Television in Japan was introduced in 1939. However, experiments date back to the 1920s, with Kenjiro Takayanagi's pioneering experiments in electronic television.[1] Television broadcasting was halted by World War II, after which regular television broadcasting began in 1950.[2] After Japan developed the first HDTV systems in the 1960s, MUSE/Hi-Vision was introduced in the 1970s.
A modified version of the NTSC system for analog signals, called NTSC-J, was used for analog broadcast between 1950 and the early 2010s. The analog broadcast in Japan was replaced with a digital broadcasts using the ISDB standard. ISDB supersedes both the NTSC-J analog television system and the previously used MUSE Hi-vision analog HDTV system in Japan. Digital Terrestrial Television Broadcasting (DTTB) services using ISDB-T (ISDB-T International) started in Japan in December 2003, and since then, Japan adopted ISDB over other digital broadcasting standards.
All Japanese households having at least one television set are mandated to hold a television license, with funds primarily used to subsidize NHK, the Japanese public service broadcaster. The fee varies from ¥13,650 to ¥24,740 (¥12,255 to ¥23,585 for households residing in Okinawa Prefecture)[3] depending on the method and timing of payment, and on whether one receives only terrestrial television or also satellite broadcasts.[4] Households on welfare may be excused from the license fee. In any case, there is no authority to impose sanctions or fines in the event of non-payment; people may (and many do) throw away the bills and turn away the occasional bill collector, without consequence.[4]
In 1924, Kenjiro Takayanagi began a research program on electronic television. In 1925, he demonstrated a cathode ray tube (CRT) television with thermal electron emission.[1] Television tests were conducted in 1926 using a combined mechanical Nipkow disk and electronic Braun tube system.[5] In 1926, he demonstrated a CRT television with 40-line resolution,[6] the first working example of a fully electronic television receiver.[1] In 1927, he increased the television resolution to 100 lines, which was unrivaled until 1931.[7] In 1928, he was the first to transmit human faces in half-tones on television.[8]
An all-electronic system was adopted in the 1930s using a domestically developed iconoscope system.[5] Experimental broadcasts started in 1939, in April 1940, NHK broadcast its first television drama, Before Dinner, broadcast live in four episodes over three nights. In spite of that, because of the beginning of World War II in the Pacific region, this first full-fledged TV broadcast experimentation lasted only a few months.
For a brief period in the aftermath of Japan's surrender, the occupied government banned television research in 1945, but was lifted in July 1946. Takayanagi joined the Victor Company of Japan to continue research on his own end, while the NHK resumed theirs in November.[9] Takayanagi played a central role in jointly developing television broadcasting technology and television receivers with NHK, Sharp, and Toshiba.
Reproduction of a street television set in the 1950s. (at the Shin-Yokohama Ramen Museum)Changes to the television penetration rate in Japan from 1957 to 2015
Regular television broadcasts in Japan only started in 1950, several years after the war.[2] In 1953, the public NHK General TV (February 1) and the commercial Nippon Television (August 28) were launched in the span of a few months. At the time, there were only 3,000 television sets. The year following the royal wedding of Crown Prince Akihito in 1959, the number of sets had increased to 12 million.[10]
By the late 1960s, 30 million households owned a television set, commercial TV had 500 transmitters and NHK, 1000. With the early introduction of color television, on the other hand, only a small amount in 1967 afforded such a set, estimated at 80,000-90,000 - aiming for a 100,000 target by spring 1968, accounting to less than 1% of the total number of sets at the time. Its programming in the 1960s was seen as "primitive" for US standards.[11]
The Nippon Hōsō Kyōkai (NHK, the Japan Broadcasting Corporation) began conducting research to "unlock the fundamental mechanism of video and sound interactions with the five human senses" in 1964, after the Tokyo Olympics. NHK set out to create an HDTV system that ended up scoring much higher in subjective tests than NTSC's previously dubbed "HDTV". This new system, NHK Color, created in 1972, included 1,125 lines, a 5:3 aspect ratio and 60Hz refresh rate. The Society of Motion Picture and Television Engineers (SMPTE), headed by Charles Ginsburg, became the testing and study authority for HDTV technology in the international theater. SMPTE would test HDTV systems from different companies from every conceivable perspective, but the problem of combining the different formats plagued the technology for many years.[citation needed]
The television industry in Japan affected the film industry– in the 1960s, film companies reacted by not allowing their top actors and directors to work on television, not even the formers' production skills. Eventually the film companies lose money.[12]
Notice broadcast on television stations across Japan after the cessation of NTSC-J analog broadcasts. Transcript: "The analog broadcast you are watching ended at noon today. Please enjoy digital broadcasting in the future. [Contact] Ministry of Internal Affairs and Communications Terrestrial Digital Call Center 0570-07-0101 ○○○ TV Viewer Center 091-234-5678"
Japan pioneered HDTV for decades with an analog implementation (MUSE/Hi-Vision) in the late 1980s. The old system is not compatible with the new digital standards. Japanese terrestrial broadcasting of HD via ISDB-T started on December 1, 2003, in the Tokyo, Osaka, and Nagoya metropolitan areas. It has been reported that 27 million HD receivers had been sold in Japan as of October 2007.
