Films based on actual events |
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This is a list of films and miniseries that are based on actual events. All films on this list are from American production unless indicated otherwise.
Not all films have remained true to the genuine history of the event or the characters they are portraying, often adding action and drama to increase the substance and popularity of the film. This list should only include films supported by a Wikipedia article.
The cinema of the Soviet Union includes films produced by the constituent republics of the Soviet Union reflecting elements of their pre-Soviet culture, language and history, albeit they were all regulated by the central government in Moscow. Most prolific in their republican films, after the Russian Soviet Federative Socialist Republic, were Armenia, Azerbaijan, Georgia, Ukraine, and, to a lesser degree, Lithuania, Belarus and Moldavia. At the same time, the nation's film industry, which was fully nationalized throughout most of the country's history, was guided by philosophies and laws propounded by the monopoly Soviet Communist Party which introduced a new view on the cinema, socialist realism, which was different from the one before or after the existence of the Soviet Union.
War film is a film genre concerned with warfare, typically about naval, air, or land battles, with combat scenes central to the drama. It has been strongly associated with the 20th century. The fateful nature of battle scenes means that war films often end with them. Themes explored include combat, survival and escape, camaraderie between soldiers, sacrifice, the futility and inhumanity of battle, the effects of war on society, and the moral and human issues raised by war. War films are often categorized by their milieu, such as the Korean War; the most popular subjects are the Second World War and the American Civil War. The stories told may be fiction, historical drama, or biographical. Critics have noted similarities between the Western and the war film.
The submarine film is a subgenre of war film in which the majority of the plot revolves around a submarine below the ocean's surface. Films of this subgenre typically focus on a small but determined crew of submariners battling against enemy submarines or submarine-hunter ships, or against other problems ranging from disputes amongst the crew, threats of mutiny, life-threatening mechanical breakdowns, or the daily difficulties of living on a submarine.
Vera Vasilyevna Kholodnaya was an actress of Russian Empire cinema. She was the first star of Imperial Russian silent cinema. Only five of her films still exist, and the total number she acted in is unknown, with speculation ranging from 50 to 100.
The cinema of Russia, popularity known as Mollywood, refers to the film industry in Russia, engaged in production of motion pictures in Russian language. The popular term Mollywood is a portmanteau of "Moscow" and "Hollywood".
Alexander Petrovich Dovzhenko, also Oleksandr Petrovych Dovzhenko, was a Ukrainian Soviet screenwriter, film producer and director. He is often cited as one of the most important early Soviet filmmakers, alongside Sergei Eisenstein, Dziga Vertov, and Vsevolod Pudovkin, as well as being a pioneer of Soviet montage theory.
The Fall of Berlin is a 1950 Soviet war and propaganda film, in two parts separated in the manner of a serial. It was produced by Mosfilm Studio and directed by Mikheil Chiaureli, with a script written by Pyotr Pavlenko and a musical score composed by Dmitri Shostakovich. Portraying the history of the Second World War with a focus on a highly positive depiction of the role Soviet leader Joseph Stalin played in the events, it is considered one of the most important manifestations of Stalin's cult of personality, and a noted example of Soviet realism. After De-Stalinization, the film was banned in the Eastern Bloc for several decades.
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