French grammar is the set of rules by which the French language creates statements, questions and commands. In many respects, it is quite similar to that of the other Romance languages.
French is a moderately inflected language. Nouns and most pronouns are inflected for number (singular or plural, though in most nouns the plural is pronounced the same as the singular even if spelled differently); adjectives, for number and gender (masculine or feminine) of their nouns; personal pronouns and a few other pronouns, for person, number, gender, and case; and verbs, for tense, aspect, mood, and the person and number of their subjects. Case is primarily marked using word order and prepositions, while certain verb features are marked using auxiliary verbs.
Some of these features are combined into seven tense–aspect–mood combinations. The simple (one-word) forms are commonly referred to as the present, the simple past or preterite[lower-alpha 2] (past tense, perfective aspect), the imperfect[lower-alpha 2] (past tense, imperfective aspect), the future, the conditional,[lower-alpha 3] the present subjunctive, and the imperfect subjunctive. However, the simple past is rarely used in informal French, and the imperfect subjunctive is rarely used in modern French.
Verbs in the finite moods (indicative, imperative, subjunctive, and conditional) are also conjugated to agree with their subjects in person (first, second, or third) and number (singular or plural). As in English, the subject must be included (except in the imperative mood); in other words, unlike other Romance languages, French is neither a null-subject nor a pro-drop language.
Auxiliary verbs are combined with past participles of main verbs to produce compound tenses, including the compound past (passé composé). For most main verbs the auxiliary is (the appropriate form of) avoir ("to have"), but for reflexive verbs and certain intransitive verbs the auxiliary is a form of être ("to be"). The participle agrees with the subject when the auxiliary is être, and with a preceding direct object (if any) when the auxiliary is avoir. Forms of être are also used with the past participles of transitive verbs to form the passive voice.
The imperative mood, which only has first-person plural and second-person singular and plural forms, usually has forms similar or identical to the corresponding ones in the present indicative.
Nouns
Gender
Every French noun has a grammatical gender, either masculine or feminine. The grammatical gender of a noun referring to a human usually corresponds to the noun's natural gender (i.e., its referent's sex or gender). For such nouns, there will very often be one noun of each gender, with the choice of noun being determined by the natural gender of the person described; for example, a male singer is un chanteur, while a female singer is either une chanteuse (a pop singer) or une cantatrice (an opera singer). A plural noun that refers to both males and females is masculine. In some cases, the two nouns are identical in form, with the difference only being marked in neighbouring words (due to gender agreement; see below); a Catholic man is un catholique, while a Catholic woman is une catholique. Nonetheless, there are some such nouns that retain their grammatical gender regardless of natural gender; personne 'person' is always feminine, while (at least in "standard" French) professeur 'teacher' is always masculine. In Canadian French, une professeure is the standard feminine form, which is becoming more and more common in European French.
A noun's gender is not perfectly predictable from its form, but there are some trends. As a very broad trend, nouns ending in -e tend to be feminine (e.g., une étoile 'a star', une voiture 'a car'), while the rest tend to be masculine (e.g., un ballon 'a balloon', un stylo 'a pen'), but it sometimes can be the opposite. More consistently, some endings, such as -sion, -tion, -aison, -ité and -logie occur almost exclusively with feminine nouns, while others, such as -aire, -isme, -ème and -ège occur almost exclusively with masculine ones. Many nouns ending in -e preceded by double consonants are also masculine (e.g. un cadre, un arbre, un signe, un meuble). Nonetheless, a noun that seems masculine judging by its ending might actually be feminine e.g., la peau 'the skin', une dent 'a tooth' or vice versa e.g., le coude 'the elbow', un squelette 'a skeleton' are masculine. Noun clauses are masculine.[1]
A very small number of nouns can be used either in masculine or feminine gender with the same meaning (e.g., après-midi 'afternoon'). Often one gender is preferred over the other. Some (very rare) nouns change gender according to the way they are used: the words amour 'love' and délice 'pleasure' are masculine in singular and feminine in plural; the word orgue 'organ' is masculine, but when used emphatically in plural to refer to a church organ it becomes feminine (les grandes orgues); the plural noun gens 'people' changes gender in a very unusual way, being usually masculine but triggering feminine agreement when certain adjectives precede the word.