The Japanese government is studying the implementation of some improvements on the standard as suggested by Brazilian researchers (SBTVD). These new features are unlikely to be adopted in Japan due to incompatibility problems but are being considered for use in future implementations in other countries, including Brazil itself.
Analog terrestrial television broadcasts in Japan were scheduled to end on July 24, 2011, as per the current Japanese broadcasting law. However, the switch-over was delayed in Fukushima, Miyagi, and Iwate prefectures, due to a desire to reduce the inconvenience of those affected most by the 2011 Tōhoku earthquake and tsunami and subsequent Fukushima Daiichi nuclear disaster. In those areas, analog broadcasting ended on March 31, 2012.
Cable television
Cable television was introduced to Japan in 1955, in Shibukawa, Gunma Prefecture. Until the 1980s, cable television in Japan was mainly limited to rural mountainous areas and outlying islands where the reception of terrestrial television was poor. Cable television started to proliferate in urban areas in the late 1980s, beginning with Tokyo, whose first cable television station began broadcasting in 1987.[13]
Only one percent of Japanese households were able to receive cable TV in 1992.[14] This posed issues to the launch of new specialized cable networks.[14]
Following the lifting of legal controls by the Ministry of Posts and Telecommunications, six new cable channels launched on Japan's two communication satellites in mid-1992.[14] Japanese law required new channels to receive half of the revenue from subscribers who received the scrambled signals.[14]
Over one million homes were connected to cable TV in 1995.[15]
As of 1995, Japan's eleven cable-only channels were carried through communication satellites. The most successful channel out of the eleven channels had less than 30,000 subscribers, far fewer than Wowow's 1.6 million subscribers. Programming was mostly limited to sports, news and old movies. Yhe lack of programming and the downfall in the Japanese film industry were primary obstacles for the development of cablenetworks.[15]
In the mid-1990s, two-way multichannel cable television platforms first appeared in the market; broadband internet services started being bundled to cable television subscriptions in the late 1990s.
Currently, there are several national and regional cable television providers in Japan, the largest being J:COM (a KDDI and Sumitomo Corporation joint-venture) and its subsidiary Japan Cablenet (JCN). These companies currently compete with the Japanese satellite television platforms SKY PerfecTV! and WOWOW, as well as the IPTV platform Hikari TV operated by NTT Plala.
The Japan Cable Television Engineering Association (JCTEA) is the umbrella organisation representing 600 member companies involved in research, designing, manufacturing, installation and maintenance of cable television facilities in Japan.[16]
Satellite and IP television
The medium-scale Broadcasting Satellite for Experimental Purposes (BSE) was planned by Ministry of Posts and Telecommunications (MOPT) and developed by the National Space Development Agency of Japan (NASDA) since 1974. After that, the first Japanese experimental broadcasting satellite, called BSE or Yuri, was launched in 1978. NHK started experimental broadcasting of TV program using BS-2a satellite in May 1984.
The satellite BS-2a was launched in preparation for the start of full scale 2-channel broadcasts. Broadcasting Satellite BS-2a was the first national DBS (direct broadcasting satellite), transmitting signals directly into the home of TV viewers. Attitude control of the satellite was conducted using the 3-axial method (zero momentum), and design life was five years. The TV transponder units are designed to sufficiently amplify transmitted signals to enable reception by small, 40 or 60cm home-use parabolic antennas. The satellite was equipped with three TV transponders (including reserve units). However, one transponder malfunctioned two months after launch (March 23, 1984) and a second transponder malfunctioned three months after launch (May 3, 1984). So, the scheduled satellite broadcasting had to be hastily adjusted to test broadcasting on a single channel.
Later, NHK started regular service (NTSC) and experimental HDTV broadcasting using BS-2b in June 1989. Some Japanese producers of home electronic consumer devices began to deliver TV sets, VCRs and even home acoustic systems equipped with built-in satellite tuners or receivers. Such electronic goods had a specific BS logo.
In April 1991, Japanese company JSB started a pay TV service while BS-3 communication satellite was in use.
An estimated two million viewers tuned to NHK's two-channel satellite television broadcasts in 1992.[14]
In 1996, the total number of households that received satellite broadcasting exceeded 10 million.
