Earth in culture

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The Blue Marble photograph of Earth, taken on the Apollo 17 lunar mission in 1972. The Earth seen from Apollo 17.jpg
The Blue Marble photograph of Earth, taken on the Apollo 17 lunar mission in 1972.

The cultural perspective on Earth, or the world, varies by society and time period. [1] Religious beliefs often include a creation belief as well as personification in the form of a deity. The exploration of the world has modified many of the perceptions of the planet, resulting in a viewpoint of a globally integrated ecosystem. Unlike the remainder of the planets in the Solar System, mankind didn't perceive the Earth as a planet until the sixteenth century. [2]

Contents

Etymology

Unlike the other planets in the Solar System, in English, Earth does not directly share a name with an ancient Roman deity. [3] The name Earth derives from the eighth century Anglo-Saxon word erda, which means ground or soil, and ultimately descends from Proto-Indo European *erþō. From this it has cognates throughout the Germanic languages, including with Jörð, the name of the giantess of Norse myth. Earth was first used as the name of the sphere of the Earth in the early fifteenth century. [4] The planet's name in Latin, used academically and scientifically in the West during the Renaissance, is the same as that of Terra Mater, the Roman goddess, which translates to English as Mother Earth.

Planetary symbol

Four corners of the world symbol of Earth Earth symbol (fixed width).svg
Four corners of the world symbol of Earth
Globus cruciger symbol of Earth Globus cruciger (fixed width).svg
Globus cruciger symbol of Earth

The standard astronomical symbol of the Earth consists of a cross circumscribed by a circle. This symbol is known as the wheel cross, sun cross, Odin's cross or Woden's cross. Although it has been used in various cultures for different purposes, it came to represent the compass points, Earth and the land. Another version of the symbol is a cross on top of a circle; a stylized globus cruciger that was also used as an early astronomical symbol for the planet Earth. [5]

Religious beliefs

Earth has often been personified as a deity, in particular a goddess. In many cultures the mother goddess is also portrayed as a fertility deity. To the Aztecs, Earth was called Tonantzin —"our mother"; to the Incas, Earth was called Pachamama —"mother earth". The Chinese Earth goddess Hou Tu [6] is similar to Gaia, the Greek goddess personifying the Earth. Bhumi Devi is the goddess of Earth in Hinduism, [7] influenced by Graha. The Tuluva people of Tulunadu in Southern India celebrate a Three Day "Earth Day" called Keddaso. This festival comes in usually on 10th,12th,13 February every Calendar year. In Norse mythology, the Earth giantess Jörð was the mother of Thor and the daughter of Annar. [8] Ancient Egyptian mythology is different from that of other cultures because Earth (Geb) is male and the sky (Nut) is female. [9] However, in roughly 3500 BCE Moses began writing the book of Genesis in which the first verse of the Bible translates "In the beginning God created the heavens and the Earth."

Creation myths in many religions recall a story involving the creation of the world by a supernatural deity or deities. A variety of religious groups, often associated with fundamentalist branches of Protestantism [10] or Islam, [11] assert that their interpretations of the accounts of creation in sacred texts are literal truth and should be considered alongside or replace conventional scientific accounts of the formation of the Earth and the origin and development of life. [12] Such assertions are opposed by the scientific community [13] [14] as well as other religious groups. [15] [16] [17] A prominent example is the creation–evolution controversy.

Creation myths in different cultures and religions

Babylonian

Tiāmat is a sea monster known as the monster of monsters. She is killed and her body is cut in half in order to create heaven and Earth. The upper part of Tiāmat is used to create heaven with her belly as the separation line. The lower part of her body was used to create Earth, but the way that specific body parts were used to create other things is not described. [18]