Other nouns change meaning depending on which grammatical gender they are used in. For example, le critique (masculine) refers to a critic, while la critique (feminine) means criticism; le livre refers to a book, while la livre means the pound (in the sense of both weight and currency). Similarly, le voile means "veil", whereas la voile means "sail".[2]
The vocabulary of French includes many homophones, i.e., pairs of words with different spellings but the same pronunciation. Grammatical gender, however, may serve to distinguish some of these. For example, le pot 'the pot' and la peau 'the skin' are both pronounced [po] but disagree in gender.
Orthographically, the plural is usually formed from the singular by adding the letter -s (cf. maison > maisons 'houses'). Nouns ending in -au, -eu, and -ou often take the ending -x instead (cf. jeu > jeux 'games'). However, the endings -s and -x are in most cases not pronounced, meaning that in speech the plural form of a noun generally has the same pronunciation as the singular. Nouns that end in -s, -x or -z in the singular are left unchanged in the plural in both pronunciation and spelling (cf. croix > croix 'crosses', both pronounced [kʁwa]).
Liaison between a plural noun and a following adjective is one case where the plural ending -s or -x may be pronounced: des fenêtres ouvertes[dɛfənɛtʁəz‿uvɛʁt] ("open windows"). However, this form of liaison usually only appears in careful formal speech (for example by newsreaders). In most everyday speech singular and plural forms of most nouns are therefore homophonous in all contexts.
In spoken French, the plurality of most nouns is marked not on the form of the noun itself but by a preceding article or determiner (cf. la maison [la mɛzɔ̃] 'the house' > les maisons [le mɛzɔ̃] 'the houses'; mon frère [mɔ̃ fʁɛːʁ] 'my brother' > mes frères [me fʁɛːʁ] 'my brothers').
French nouns whose spoken plural forms are distinguished from the singular include most of those ending in -al, whose plural form is -aux (cf. cheval[ʃəval] > chevaux[ʃəvo] 'horses'), as well as a few nouns ending in -ail that also follow this pattern (cf. travail[tʁavaj] > travaux[tʁavo] 'works'). Three nouns form completely irregular plurals: aïeul[ajœl] > aïeux[ajø] 'ancestors' (but aïeuls[ajœl] 'grandfathers'); ciel[sjɛl] > cieux[sjø] 'heavens' (but des ciels de lit 'bed canopies'); and œil[œj] > yeux[jø] 'eyes' (but des œils-de-bœuf 'oculi' (round windows), des œils-de-perdrix 'calluses' (on the feet)). Three other nouns have regular plurals in spelling but have irregular pronunciations: bœuf[bœf] > bœufs[bø] 'oxen, cattle'; œuf[œf] > œufs[ø] 'eggs'; and os[ɔs] > os[o] 'bones'.
As with English, most uncountable nouns are grammatically treated as singular, though some are plural, such as les mathématiques 'mathematics'; some nouns that are uncountable in English are countable in French, such as une information 'a piece of information'.
Case
Nouns in French are not inflected for any other grammatical categories. (However, personal pronouns are inflected for case and person; see below.)
Articles and determiners agree in gender and number with the noun they determine; unlike with nouns, this inflection is made in speech as well as in writing.
French has three articles: definite, indefinite, and partitive. The difference between the definite and indefinite articles is similar to that in English (definite: the; indefinite: a, an), except that the indefinite article has a plural form (similar to some, though English normally does not use an article before indefinite plural nouns). The partitive article is similar to the indefinite article but used for uncountable singular nouns.
Adjectives
An adjective must agree in gender and number with the noun it modifies. French adjectives therefore have four forms: masculine singular, feminine singular, masculine plural, and feminine plural. A few adjectives have a fifth form, viz. an additional masculine singular form for use in liaison before a noun beginning with a vowel or a "mute h", e.g. un beau jardin, un bel homme, une belle femme, de beaux enfants, de belles maisons (a beautiful garden, a handsome man, a beautiful woman, beautiful children, beautiful houses). This fifth form, which is older, is sometimes used elsewhere in set phrases, e.g. Philippe le Bel (Philip the Fair or the Handsome of France, 1268–1314) vs. Philippe le Beau (Philip the Handsome or the Fair of Castile, 1478–1506).
