenth century, the Cape slaves were given a day off from their duties on 2 January every year. During this alternative New Year celebration, the slaves would dress up as minstrels and dance rhythmically to the sounds of banjos, guitars, ghoema drums, whistles, trombones and tubas. Tweede Nuwe Jaar is a celebration of a community's survival. It illustrates the continuity between its past, present and future. [8] The now deceased iconic musician Taliep Petersen, is claimed to have said of Tweede Nuwe Jaar celebrations, "Dis onse dag" ("It is our day"). It is a day when the local working class community which survived slavery, segregation and Apartheid celebrates its existence and perseverance.
In 1880–1890, celebration bands and groups linked as societies with sports clubs with distinguishable emblems and dress paraded through the city and suburbs on New Year's Eve. These societies prepared special costumes for New Year's and these became a crucial part of the event. More than 60 minstrel troupes, some a thousand strong have been known to participate in the marches. Minstrel troupes are fiercely competitive and the preparations leading towards the parade, costumes and performances are kept as secrets until the big reveal on the day. They compete for trophies such as the "Champion of Champions award". This award has been won by the Pennsylvanians for 10 years in succession. The minstrel troupes give a sense of pride and community to the group members. The "ghoema" drum is the common thread that binds together all the music of the carnival. [8] Until mid-1900s, competitions were organised by individual promoters. Boards appeared and disappeared – "Cape Peninsula Coon Carnival Board", "Western Province Jubilee Carnival Board" (Jimmy WG Allen), "Cape Western Coon Carnival Board" (directed by Sonny Loyd). [6] The majority of the troupes are represented by the Kaapse Klopse Karnaval Association which is one of the break-away Associations from the Kaapse Karnaval ("Cape Carnival") Association. Today, the Cape Town Minstrels Carnival Association oversees the organisation of the Minstrel Carnival.
The music associated with minstrel history and Tweede Nuwe Jaar was influenced by a variety of sources. In the 17th and 18th centuries, slaves were sent to the Cape of Good Hope from Indonesia, Malaysia, Sri Lanka, India and East Africa (Madagascar), creating a melting pot of culture and influence. The British garrisons of the era influenced the marching processions of the minstrel troupes and a substantial collection of songs draw their origins from the Netherlands. [8] The Cape slaves together with the local Khoisan population were known to sing in choirs as part of the celebrations. They also watched the colonial troops parade in Cape Town while singing "God Save the Queen". Traces of African, Asian and European music can be heard in the minstrel music. The ghoema beat reflects rhythmic similarities of India, Indonesia, Africa and the Middle East. Therefore, "Ghoemaliedjies" (Ghoema songs) are reminiscent of the music from Africa, Asia and Europe. "Melodies" and "moppies" have Western origins and were strongly influenced by African–American music (possibly associated with the exposure to the visiting American minstrels). The cinemas across District Six also exerted the jazz influence and the re-enactment of famous actors and singers in the performances. [6] The evolution of the Cape slave "social fabric" included the development of their own music and dance which was used to grow social cohesion and celebrate whatever freedoms they were granted.
Well-known songs sung by minstrels:
On New Year's Eve, the Cape Malay Choirs or "nagtroepe" march through Cape Town. Thereafter, the minstrels parade through the city and on Tweede Nuwe Jaar, 2 January, the troupes and choirs take to the Green Point Stadium. Present day, the competition starts on the afternoon of 1 January and continues on 2 January and the following two Saturdays.
Categories that are judged as part of the competitions include,
The competition is judged by a panel of independent adjudicators and every group scores in each of the categories. [6] The winners of the 2013 competition can be viewed on the Cape Town Minstrels Carnival Association.
While many troupes now are supported by corporate sponsors, many refuse and remain sticklers for tradition. The 2005 carnival was nearly cancelled due to an alleged lack of funding, while the 2006 carnival was officially called off for the same reason. [9] [ failed verification ] [10] However, the troupe organisations subsequently decided to go ahead with the parade despite continued unhappiness over funding, and the festivities were opened by Western Cape premier Ebrahim Rasool on 2 January 2006. [11] [ failed verification ]
Modern celebration of Tweede Nuwe Jaar is a reminder of the slave past of colonial Cape Town, the importance of music and dance as part of the celebration of freedom. The klopse has played a significant role in addressing social challenges like crime, drug abuse, and AIDS. It is also used to build bridges between the communities after the apartheid era. Apart from providing entertainment, the Kaapse Klopse has also become a means of building skills in the community. The Kaapse Klopse and associated choir singing give the participating children the opportunity to learn the art of performing music and dance and exposed them to practising music three times a week in preparation for their performances. These activities paved the way for world-famous musicians like Taliep Petersen and Jonathan Butler who both received the "Juvenile Sentimental Trophy" awards in previous competitions. [7] The skills extend beyond singing, dancing, playing musical instruments and sewing but also include skills associated with events management such as planning, project management and mobilising a diverse group of people, young and old. The singing and dancing has been proven a source of income and engendered a sense of pride in the communities where joblessness is a concern and frustration. During apartheid, children from previously disadvantaged communities were denied access to performance arts at school.
