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The Academy Award for Documentary Feature is an award for documentary films. In 1941, the first awards for feature-length documentaries were bestowed as Special Awards to Kukan and Target for Tonight. They have since been bestowed competitively each year, with the exception of 1946. Copies of every winning film are held by the Academy Film Archive.
The Academy Award for Best Film Editing is one of the annual awards of the Academy of Motion Picture Arts and Sciences (AMPAS). Nominations for this award are closely correlated with the Academy Award for Best Picture. For 33 consecutive years, 1981 to 2013, every Best Picture winner had also been nominated for the Film Editing Oscar, and about two thirds of the Best Picture winners have also won for Film Editing. Only the principal, "above the line" editor(s) as listed in the film's credits are named on the award; additional editors, supervising editors, etc. are not currently eligible. The nominations for this Academy Award are determined by a ballot of the voting members of the Editing Branch of the Academy; there were 220 members of the Editing Branch in 2012. The members may vote for up to five of the eligible films in the order of their preference; the five films with the largest vote totals are selected as nominees. The Academy Award itself is selected from the nominated films by a subsequent ballot of all active and life members of the Academy. This process is essentially the reverse of that of the British Academy of Film and Television Arts (BAFTA); nominations for the BAFTA Award for Best Editing are done by a general ballot of Academy voters, and the winner is selected by members of the editing chapter.
The Academy Award for Best Sound Editing is an Academy Award granted yearly to a film exhibiting the finest or most aesthetic sound design or sound editing. Sound editing is the creation of sound effects. The award is usually received by the Supervising Sound Editors of the film, sometimes accompanied by the Sound Designers.
The Grammy Award for Record of the Year is presented by the National Academy of Recording Arts and Sciences of the United States to "honor artistic achievement, technical proficiency and overall excellence in the recording industry, without regard to sales or chart position." The Record of the Year award is one of the four "General Field" categories at the awards presented annually since the 1st Grammy Awards in 1959.
Peter Franklin Kurland is an American production sound mixer.
Gary Roger Rydstrom is an American sound designer and director. He has been nominated for 19 Academy Awards for his work in sound for movies, winning 7.
The 19th Academy Awards continued a trend through the late 1940s of the Oscar voters honoring films about contemporary social issues. The Best Years of Our Lives concerns the lives of three returning veterans from three branches of military service as they adjust to life on the home front after World War II.
Kevin O'Connell is a sound re-recording mixer. He held the record for most Academy Award nominations without a win at 20, until he finally won his first Academy Award for Hacksaw Ridge (2016) at the 89th Academy Awards in 2017.
Skip Lievsay is an American supervising sound editor, re-recording mixer and sound designer for film and television, Lievsay has worked with filmmakers and directors including the Coen brothers, Martin Scorsese, Spike Lee, Jonathan Demme and Robert Altman.
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James Graham Stewart was an American pioneer in the field of sound recording and re-recording. His career spanned more than five decades (1928–1980), during which he made substantial contributions to the evolution of the art and science of film and television sound.
Brian Riordan (1974) is a two-time Grammy and four-time Emmy Award winning re-recording mixer, music mixer, musician, and entrepreneur. He is the founder and CEO of Levels Audio located in Hollywood, California.
Michael Minkler is a motion picture sound re-recording mixer. He has received Academy Awards for his work on Dreamgirls, Chicago and Black Hawk Down. His varied career has also included films like Inglourious Basterds, JFK and Star Wars, as well as television programs like The Pacific and John Adams. Minkler works at Todd-AO Hollywood. He is also the Managing Director of Moving Pictures Media Group, a company that specializes in film development, packaging projects for production funding acquisition.
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Ren Klyce is an American sound designer. He has been nominated for seven Academy Awards; four for Best Sound and three for Best Sound Editing. He is best known for his frequent collaborations with director David Fincher, having been the primary sound designer on every one of his films since Seven, including The Girl with the Dragon Tattoo. He is also known for his frequent collaborations with Spike Jonze.
Paul N. J. Ottosson is a Swedish sound designer. He won a total of three Academy Awards. Two for the film The Hurt Locker, one for Zero Dark Thirty, and was nominated for a fourth for Spider-Man 2. He has worked on more than 100 films since 1995.
Christopher Scarabosio is a sound editor who started working in sound on Gumby Adventures (1988) as a Sound Effects Assistant, and later as a Sound Editor on The Young Indiana Jones Chronicles. He usually works at Skywalker Sound.
Bernard Gariépy Strobl is a Canadian re-recording sound mixer, best known internationally as the supervising re-recording mixer of Arrival (2016), for which he won the BAFTA Award for Best Sound and was nominated for the Academy Award for Best Sound Mixing. He has been a re-recording mixer on many prominent Quebec films of the last two decades, including The Red Violin (1998), C.R.A.Z.Y. (2005), Monsieur Lazhar (2011), War Witch (2012), Gabrielle (2013), and Endorphine (2015).
References
- ↑ "Academy Awards 2017: Complete list of Oscar winners and nominees". Los Angeles Times . February 26, 2017. Retrieved January 8, 2018.
- ↑ Calvario, Liz (February 25, 2017). "Academy Rescinds Sound Mixing Nomination for Greg P. Russell of '13 Hours'". Deadline Hollywood . Retrieved February 25, 2017.