The modern two satellite systems in use in Japan are BSAT and JCSAT; the modern WOWOWBroadcasting Satellite digital service uses BSAT satellites, while other systems of digital TV broadcasting such as SKY PerfecTV! and Hikari TV uses JCSAT satellites.
While TV programs vary from station to station, some generalizations can be made. Most commercial television stations sign on between the hours of 4:00a.m. and 5:00a.m. every morning. Early morning hours are dominated by news programs, and these run from around 9:00 to 9:30a.m. They are then replaced by late morning shows that target wives who have finished their housework. These run to around 1:30p.m., at which time reruns of dramas and information programs that target the same age group start. On some stations at 4:00p.m., the young kid-oriented anime and TV shows start, and end around 7:00p.m. or 8:00p.m. Evening news programs air as early as before 4:00p.m. or before 5:00p.m. and end at 7:00p.m., when the "Golden Hour" of TV shows start. 7:00p.m. to 9:00p.m. are the time periods into which TV stations pour the most resources. Appearing in this time slot is a certain sign that an actor or actress is a TV star. After 9:00 they switch over to Japanese television dramas and programs focusing on older age groups, which run till 10:00 or 11:00p.m. Stations run their late night news mostly at the 11:00p.m. hour, and around midnight sports news programs run which target working ages. After these, programs for mature audiences run as well as anime that do not expect enough viewers if they were run earlier. Some commercial stations sign off between 2:00a.m. and 3:00a.m. every night; however, most stations affiliated with NNS or JNN broadcast 24 hours a day, with the sign off window replaced by a simulcast of their networks' news channel during the overnight hours. Other stations do filler programming to fill time before the start of early morning news. Commercial stations sometimes sign off on Sunday late nights or other days for technical maintenance. NHK is required to broadcast 24 hours a day, seven days a week.
Advertisers sponsor programs rather than buying advertising time during commercial breaks. The advertisers have major power over prime time programs, aiming to the lowest common denominator by having "familiar, tested" celebrities hosting the programs, regardless of genre.[12]
None of the foreign programs air on terrestrial television during prime time, even rare outside the prime time hours; instead, locally produced programs dominate the slot, favored by the public.[12] The broadcasters have control over production companies, hence production companies often work with a single TV station and the TV station itself owns the copyright to the completed program.[12]
The Japanese have sometimes subdivided television series and dramas into kūru (クール), from the French term "cours" (both singular and plural) for "course", which is a three-month period usually of 13 episodes. Each kūru generally has its own opening and ending image sequence and song, recordings of which are often sold. A six-month period of 26 episodes is also used for subdivision in some television series.
Japanese dramas (テレビドラマ, terebi dorama, television drama) are a staple of Japanese television and are broadcast daily. All major TV networks in Japan produce a variety of drama series including romance, comedies, detective stories, horror, and many others. With a theme, there may be a one-episode drama, or two nights, that may be aired on special occasions, such as in 2007 where they had a drama produced as a sixty-year anniversary from the end of the World War II, with a theme of the atomic bomb.
Japan has a long history of producing science fiction series for TV. Non-anime science fiction are still largely unknown to foreign audiences. An exception is Power Rangers and their subsequent series that used battle sequences from the Super Sentai counterpart and combined them with American actors who acted out entirely original story lines.
Anime (アニメ), taken from half of the Japanese pronunciation of "animation", is the Japanese word for animation in general, but is used more specifically to mean "Japanese animation" in the rest of the world.[17] Anime dates from about 1917.[18] TV networks regularly broadcast anime programming. In Japan, major national TV networks, such as TV Tokyo broadcast anime regularly. Smaller regional stations broadcast anime on UHF. Fairy Tail, Naruto, Pokémon, Bleach, Dragon Ball, Case Closed and One Piece are examples of anime. While many popular series air during the daytime and evening hours, most air only at night from 12:00a.m. to 4:00a.m. These series usually make profits primarily through BD (Blu-ray Disc)/DVD sales and merchandising rather than through television advertising. Some anime series are original, but most are intended to promote something else, such as an ongoing manga, light novel, or video game series which they are usually based on.[citation needed]
Japanese variety shows (also known as Japanese game shows) are televisionentertainment made up of a variety of original stunts, musical performances, comedy skits, quiz contests, and other acts. Japanese television programs such as Music Station and Utaban continue in an almost pristine format from the same variety shows of years before. The only major changes have been the increasing disappearance of live backup music since the 1980s.
Video Research—company which conducts audience measurement for television and radio
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References
Notes
↑ TV Asahi is the largest single shareholder in Toei.
↑ Toho is the largest single shareholder in Fuji TV's parent company Fuji Media Holdings; its parent company, the Hankyu Hanshin Toho Group, is the second largest shareholder in FNS' Kansai region flagship.
↑ The Chunichi Shimbun Company owns stakes in most JAITS stations.
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