Norse

Odin and his two brothers killed the frost-giant Ymir and took his body with them. From Ymir's body Odin and his brothers created the Earth. As Ymir's blood drained from his body, Odin created oceans and lakes, from his teeth they formed broken bits of rocks and placed them on mountains, from his bones they made boulders, his skull fashioned the sky and respectively his brain formed clouds. After Odin's creation of Earth he sent four dwarves down to each corner of the Earth one being Austri meaning east, another called Vestri meaning west, another named Nordri meaning north, and the final one named Sudri meaning south. This is where directions came from. Odin and his brothers then set out to make the first people. Odin and his brothers gathered wood from the seashore and created the first people, Ask being the man and Embla being the woman. Light and dark was the final step that Odin had to create. He took Night who is the daughter of a giant that is dark in color. Odin gave Night a chariot pulled by a horse called Hrimfaxi. He instructed Night to ride around the Earth and with her she brought darkness, from her horse's saliva dew was created. He then took Day, the son of Night and Delling of the AEsir, who was bright and attractive and gave him a chariot pulled by a horse named Skinfaxi. He instructed Day to ride around the Earth and with him he brought light and from his horse's mane streamed light. [19]

Aztec

In the myth of the god Tlaltecuhtli, her dismembered body was the basis for the world in the Aztec creation story of the fifth and final cosmos. [20] Before the fifth sun was created, the "earth monster" dwelled in the ocean after the fourth Great Flood. The gods Quetzalcoatl and Tezcatlipoca descended from the heavens in the form of serpents and found the monstrous Tlaltecuhtli. The two gods decided that the fifth cosmos could not prosper with such a horrible creature roaming the world, and so they set out to destroy her. After a long struggle, Tezcatlipoca and Quetzalcoatl managed to rip her body in two — from the upper half came the sky, and from the lower came the Earth. The other gods were angered to hear of Tlaltecuhtli's treatment and decreed that the various parts of her dismembered body would become the features of the new world. Her skin became grasses and small flowers, her hair the trees and herbs, her eyes the springs and wells, her nose the hills and valleys, her shoulders the mountains, and her mouth the caves and rivers. [21]

Yoruba

In the Yoruba religion, there are many gods, but the First Father is called Olorun and he is said to be perfect. Before earth was created there was only sky above and water, swamps, and mist below. One day one of the gods named Olbatala asked Olorun if he could make a world out of what was below. Olorun granted him permission to make a world from the things down below. Before taking action, Obatala consulted with another god named Orunmila (the god of divination) who told Obatala to get a golden chain and lower it from the sky to the waters below so that he could eventually return to the other gods. Orunmila also told him to take a snail shell with soil in it, a hen, a black cat, and a palm nut. Obatala heeded the god of divination's words and descended the golden chain with all of the things he was told to take. Once Obatala reached the waters below he poured all of the soil onto the water. He then set the hen down which spread the soil out by pecking and scratching at it. After the soil was spread, he planted the palm nut which grew and produced more nuts which respectively grew more trees. Obatala thought that this new world needed more light, so he consulted with Olorun who then created the Sun and Moon and sent fire on a vulture's head for light when the Sun was gone. Obatala got lonely on this new world of his, so he fashioned human beings out of clay and asked the First Father for help. Olorun breathed life into the clay figures and humans became living. Olorun also gave life to animals, plants, rivers, and language for the people to utilize. When Obatala was pleased with his work he climbed back up the golden chain and lived with the other gods in the sky above. [22]

In fiction

While in general, a planet can be considered "too large, and its lifetime too long, to be comfortably accommodated within fiction as a topic in its own right", this has not prevented some writers from engaging with the topic (for example, Camille Flammarion's Lumen (1887), David Brin's Earth (1990), or Terry Pratchett's, Ian Stewart's and Jack Cohen's The Science of Discworld (1999) [23] ). [24] The iconic photo of Earth known as The Blue Marble , taken by the crew of Apollo 17 (1972), and similar images of Earth from space, might have popularized Earth as a theme in fiction.

