The following is a list of rock instrumentals . Only instrumentals that are notable are included.
Instrumental rock is rock music that emphasizes musical instruments and features very little or no singing. An instrumental is a musical composition or recording without lyrics, or singing, although it might include some inarticulate vocals, such as shouted backup vocals in a big band setting. [1] [2] [3]
Artist | Song title | Date | Highest position on US charts | Highest position on UK charts | Highest position on R&B charts | Miscellaneous |
---|---|---|---|---|---|---|
Bill Justis | "Raunchy" | 1957 | #3 [4] | #24 [5] | #1 [6] | |
Ernie Freeman | "Raunchy" | 1957 | #4 [7] | #1 [8] | ||
The Champs | "Tequila" | 1958 | #1 [9] | #5 [10] | #1 [11] | |
Duane Eddy | "Moovin' N' Groovin'" | 1958 | #72 | |||
The Champs | "El Rancho Rock" | 1958 | #30 | |||
Link Wray & His Ray Men | "Rumble" | 1958 | #16 [12] | #11 [13] | ||
Duane Eddy | "Rebel Rouser" | 1958 | #6 [14] | #8 [15] | #19 [16] | |
Duane Eddy | "Ramrod" | 1958 | #28 | |||
The Champs | "Chariot Rock" | 1958 | #59 | |||
Duane Eddy | "Cannonball" | 1958 | #15 | #2 | #22 | |
Link Wray & His Ray Men | "Raw-Hide" | 1959 | #23 | |||
The Rockin' R's | "The Beat" | 1959 | #57 | |||
Duane Eddy | "Yep!" | 1959 | #30 | #17 | ||
The Virtues | "Guitar Boogie Shuffle" | 1959 | #5 [17] | #27 [18] | ||
Dave "Baby" Cortez | "The Happy Organ" | 1959 | #1 [19] | #5 [20] | ||
Johnny and the Hurricanes | "Crossfire" | 1959 | #23 | |||
The Wailers | "Tall Cool One" | 1959 | #36 [21] | #24 [22] | ||
Preston Epps | "Bongo Rock" | 1959 | #14 [23] | |||
Duane Eddy | "Forty Miles of Bad Road" | 1959 | #9 | #17 | ||
Johnny and the Hurricanes | "Red River Rock" | 1959 | #5 [24] | #3 [25] | #5 [26] | |
The Wailers | "Mau-Mau" | 1959 | #68 | |||
Sandy Nelson | "Teen Beat" | 1959 | #4 [27] | #9 [28] | #17 [29] | The piano on the recording is by Bruce Johnston. [28] |
Santo & Johnny | "Sleep Walk" | 1959 | #1 [30] | #22 [31] | #4 [32] | |
Santo & Johnny | "Tear Drop" | 1959 | #23 [30] | #50 [31] | #17 [32] | |
Duane Eddy | "Some Kind-A Earthquake" | 1959 | #37 | #12 | ||
Johnny And The Hurricanes | "Reveille Rock" | 1959 | #25 | #17 | ||
The Fireballs | "Bulldog" | 1960 | #24 | |||
The Champs | "Too Much Tequila" | 1960 | #30 | |||
Johnny and the Hurricanes | "Beatnik Fly" | 1960 | #15 | #8 | ||
Bill Black's Combo | "White Silver Sands" | 1960 | #9 [33] | #33 [34] | #1 [35] | |
Bill Black's Combo | "Don't Be Cruel" | 1960 | #11 [33] | #32 [34] | #1 [35] | |
Duane Eddy | "Shazam" | 1960 | #45 | #4 | ||
Duane Eddy | "Because They're Young" | 1960 | #4 | #2 | #17 | |
Johnny and the Hurricanes | "Rocking Goose" | 1960 | #60 | #3 | ||
Duane Eddy | "Peter Gunn" | 1960 | #8 [36] | #6 [15] | This was the second charting of the song in 1959. | |
Floyd Cramer | "Last Date" | 1960 | #2 [37] | #32 [34] | ||
The Shadows | "Apache" | 1960 | #1 [38] | |||
The Shadows | "Man of Mystery" | 1960 | #5 [38] | |||
The Ventures | "Walk, Don't Run" | 1960 | #1 [39] | #8 [40] | #13 [41] | |
Duane Eddy | "Pepe" | 1961 | #18 | #2 | ||