Residents of the Bo-Kaap have complained about the noise and petty crime that accompanies the festival, [12] and, in 2011, the City of Cape Town restricted parading in the Bo Kaap. Following protests by the minstrels, the Minstrels got permission to march in the Bo Kaap the following year. [12]
Blackface is the practice of performers using burnt cork, shoe polish, or theatrical makeup to portray a caricature of black people on stage or in entertainment. Scholarship on the origins or definition of blackface vary with some taking a global perspective that includes European culture and Western colonialism. Scholars with this wider view may date the practice of blackface to as early as Medieval Europe's mystery plays when bitumen and coal were used to darken the skin of white performers portraying demons, devils, and damned souls. Still others date the practice to English Renaissance theatre, in works such as William Shakespeare's Othello.
Cape Coloureds are a South African ethnic classification consisting primarily of persons of mixed race African, Asian and European descent.
The minstrel show, also called minstrelsy, was an American form of theater developed in the early 19th century. The shows were performed by mostly white actors wearing blackface makeup for the purpose of comically portraying racial stereotypes of African Americans. There were also some African-American performers and black-only minstrel groups that formed and toured. Minstrel shows stereotyped blacks as dimwitted, lazy, buffoonish, cowardly, superstitious, and happy-go-lucky. Each show consisted of comic skits, variety acts, dancing, and music performances that depicted people specifically of African descent.
The music of South Africa exhibits a culturally varied musical heritage in conjunction with the multi-ethnic populace. Genres with the greatest international recognition being mbube, isicathamiya, mbaqanga, afrofusion, kwaito, South African pop music, afro house, South African hip hop, Shangaan electro, bacardi house, bolo house, gqom and amapiano.
Coloureds are a group of multiracial people in South Africa, Namibia and to a lesser extent, Zimbabwe and Zambia. They descend from the interracial mixing/miscegenation in Southern Africa between the White and the Black: and to a certain extent, the Asians as well. Interracial mixing began in the Dutch Cape Colony during the 17th and 18th century with Dutch men marrying Khoi Khoi women, Bantu women and Asian women, with mixed race children being conceived in the process. Eventually, interracial mixing occurred throughout the rest of Southern Africa through different phases of history with various other European nationals that also contributed to the growing mixed-race people, who would later be officially classified as 'Coloured' by the apartheid government in the 1950s.
Cape Malays also known as Cape Muslims or Malays, are a Muslim community or ethnic group in South Africa. They are the descendants of enslaved and free Muslims from different parts of the world, specifically Indonesia and other Asian countries, who lived at the Cape during Dutch and British rule.
The Carnival of Brazil is an annual festival held the Friday afternoon before Ash Wednesday at noon, which marks the beginning of Lent, the forty-day period before Easter. During Lent, Roman Catholics and some other Christians traditionally abstained from the consumption of meat and poultry, hence the term "carnival", from carnelevare, "to remove meat."
Coon may refer to:
The carnival in Colombia was introduced by the Spaniards. The Colombian carnival has incorporated elements from European culture, and has managed to syncretise, or re-interpret, traditions that belonged to the African and Amerindian cultures of Colombia. There is documentary evidence that the carnival existed in Colombia in the 17th century and had already caused concern to the colonial authorities, who censored the celebrations, especially in the main centers of power such as Cartagena, Bogotá and Popayán. The carnival, therefore, continued its evolution and re-interpretation in the small and at that time unimportant towns where celebrations did not offend the ruling elites. The result was the uninterrupted celebration of carnival festivals in Barranquilla, and other villages along the lower Magdalena River in northern Colombia, and in Pasto, Nariño in the south of the country. In modern times, there have been attempts to introduce the carnival in the capital, Bogotá, in the early 20th century, but it has always failed to gain the approval of authorities. The Bogotá Carnival has had to wait until the 21st century to be resurrected, this time, by the authorities of the city. Colombia is recognized by its large variety of festivals, carnivals and fairs. Most towns have their own, ranging from those celebrating coffee to the ones held in honor of the town's Saint feast. The common characteristics of the festivals are the nomination of a beauty Queen and the setting up of public dance floor.