Additionally, it is undeniable that an overwhelming majority of fiction is set on or features the Earth. [25] Earth as a planet has been subject to various works of literary treatments. Its climate itself is related to the entire genre known as climate fiction, and its future is a major aspect of the Dying Earth genre as well as the apocalyptic and post-apocalyptic fiction. [26] [27] [28]

Depiction of Earth

In the ancient past there were varying levels of belief in a flat Earth, with the Mesopotamian culture portraying the world as a flat disk afloat in an ocean. The spherical form of the Earth was suggested by early Greek philosophers; a belief espoused by Pythagoras. By the Middle Ages as evidenced by thinkers such as Thomas Aquinas European belief in a spherical Earth was widespread. [29]

Images of Earth from space

The first photo from space was taken on 24 October 1946. First photo from space.jpg
The first photo from space was taken on 24 October 1946.

The technological developments of the latter half of the 20th century are widely considered to have altered the public's perception of the Earth. Before space flight, the popular image of Earth was of a green world. Science fiction artist Frank R. Paul provided perhaps the first image of a cloudless blue planet (with sharply defined land masses) on the back cover of the July 1940 issue of Amazing Stories , a common depiction for several decades thereafter. [31] Earth was first photographed from a satellite by Explorer 6 in 1959. [32] Yuri Gagarin became the first human to view Earth from space in 1961. The crew of the Apollo 8 was the first to view an Earth-rise from lunar orbit in 1968, and astronaut William Anders's photograph of it, Earthrise , became iconic. In 1972 the crew of the Apollo 17 produced The Blue Marble , another famous photograph of the planet Earth from cislunar space. These became iconic images of the planet as a marble of cloud-swirled blue ocean broken by green-brown continents. NASA archivist Mike Gentry has speculated that The Blue Marble is the most widely distributed image in human history. Inspired by The Blue Marble poet-diplomat Abhay K has penned an Earth Anthem describing the planet as a "Cosmic Blue Pearl". [33] A photo taken of a distant Earth by Voyager 1 in 1990 inspired Carl Sagan to name it and describe the planet as a Pale Blue Dot . [34] On Earth Day (22 April) 2023, a collection of images to date of Earth taken from various deep space distances in the Solar System was published. [35]

Since the 1960s, Earth has also been described as a massive "Spaceship Earth," with a life support system that requires maintenance, [36] or, in the Gaia hypothesis, as having a biosphere that forms one large organism. [37] Since 2010 the Cupola of the ISS has allowed for a wealth of intricate images of Earth from orbit. [38]

Notable images of Earth from space

YearEventImageRefs
196710 November 1967: NASA's first full-disc, true-color image of Earth, taken by the ATS-3 satellite. The image was used for the cover of the first edition of the Whole Earth Catalog the following year. ATSIII 10NOV67 153107.jpg
19727 December 1972: the widely used The Blue Marble was taken by the crew of Apollo 17. [39] The photograph's original orientation had south pointed up. [40] Apollo 17 Blue Marble original orientation (AS17-148-22727).jpg
The Earth seen from Apollo 17.jpg
[39] [41] [42] [43] [40]
199014 February 1990: the Voyager 1 space probe took the Pale Blue Dot photograph of Earth from a record distance of about 6 billion kilometers (3.7 billion miles, 40.5 AU), as part of that day's Family Portrait series of images of the Solar System. Earth appears as a tiny dot within deep space: the blueish-white speck almost halfway up the brown band on the right.
Diagram of the Family Portrait showing the planets' orbits and the relative position of Voyager 1 when the mosaic was captured.
Pale Blue Dot.png
PIA23681-SolarSystemViewFromVoyager1-20200212.jpg
[43] [44]
2010 Family Portrait (MESSENGER) MESSENGER Solar System Family Portrait.jpg [41]
2013 The Day the Earth Smiled - 2013 photograph of Saturn and Earth The Day The Earth Smiled - Preview.jpg [43]

Impact of images of Earth from space

Over the past two centuries a growing environmental movement has emerged that is concerned about humankind's effects on the Earth. The key issues of this socio-political movement are the conservation of natural resources, elimination of pollution, and the usage of land. [45] Although diverse in interests and goals, environmentalists as a group tend to advocate sustainable management of resources and stewardship of the environment through changes in public policy and individual behavior. [46] Of particular concern is the large-scale exploitation of non-renewable resources. [47] Changes sought by the environmental movements are sometimes in conflict with commercial interests due to the additional costs associated with managing the environmental impact of those interests. [48] [49] [50]