B. Bumble and the Stingers | "Bumble Boogie" | 1961 | #21 [42] | |||
The Fireballs | "Quite a Party" | 1961 | #27 [43] | #29 [44] | ||
Kokomo | "Asia Minor" | 1961 | #8 [45] | #35 [40] | Adopted from the Edvard Grieg, Piano Concerto in A minor [45] and subsequently banned by the BBC. [46] | |
The Mar-Keys | "Last Night" | 1961 | #3 [47] | #2 [48] | ||
Sandy Nelson | "Let There Be Drums" | 1961 | #7 [27] | #3 [28] | ||
The Shadows | "F.B.I." | 1961 | #6 [5] | |||
The Shadows | "The Frightened City" | 1961 | #3 [38] | |||
The Shadows | "Kon-Tiki" | 1961 | #1 [38] | |||
The Shadows | "The Savage" | 1961 | #10 [38] | |||
The String-A-Longs | "Wheels" | 1961 | #3 [49] | #8 [31] | #19 [50] | |
Billy Joe and the Checkmates | "Percolator (Twist)" | 1962 | #10 [51] | |||
The Champs | "Limbo Rock" | 1962 | #40 [9] | |||
Jet Harris | "Besame Mucho" | 1962 | #22 [52] | |||
King Curtis | "Soul Twist" | 1962 | #17 [53] | #1 [54] | ||
Sandy Nelson | "Drums Are My Beat" | 1962 | #29 [27] | #30 [28] | ||
The Shadows | "Wonderful Land" | 1962 | #1 [38] | |||
The Shadows | "Guitar Tango" | 1962 | #4 [38] | |||
The Shadows | "Dance On!" | 1962 | #1 [38] | |||
The Tornados | "Telstar" | 1962 | #1 [55] | #1 [56] | #5 [57] | |
Booker T. & the M.G.'s | "Green Onions" | 1962 | #3 | #1 | ||
The Busters | "Bust Out" | 1963 | #25 [58] | |||
The Dakotas | "The Cruel Sea" | 1963 | #18 [59] | |||
Jet Harris and Tony Meehan | "Scarlett O'Hara" | 1963 | #2 [52] | |||
Lonnie Mack | "Memphis" | 1963 | #5 [60] | #4 [61] | ||
Lonnie Mack | Wham! | 1963 | #24 [60] | From the album The Wham of that Memphis Man | ||
The Marketts | "Out of Limits" | 1963 | #3 [47] | |||
Link Wray & His Ray Men | "Jack The Ripper" | 1963 | #64 | Released in 1961, but didn't chart until 1963. | ||
Jack Nitzsche | "The Lonely Surfer" | 1963 | #39 [62] | |||
The Rockin’ Rebels aka The Rebels | "Wild Weekend" | 1963 | #8 [63] | #3 [25] | #28 [64] | |
The Shadows | "Foot Tapper" | 1963 | #1 [38] | |||
The Surfaris | "Wipe Out" | 1963 | #2 [65] | #5 [66] | #10 [67] | |
The Pyramids | "Penetration" | 1964 | #18 [68] | Adapted from Edvard Grieg's Piano Concerto in A minor. [45] | ||
The T-Bones | "No Matter What Shape (Your Stomach's In)" | 1965 | #3 [69] | |||
The Viscounts | "Harlem Nocturne" | 1966 | #39 | #17 | Originally released in 1960, peaking at #52 on Billboard and #28 on CashBox. A 1965 re-release resulted in the record topping its previous peak, reaching #39. | |
The Bar-Kays | "Soul Finger" | 1967 | #17 [70] | #33 [71] | #3 [72] | |
Cliff Nobles & Co. | "The Horse" | 1968 | #2 [73] | #2 [74] | ||
Fleetwood Mac | "Albatross" | 1968 | #1 [75] | Charted again (#2) in Britain in 1972. | ||
Hugh Masekela | "Grazing in the Grass" | 1968 | #1 [76] | #1 [77] | ||
Mason Williams | "Classical Gas" | 1968 | #2 [78] | #9 [79] | "orchestrated rock and roll" backed by the Wrecking Crew [80] | |
Booker T. & the M.G.'s | "Time Is Tight" | 1969 | #6 [45] | #7 [81] | from the film Uptight [45] | |
The Ventures | "Hawaii Five-O" | 1969 | #4 [82] |
Most, if not all, of B. Bumble and the Stingers' recordings are instrumentals.
