Music of Malaysia is the generic term for music that has been created in various genres in Malaysia. A great variety of genres in Malaysian music reflects the specific cultural groups within multiethnic Malaysian society: Malay, Indonesian, Arabic, Chinese, Indian, Dayak, Kadazan-Dusun, Bajau, Orang Asli, Melanau, Kristang and others.
Indonesia is a country with many different tribes and ethnic groups, and its music is also very diverse, coming in hundreds of different forms and styles. Every region has its own culture and art, and as a result traditional music from area to area also uniquely differs from one another. For example, each traditional type of music is often accompanied by its very own dance and theatre. Contemporary music scene have also been heavily shaped by various foreign influences, such as America, Britain, Japan, Korea, and India.
Kulintang is a modern term for an ancient instrumental form of music composed on a row of small, horizontally laid gongs that function melodically, accompanied by larger, suspended gongs and drums. As part of the larger gong-chime culture of Southeast Asia, kulintang music ensembles have been playing for many centuries in regions of the Southern Philippines, Eastern Malaysia, Eastern Indonesia, Brunei and Timor, Kulintang evolved from a simple native signaling tradition, and developed into its present form with the incorporation of knobbed gongs from Sundanese people in Java Island, Indonesia. Its importance stems from its association with the indigenous cultures that inhabited these islands prior to the influences of Hinduism, Buddhism, Islam, Christianity or the West, making kulintang the most developed tradition of Southeast Asian archaic gong-chime ensembles.
Dangdut is a genre of Indonesian folk music that is partly derived and fused from Hindustani, Arabic and to lesser extent, Malay, Minangkabau, Javanese, Sundanese and local folk music. Dangdut is the most popular musical genre in Indonesia and very popular in other Maritime Southeast Asian countries as well because of its melodious instrumentation and vocals. Dangdut features a tabla and gendang beat.
The angklung is a musical instrument from the Sundanese in Indonesia that is made of a varying number of bamboo tubes attached to a bamboo frame. The tubes are carved to produce a resonant pitch when struck and are tuned to octaves, similar to Western handbells. The base of the frame is held in one hand, while the other hand shakes the instrument, causing a repeating note to sound. Each performer in an angklung ensemble is typically responsible for just one pitch, sounding their individual angklung at the appropriate times to produce complete melodies.
The culture of Indonesia has been shaped by the interplay of indigenous customs and diverse foreign influences. With over 1,300 distinct ethnic groups, including significant Austronesian and Melanesian cultures, contributing to its rich traditions, languages, and customs, Indonesia is a melting pot of diversity. Positioned along ancient trade routes between the Far East, South Asia, and the Middle East, the country has absorbed cultural practices influenced by Hinduism, Buddhism, Confucianism, Islam, and Christianity. These influences have created a complex cultural tapestry that often differs from the original indigenous cultures.
Brunei is a southeast Asian country located on Borneo between the states of Sabah and Sarawak which are part of Malaysia. There is a wide array of native folk music, and dance. Brunei shares some Cultural perspectives and links with the countries of Southeast Asia such as Malaysia, Singapore, Indonesia, Thailand, and the Philippines. The strong Islamic influence means that dance performances and music are somewhat restricted.
Zapin is one of the most popular dance and musical forms in traditional Malay performing arts. Dance movements are choreographed to melodies, which are performed using musical instruments such as the gambus, accordion, and rebana. It is believed to have been introduced by Persian and Arab Muslim missionaries from the Middle East to the Malay Archipelago around the fourteenth century, where back then only males were allowed to perform; nowadays, female dancers are included. It used to be performed exclusively for religious ceremonies but through the years it has become a form of traditional entertainment, hence the participation of female dancers is allowed.
The rebana or terbangan is a tambourine that is used in Islamic devotional music in Southeast Asia, particularly in Indonesia, Malaysia, Brunei, and Singapore. The sound of the rebana often accompany Islamic ritual such as the zikir. The name rebana came from the Arabic word robbana. The rebana is also used by the Cham people of Cambodia and also gave rise to the Rabana which is used by the Sinhalese people of Sri Lanka.
A kendang or gendang is a two-headed drum used by people from the Indonesian Archipelago. The kendang is one of the primary instruments used in the gamelan ensembles of Javanese, Sundanese, and Balinese music. It is also used in various Kulintang ensembles in Indonesia, Brunei, Malaysia, Singapore, and the Philippines. It is constructed in a variety of ways by different ethnic groups. It is related to the Indian double-headed mridangam drum.
Talempong is a traditional musical instrument of the Minangkabau people of Western Sumatra, Indonesia. The talempong produce a static texture consisting of interlocking rhythms.
Kroncong is the name of a ukulele-like instrument and an Indonesian musical style that typically makes use of the kroncong. A kroncong orchestra or ensemble traditionally consists of a flute, a violin, at least one, but usually a pair of kroncongs, a cello in Pizzicato style, string bass in pizzicato style, and a vocalist. Kroncong originated as an adaptation of a Portuguese musical tradition, brought by sailors to Indonesian port cities in the 16th century. By the late 19th century, kroncong reached popular music status throughout the Indonesian archipelago.
Hj Wandly Yazid is an acclaimed composer, arranger and musician, recognised for his contribution to the Malay film and music industry in the 1940s to the 1960s. He performed as a violinist with the Singapore Symphony Orchestra. In 2001, he received the COMPASS Meritorious Award by Composers and Authors Society of Singapore. Fondly remembered as Pak Wandly, he is renowned for the popular evergreen Gurindam Jiwa, the theme song for the classic film of the same name. In 2015, the song bagged the Top Song Award at Viva Musik SG50 by Suria, Warna 94.2FM, and Ria 89.7 FM in 2015.
A qanbūs is a short-necked lute that originated in Yemen and spread throughout the Arabian Peninsula. Sachs considered that it derived its name from the Turkic komuz, but it is more comparable to the oud. The instrument was related to or a descendant of the barbat, a (possibly) skin-topped lute from Central Asia. The qanbūs has 6 or 7 nylon strings that are plucked with a plectrum to generate sound. Unlike many other lute-family instruments, the gambus has no frets. Its popularity declined in Yemen during the early 20th century reign of Imam Yahya; by the beginning of the 21st century, the oud had replaced the qanbūs as the instrument of choice for Middle-Eastern lutenists.
The mirwās or marwas, plural marāwīs is a small double-sided, high-pitched hand drum originally from the Middle East. It is a popular instrument in the Arab States of the Persian Gulf, used in sawt and fijiri music. It is also common in Kuwait and Yemen.
Joget is a traditional Malay dance that originated in Malacca in the colonial era. It was influenced by the Portuguese dance of Branyo which is believed to have been spread to Malacca during the spice trade. In Malacca, joget dance is better known as Chakunchak. The dance is one of the most popular folk dances in Malaysia that is normally performed by couples in cultural festivals, weddings and other social functions. Joget gained popularity among the Malay community in Singapore after its introduction in 1942.
Malaysian popular music, sometimes called shortly Malaysian pop or abbreviated as M-pop, refers to popular music forms in Malaysia. Although popular music in various languages such as Mandopop are popular and have been produced in Malaysia, Malaysian pop refers to music recorded primarily in the Malay language in Malaysia.
Adai-adai dance is a traditional dance of Bruneian Malay ethnic group in Brunei Darussalam, Sabah and Labuan in Malaysia, this dance is based on the life of the fishermen. This dance tells the story of a group of fishermen who go fishing in the sea while the women wait for their return to the beach to help collect the catch that will be obtained.
A tifa totobuang is a music ensemble from the Maluku Islands, related to the kulintang orchestra. It consists of a set of a double row of gong chimes known as the totobuang and a set of tifa drums. It can also include a large gong.
Music of Minang is a traditional and contemporary ethnic variaty of Indonesian music that grows and develops in the Minangkabau culture. Music is generally played by musical instruments such as talempong, saluang, Minang rabab, serunai, rebana, aguang (gong), gandang, gambus, and violin. However, for traditional events such as weddings, Islamic rebana or gambus are never used.