See also

Notes

  1. A postage stamp honoring the sculptor and the monument was issued jointly by Switzerland and France.

Related Research Articles

<span class="mw-page-title-main">Goddess</span> Feminine or female deity

A goddess is a female deity. In many known cultures, goddesses are often linked with literal or metaphorical pregnancy or imagined feminine roles associated with how women and girls are perceived or expected to behave. This includes themes of spinning, weaving, beauty, love, sexuality, motherhood, domesticity, creativity, and fertility. Many major goddesses are also associated with magic, war, strategy, hunting, farming, wisdom, fate, earth, sky, power, laws, justice, and more. Some themes, such as discord or disease, which are considered negative within their cultural contexts also are found associated with some goddesses. There are as many differently described and understood goddesses as there are male, shapeshifting, or neuter gods.

<span class="mw-page-title-main">Aztec mythology</span> Collection of myths of the Aztec civilization

Aztec mythology is the body or collection of myths of the Aztec civilization of Central Mexico. The Aztecs were Nahuatl-speaking groups living in central Mexico and much of their mythology is similar to that of other Mesoamerican cultures. According to legend, the various groups who were to become the Aztecs arrived from the north into the Anahuac valley around Lake Texcoco. The location of this valley and lake of destination is clear – it is the heart of modern Mexico City – but little can be known with certainty about the origin of the Aztec. There are different accounts of their origin. In the myth the ancestors of the Mexica/Aztec came from a place in the north called Aztlan, the last of seven nahuatlacas to make the journey southward, hence their name "Azteca." Other accounts cite their origin in Chicomoztoc, "the place of the seven caves", or at Tamoanchan.

<span class="mw-page-title-main">Mictlān</span> Underworld of Aztec mythology

Mictlan is the underworld of Aztec mythology. Most people who die would travel to Mictlan, although other possibilities exist. Mictlan consists of nine distinct levels.

<span class="mw-page-title-main">Tlaltecuhtli</span> Aztec deity

Tlaltecuhtli is a pre-Columbian Mesoamerican deity worshipped primarily by the Mexica (Aztec) people. Sometimes referred to as the "earth monster," Tlaltecuhtli's dismembered body was the basis for the world in the Aztec creation story of the fifth and final cosmos. In carvings, Tlaltecuhtli is often depicted as an anthropomorphic being with splayed arms and legs. Considered the source of all living things, he had to be kept sated by human sacrifices which would ensure the continued order of the world.

<span class="mw-page-title-main">Nut (goddess)</span> Egyptian goddess of the sky

Nut, also known by various other transcriptions, is the goddess of the sky, stars, cosmos, mothers, astronomy, and the universe in the ancient Egyptian religion. She was seen as a star-covered nude woman arching over the Earth, or as a cow. She was depicted wearing the water-pot sign (nw) that identifies her.

<span class="mw-page-title-main">Hindu mythology</span> Body of myths existing in Hinduism

Hindu mythology is the body of myths attributed to, and espoused by, the adherents of the Hindu religion, found in Sanskrit texts such as the Vedic literature, epics like Mahabharata and Ramayana, the Puranas, and mythological stories specific to a particular ethnolinguistic group like the Tamil Periya Puranam and Divya Prabandham, and the Mangal Kavya of Bengal. Hindu myths are also found in widely translated popular texts such as the fables of the Panchatantra and the Hitopadesha, as well as in Southeast Asian texts.

<span class="mw-page-title-main">Anunnaki</span> Group of ancient Mesopotamian deities

The Anunnaki are a group of deities of the ancient Sumerians, Akkadians, Assyrians and Babylonians. In the earliest Sumerian writings about them, which come from the Post-Akkadian period, the Anunnaki are deities in the pantheon, descendants of An and Ki, the god of the heavens and the goddess of earth, and their primary function was to decree the fates of humanity. They should not be confused with the Apkallu.

In Aztec mythology, the Centzonmīmixcōah are the gods of the northern stars. They are sons of Camaxtle-Mixcoatl with the Earth Goddess, according to the Codex Ramírez, or Tonatiuh with Chalchiuhtlicue, the goddess of the seas.

<span class="mw-page-title-main">Mangala</span> Deity of Planet Mars

Mangala is the personification, as well as the name for the planet Mars, in Hindu literature. Also known as Lohita, he is the deity of anger, aggression, as well as war. According to Vaishnavism, he is the son of Bhumi, the earth goddess, and Vishnu, born when the latter raised her from the depths of the primordial waters in his Varaha avatar.

<span class="mw-page-title-main">Norse cosmology</span> Account of the universe and its laws by the ancient North Germanic peoples

Norse cosmology is the account of the universe and its laws by the ancient North Germanic peoples. The topic encompasses concepts from Norse mythology, such as notations of time and space, cosmogony, personifications, anthropogeny, and eschatology. Like other aspects of Norse mythology, these concepts are primarily recorded from earlier oral sources in the Poetic Edda, a collection of poems compiled in the 13th century, and the Prose Edda, authored by Icelander Snorri Sturluson in the 13th century. Together these sources depict an image of Nine Worlds around a cosmic tree, Yggdrasil.

The Norse mythology, preserved ancient Icelandic texts such as the Poetic Edda, the Prose Edda, and other lays and sagas, was little known outside Scandinavia until the 19th century. With the widespread publication of Norse myths and legends at this time, references to the Norse gods and heroes spread into European literary culture, especially in Scandinavia, Germany, and Britain. In the later 20th century, references to Norse mythology became common in science fiction and fantasy literature, role-playing games, and eventually other cultural products such as Japanese animation. Storytelling was an important aspect of Norse mythology and centuries later, with the rediscovery of the myth, Norse mythology once again relies on the impacts of storytelling to spread its agenda.

<span class="mw-page-title-main">King of the gods</span> Leading or primary god of a polytheistic pantheon

As polytheistic systems evolve, there is a tendency for one deity to achieve preeminence as king of the gods. This tendency can parallel the growth of hierarchical systems of political power in which a monarch eventually comes to assume ultimate authority for human affairs. Other gods come to serve in a Divine Council or pantheon; such subsidiary courtier-deities are usually linked by family ties from the union of a single husband or wife, or else from an androgynous divinity who is responsible for the creation.

<span class="mw-page-title-main">Bhumi (goddess)</span> Hindu goddess of the earth

Bhumi, also known as Bhudevi and Vasundhara, is a Hindu goddess who is the personification of the earth. She is a consort of Varaha, an avatar of the deity Vishnu. According to Vaishnava tradition, she is the second aspect of Vishnu's consort, Lakshmi, along with the aspects of Sridevi and Niladevi. According to Hindu mythology, Varaha, the third avatar of Vishnu, saved her from the asura Hiranyaksha and later married her, making her one of his consorts. She is regarded as the mother of Narakasura, Mangala, and Sita.

<span class="mw-page-title-main">Norse mythology</span> Mythology of the North Germanic peoples

Norse, Nordic, or Scandinavian mythology, is the body of myths belonging to the North Germanic peoples, stemming from Old Norse religion and continuing after the Christianization of Scandinavia, and into the Nordic folklore of the modern period. The northernmost extension of Germanic mythology and stemming from Proto-Germanic folklore, Norse mythology consists of tales of various deities, beings, and heroes derived from numerous sources from both before and after the pagan period, including medieval manuscripts, archaeological representations, and folk tradition. The source texts mention numerous gods such as the thunder-god Thor, the raven-flanked god Odin, the goddess Freyja, and numerous other deities.

<span class="mw-page-title-main">Creation of life from clay</span> Miraculous birth theme in multiple mythologies

The creation of life from clay can be seen as a miraculous birth theme that appears throughout world religions and mythologies. It can also be seen as one of gods who craft humans out of earthly materials. As such, this class of story falls within a larger set of divine or cosmogonic origin stories about creation, whether through divine emergence or divine craft.

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