(Note: Bandstand , from 1972, is the only Family album that does not feature an instrumental track.)
Most of if not all of their albums consist of instrumentals.
Albums:
Tangerine Dream is a German electronic music band founded in 1967 by Edgar Froese. The group has seen many personnel changes over the years, with Froese the only constant member until his death in January 2015. The best-known lineup of the group was its mid-1970s trio of Froese, Christopher Franke, and Peter Baumann. In 1979, Johannes Schmoelling replaced Baumann until his own departure in 1985. This lineup was notable for composing many movie soundtracks. Since Froese's death in 2015, the group has been under the leadership of Thorsten Quaeschning. Quaeschning is Froese's chosen successor and is currently the longest-serving band member, having joined in 2005. Quaeschning is currently joined by violinist Hoshiko Yamane who joined in 2011 and Paul Frick who joined in 2020. Prior to this Quaeschning and Yamane performed with Ulrich Schnauss from 2014 to 2020. Schnauss only played two shows with Froese in November 2014 before Froese's passing.
Led Zeppelin II is the second studio album by the English rock band Led Zeppelin, released on 22 October 1969 in the United States and on 31 October 1969 in the United Kingdom by Atlantic Records. Recording sessions for the album took place at several locations in both the United Kingdom and North America from January to August 1969. The album's production was credited to the band's lead guitarist and songwriter Jimmy Page, and it was also Led Zeppelin's first album on which Eddie Kramer served as engineer.
Booker T. & the M.G.'s were an American instrumental, R&B, and funk band formed in Memphis, Tennessee, in 1962. The band is considered influential in shaping the sound of Southern soul and Memphis soul. The original members of the group were Booker T. Jones, Steve Cropper (guitar), Lewie Steinberg (bass), and Al Jackson Jr. (drums). In the 1960s, as members of the Mar-Keys, the rotating slate of musicians that served as the house band of Stax Records, they played on hundreds of recordings by artists including Wilson Pickett, Otis Redding, Bill Withers, Sam & Dave, Carla Thomas, Rufus Thomas, Johnnie Taylor and Albert King. They also released instrumental records under their own name, including the 1962 hit single "Green Onions". As originators of the unique Stax sound, the group was one of the most prolific, respected, and imitated of its era.
Queen is the debut studio album by the British rock band Queen. Released on 13 July 1973 by EMI Records in the UK and by Elektra Records in the US, it was recorded at Trident Studios and De Lane Lea Music Centre, London, with production by Roy Thomas Baker, John Anthony and the band members themselves.
Wild Life is the debut studio album by the British-American rock band Wings and the third studio album by Paul McCartney after the breakup of the Beatles. The album was mainly recorded in seven sessions between 24 July and 4 September 1971, at EMI Studios by McCartney, his wife Linda, session drummer Denny Seiwell, whom they had worked with on the McCartneys' previous album Ram, and guitarist Denny Laine, formerly of the English rock band the Moody Blues. It was released by Apple Records on 7 December in the UK and US, to lukewarm critical and commercial reaction.
The J.B.'s was James Brown's band from 1970 through the early 1980s. On records the band was sometimes billed under alternate names such as Fred Wesley and the JBs, The James Brown Soul Train, Maceo and the Macks, A.A.B.B., Fred Wesley and the New JBs, The First Family, and The Last Word. In addition to backing Brown, the J.B.'s played behind Bobby Byrd, Lyn Collins, and other singers associated with the James Brown Revue, and performed and recorded as a self-contained group. In 2015, they were nominated for induction into the Rock and Roll Hall of Fame but failed to be inducted and can be considered for Musical Excellence in the future. They have been eligible since 1995.
Blue Mink were a British six-piece pop group that existed from 1969 to 1977. Over that period they had six Top 20 hit singles in the UK Singles Chart, and released five studio based albums. According to AllMusic: "they have been immortalised on a string of compilation albums, each recounting the string of effervescent hits that established them among Britain's best-loved pop groups of the early 1970s."
Peter Bardens was an English keyboardist and a founding member of the progressive rock group Camel. He played keyboards, sang, and wrote songs with Andrew Latimer. During his career, Bardens worked alongside Rod Stewart, Peter Green, Mick Fleetwood and Van Morrison. He recorded eleven solo albums.
"Pinball Wizard" is a song by the English rock band the Who, written by guitarist and primary songwriter Pete Townshend and featured on their 1969 rock opera album Tommy. The original recording was released as a single in 1969 and reached No. 4 in the UK charts and No. 19 on the U.S. Billboard Hot 100.
Pilot are a Scottish rock group, formed in 1973 in Edinburgh by David Paton and Billy Lyall. They achieved considerable mainstream success during 1974–1975, primarily with the release of "Magic" which reached number one in Canada, five on the U.S. Billboard Hot 100, six in Ireland and eleven in the United Kingdom. Follow up single "January" released in 1975 reached number one in Australia, Ireland and the United Kingdom, as well as reaching eighty-seven in the United States. In the United Kingdom, "January" was awarded a Silver certification from the BPI.
Reggie Grimes Young Jr. was an American musician who was lead guitarist in the American Sound Studio house band, The Memphis Boys, and was a leading session musician.
"Saturday Night's Alright for Fighting" (sometimes written "Saturday Night's Alright (For Fighting)") is a song originally recorded by English musician Elton John. John composed it with his long-time songwriting partner Bernie Taupin. It was released on John's best-selling album Goodbye Yellow Brick Road (1973) and as the first single. It has been covered by many artists and featured on motion picture, video game, and television soundtracks.
"Tired of Being Alone" is a soul song written by American singer Al Green. It reached number 11 on the Billboard Hot 100 and number seven on the Soul Singles Chart in 1971. Billboard ranked it as the number 12 song for 1971.
Bloodstone is an American R&B, soul, and funk group, most popular in the 1970s and early 1980s. The band charted thirteen songs between 1973 and 1984.
"Angel Baby" is a 1960 single by Rosie and the Originals. The group recorded the song independently on a two-track machine, located in a facility in the small farming community of San Marcos, California. At the time, lead singer Rosie Hamlin was only 15 years old. She had written the lyrics for "Angel Baby" as a poem for "[her] very first boyfriend" when she was a 14-year-old student at Mission Bay High School in San Diego, California.
"Love Will Keep Us Together" is a song written by Neil Sedaka and Howard Greenfield. It was first recorded by Sedaka in 1973. The brother-sister duo Mac and Katie Kissoon also recorded a version in 1973. American pop duo Captain & Tennille covered it in 1975, with instrumental backing almost entirely by “Captain” Daryl Dragon, with the exception of drums played by Hal Blaine; their version became a worldwide hit.
"Take Me in Your Arms (Rock Me a Little While)" is a song written by the premier Motown songwriting/production team of the 1960s Holland–Dozier–Holland. The first hit recording was sung by Kim Weston in 1965. It was most popular in 1975 when it was recorded by the Doobie Brothers.
This article is a discography of American rock musician Todd Rundgren.
Solitaire is the thirty-first studio album by American pop singer Andy Williams, released in the fall of 1973 by Columbia Records and was an attempt to move away from his formulaic series of recent releases that relied heavily on songs that other artists had made popular.
"Oh My My" is a song by English musician Ringo Starr from his 1973 album Ringo. It was also issued as the third single from the album, becoming a top-five hit in the United States and Canada. The recording was produced by Richard Perry and includes backing vocals by Merry Clayton and Martha Reeves.