The Gozo stele is a Phoenician language inscription found near Gozo, Malta in 1855. It is currently in the Gozo Museum of Archaeology. [1]
It was first published by Italian orientalist Michelangelo Lanci in his Ragionamento di Michelangelo Lanci intorno a nuova stela fenicia discoperta in Malta, and subsequently by Honoré Théodoric d'Albert de Luynes in his appendix to his treatise on the Sarcophagus of Eshmunazar II. [2] [1] The inscription was presented to Lanci by the Italian Abbot Don Luigi Marchetti, who was stationed on the island of Malta. [3] A number of scholars questioned its authenticity, but consensus subsequently grew that it was genuine. [1]
It became known as Melitensia Quinta ("Maltese 5th"), following the terminology used by Gesenius for the four previous Maltese inscriptions (the Cippi of Melqart and the Mdina steles). It is also known as KAI 62 or CIS I 132.
The inscription commemorates the rebuilding of a series of temples. It reads: [4] [5]
(line 1) | P‘L WḤDŠ ‘M GWL ’YT ŠLŠ[T MQDŠM ... ... W’YT] | The people of Gaulos (the island of Gozo) rebuilt (lit.: made and restored) the thre[e sanctuaries ... and] |
(2) | MQDŠ BT ṢDMB‘L W’YT M[QDŠ BT ... ... W’YT] | the sanctuary of the temple of Ṣadam-Ba‘al (Salammbo), and the sanc[tuary of the temple of ... and] |
(3) | MQDŠ BT ‘ŠTRT W’YT MQD[Š BT ... ...] | the sanctuary of the temple of ‘Astarte and the sanctu[ary of the temple of ...] |
(4) | B‘T R ’DR ‘RKT ’RŠ BN Y’LP[‘L ... ...] | in the time of the magistracy of the Leader of the Bureau of Public Works ’Aris the son of Iolp[a‘ol ... |
(5) | ŠPṬ BN ZYBQM BN ‘BD’ŠMN BN Y’[LP‘L ... ...] | ...]safoṭ(?) the son of Zīboq(?) the son of ‘Abd’esmūn the son of Io[lpa‘ol ...] |
(6) | ZBḤ B‘LŠLK BN ḤN’ BN ‘BD’ŠM[N ... ...] | The sacrificial priest was Ba‘alsillek the son of Ḥanno the son of Abd’esm[ūn ... |
(7) | BL’ BN KLM BN Y‘ZR ŠMR MḤṢB Y’[... ...] | ...] BL’ the son of KLM the son of Ya‘zor. The guard of the stone-quarry was I[ol-(?)... (?) a member of the] |
(8) | ‘M GWL | people of Gaulos. |
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Il signor abbate don Luigi Marchetti romano, stanziato nella isola di Malta, tra noi venuto a breve tempo di ritorno, fummi presentatore dell' epigrafico disegno asseguito sull' originale della fenicia scultura, cui prendo ad inchiedere; disegno lasciatomi a lavorarvi sopra per diciferarlo e mettere il suo contenuto alla chiarezza del giorno per chi giovarsene con migliore intendimento volesse. Ma come l'esemplare non era da sperta mano segnato, nè da intelligente orientalista, si chiaro appariva la negligenza e storpiatura delle forme letterali, che non consentivano al perdervi tempo per avventurar cose che non si sarebbono potuto dimostrare dappoi. Laonde consigliai il valente Marchetti a far sì, che, tornatosi a Malta, ne ritraesse una impronta in mollata carta su la pietra, ovvero si piacesse un modelletto in gesso qua in Roma ricapitarmi. Non tardarono settimane ch' ebbi presso di mè come il calco in carta, così anco il netto esemplare in fina scagliuola ottimamente operato. Allora fu evidente la varietà che passava dal primo disegno alla verace iscrizione, e, senza intramettere tempo, ne levai fedele una copia, intagliar la feci in pari grandezza, e tal ne addiyenne, quale alla veduta de cortesi filologi or metto in campo.