Laurika Rauch, is a South African singer who performs in both Afrikaans and English. She had a hit single in 1979 with Kinders van die Wind, written by Koos du Plessis. The song featured prominently in the Afrikaans television series "Phoenix & Kie" in the late seventies.
Cape jazz is a genre of jazz that is performed in the very southern part of Africa, the name being a reference to Cape Town, South Africa. Some writers say that Cape jazz began to emerge in 1959 with the formation of The Jazz Epistles, many of whom were from Cape Town, including Abdullah Ibrahim, then known as Dollar Brand. Cape jazz is similar to the popular music style known as marabi, though more improvisational in character. Where marabi is a piano jazz style, Cape jazz in the beginning featured instruments that can be carried in a street parade, such as brass instruments, banjos, guitars and percussion instruments.
Taliep Petersen was a South African singer, composer and director of a number of popular musicals. He worked most notably with David Kramer, with whom he won an Olivier Award.
Manenberg is a township of Cape Town, South Africa, that was created by the apartheid government for low-income Coloured families in the Cape Flats in 1966 as a result of the forced removal campaign by the National Party. It has an estimated population of 52,000 residents. The area consists of rows of semi-detached houses and project-like flats, known as "korre". The township is located about 20 km away from the city centre of Cape Town. It is separated from neighbouring Nyanga and Gugulethu townships by a railway line and Nyanga Junction to the east and from Hanover Park by the Sand Industria industrial park to the west and Heideveld to the north. The northern part of Manenberg, is known as Sherwood Park, here, in the past live many wealthy people of both Christian and Muslims descent, sadly all this changed. The middle and lower class live in Manenberg. Poverty, unemployment, lack of education and motivation,coupled with drug abuse/addiction, gang activities, social injustice and racial profiling are some of the major issues people in Manenberg suffer under.
Natalia Da Rocha is a South African actress, director, youth activist and businesswoman. She can be remembered as being one of the few persons of colour to appear in entertainment media during the Apartheid-era. In 1981 she was the first Coloured to graduate with a Drama degree from the Afrikaans dominant Stellenbosch University. Beginning 1987 she was the first woman of colour along with Sam Marais to star in a Sun City Extravaganza. In 1992, she became the first South African star to perform publicly in Madagascar. She is well remembered for her roles in musicals such as Ain't Misbehavin'; Midnight Blues; Godspell and Vere . Natalia was one of 40 inducted into the S.A. Legends Museum on 26 January 2020 in Johannesburg.
The Ghoema Music Awards is an annual South African award ceremony that recognises outstanding achievement in the Afrikaans music industry. It is the only independent music award ceremony of its kind in South Africa. The event was established in 2012 and the awards are presented by the Ghoema Trust. The ceremony is held in March every year, and contenders are judged on performances made in the previous year. The show broadcasts on KykNET.
Radio Kaap se Punt is a community radio station which broadcasts in the Northern and Southern Suburbs of Cape Town, the Cape Flats and all the directions from a town called Grabouw. It is governed by the Kaapse Kulturele Uitsaai Assosiasie. Radio Kaap se Punt was founded in the terms of the Electronic Communications Act (ECA), the ICASA Code of Conduct and the Broadcasting Complaints Code of South Africa of the National Association of Broadcasters (NAB). After being established in February 2010, broadcasting officially commenced on 31 May 2013. The current frequency which the radio station broadcasts at is 90.7 FM. Two new frequencies will be launched in 2015. These frequencies will be 99.0 FM and 102.7 FM. Radio Kaapse Punt broadcasts a variety of genres. These genres include talk, news, drama and music. It broadcasts in three of the eleven national languages. The languages in which it broadcasts are Afrikaans, English and isiXhosa. With an annual total budget of less than R1 million, Radio Kaap se Punt is run by two full-time managers and many volunteers who together manage to provide radio and online services to a geographic area of 3.2 million people. The upside of a shortage of financial resources available to RKP is a dependence on these volunteers at a time in the history of South Africa when voluntarism is anything but de rigueur.
Faldela Williams was a South African cook and cookbook writer whose books inspired generations of cooks after her to preserve the culinary heritage of South Africa's Cape Malay people.
Hilton Schilder is a South African musician, well known in the genre of Cape jazz.
Marlene le Roux is a South African disability and women's rights activist. She is co-founder of the Women's Achievement Network for Disability, and CEO of the Artscape Theatre Centre in Cape Town.
The following outline is provided as an overview of and topical guide to Cape Town: