List of films based on actual events (before 1940)

Last updated

This is a list of films and miniseries that are based on actual events. All films on this list are from American production unless indicated otherwise.

Contents

Not all films have remained true to the genuine history of the event or the characters they are portraying, often adding action and drama to increase the substance and popularity of the film. This list should only include films supported by a Wikipedia article.

1890s

1900s

1910s

1910

1911

1912

1913

1914

1915

1916

1917

1918

1919

1920s

1920

1921

1922

1923

1924

1925

1926

1927

1928

1929

1930s

1930

1931

1932

1933

1934

1935

1936

1937

1938

1939

See also

Related Research Articles

<span class="mw-page-title-main">War film</span> Film genre depicting wars

War film is a film genre concerned with warfare, typically about naval, air, or land battles, with combat scenes central to the drama. It has been strongly associated with the 20th century. The fateful nature of battle scenes means that war films often end with them. Themes explored include combat, survival and escape, camaraderie between soldiers, sacrifice, the futility and inhumanity of battle, the effects of war on society, and the moral and human issues raised by war. War films are often categorized by their milieu, such as the Korean War; the most popular subjects are the Second World War and the American Civil War. The stories told may be fiction, historical drama, or biographical. Critics have noted similarities between the Western and the war film.

<span class="mw-page-title-main">Submarine films</span> Subgenre of war film

The submarine film is a subgenre of war film in which most of the plot revolves around a submarine below the ocean's surface. Films of this subgenre typically focus on a small but determined crew of submariners battling against enemy submarines or submarine-hunter ships, or against other problems ranging from disputes amongst the crew, threats of mutiny, life-threatening mechanical breakdowns, or the daily difficulties of living on a submarine.

<span class="mw-page-title-main">Kenji Mizoguchi</span> Japanese filmmaker (1898–1956)

Kenji Mizoguchi was a Japanese filmmaker who directed roughly one hundred films during his career between 1923 and 1956. His most acclaimed works include The Story of the Last Chrysanthemums (1939), The Life of Oharu (1952), Ugetsu (1953), and Sansho the Bailiff (1954), with the latter three all being awarded at the Venice International Film Festival. A recurring theme of his films was the oppression of women in historical and contemporary Japan. Together with Akira Kurosawa and Yasujirō Ozu, Mizoguchi is seen as a representative of the "golden age" of Japanese cinema.

<span class="mw-page-title-main">Mikheil Gelovani</span> Georgian-Soviet actor and film director

Mikheil Giorgis dze Gelovani was a Soviet and Georgian actor, known for his numerous portrayals of Joseph Stalin in cinema, starring in fifteen historic movies mostly about the early Soviet era. He was recognized as People's Artist of the USSR in 1950.

<span class="mw-page-title-main">Vera Kholodnaya</span> Russian actress

Vera Vasilyevna Kholodnaya was a Ukrainian origin cinema actress. She was the first star of Imperial Russian silent cinema. Only five of her films still exist, and the total number she acted in is unknown, with speculation ranging from 50 to 100.

<i>Arsenal</i> (1929 film) 1929 film by Oleksandr Dovzhenko

Arsenal is a 1929 silent Soviet drama film by Ukrainian director Oleksandr Dovzhenko. The film depicts events following the 1917 October Revolution in Russia and the subsequent Russian Civil War, and is a highly symbolic and poetic portrayal of the revolutionary spirit and the struggle for power. The film was shot at Odessa Film Factory of VUFKU by cameraman Danyl Demutskyi and used original sets made by Volodymyr Muller. The expressionist imagery, camera work and original drama were said to take the film far beyond the usual propaganda and made it one of the most important pieces of Ukrainian avant-garde cinema. The film was made in 1928 and released early in 1929. It is the second film in Dovzhenko's "Ukraine Trilogy", the first being Zvenigora (1928) and the third being Earth (1930).

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