The masculine singular, an adjective's basic form, is listed in dictionaries. The feminine singular is normally formed by adding -e to the basic form. This -e is silent, which makes many masculine and feminine forms homophonous (cf. civil > civile 'civil', both pronounced /sivil/). However, the ending causes "mute" final sounds to be pronounced, whereby masculine-feminine pairs become distinguishable in pronunciation if the masculine form ends in a mute consonant, which is the case with a great deal of adjectives (cf. lourd[luʁ] > lourde[luʁd] 'heavy'). Under certain circumstances, other minor changes occur in the formation of feminine forms, such as the placement of an accent, the doubling of a consonant, or its replacement with another, changes that often reflect the pronunciation of such endings (cf. bon[bɔ̃] > bonne[bɔn] 'good'; heureux[øʁø] > heureuse[øʁøz] 'happy'). Irregular feminine forms include beau > belle 'beautiful', blanc > blanche 'white', and a limited number of others. If an adjective's basic form ends in -e, it is left unchanged in the feminine (cf. riche > riche 'rich').
The plural is normally formed by adding -s to the singular (masculine and feminine). This -s is usually mute, but pronounced [z] in liaison with a following noun that begins with a vowel. Unlike liaison after plural nouns, liaison after plural adjectives is common and even obligatory in standard usage. If the basic form ends in -s, -x, or -z, an adjective is left unchanged in the masculine plural (cf. doux > doux 'soft, gentle'). A few adjectives take the (also mute) ending -x in the masculine plural (cf. nouveau > nouveaux 'new'). Plural forms that are distinguishable from the singular outside of liaison environments occur only with adjectives ending in -al. These normally have -aux in the masculine plural (cf. central[sɑ̃tʁal] > centraux[sɑ̃tʁo] 'central'). By contrast, the feminine plural is formed according to the general rule: centrale > centrales.
Due to the aforementioned rules, French adjectives might have four distinguished written forms which are all pronounced the same. This is the case if an adjective's masculine and feminine forms are homophonous and if there is no liaison between the adjective and a following noun.
Written form
Pronunciation
Translation
masc. sg.
un prince turc
œ̃pʁɛ̃styʁk
a Turkish prince
fem. sg.
une princesse turque
ynpʁɛ̃sɛstyʁk
a Turkish princess
masc. pl.
des princes turcs
depʁɛ̃styʁk
Turkish princes
fem. pl.
des princesses turques
depʁɛ̃sɛstyʁk
Turkish princesses
On the other hand, if the masculine and feminine forms have different pronunciations and liaison does occur, all four forms can be distinguishable in pronunciation. Adjective declension is therefore important in spoken French, though to a lesser extent than in writing. (All forms distinguished in pronunciation are also distinguished in writing, but not vice versa.)
Written form
Pronunciation
Translation
masc. sg.
un grand empereur
œ̃ɡʁɑ̃t‿ɑ̃pʁœʁ
a great emperor
fem. sg.
une grande impératrice
ynɡʁɑ̃d‿ɛ̃peʁatʁis
a great empress
masc. pl.
de grands empereurs
dəɡʁɑ̃z‿ɑ̃pʁœʁ
great emperors
fem. pl.
de grandes impératrices
dəɡʁɑ̃dz‿ɛ̃peʁatʁis
great empresses
Due to the peculiar orthography of French, which denotes mute final consonants, most feminine forms seem regular in terms of their spelling because they are formed by adding -e to the masculine form, e.g., grand > grande, lent > lente, persan > persane. However, if we put this etymologic orthography aside and consider only current pronunciation, the formation of French female forms becomes quite irregular with several possible "endings": [ɡʁɑ̃] > [ɡʁɑ̃d], [lɑ̃] > [lɑ̃t], [pɛʁsɑ̃] > [pɛʁsan].
Most adjectives, when used attributively, appear after their nouns: le vin rouge ("the red wine"). A number of adjectives (often having to do with beauty, age, goodness, or size, a tendency summarized by the acronym "BAGS"), come before their nouns: une belle femme ("a beautiful woman"). With a few adjectives of the latter type, there are two masculine singular forms: one used before consonants (the basic form), and one used before vowels. For example, the adjective beau ("beautiful") changes form from un beau garçon ("a handsome boy") to un bel homme ("a handsome man"). Some adjectives change position depending on their meaning, sometimes preceding their nouns and sometimes following them. For example, ancien means "former" when it precedes its noun, but "ancient" when it follows it. To give another example, un homme grand means "a tall man", whereas un grand homme means "a great man".
Many compound words contain an adjective, such as une belle-mère "a mother-in-law", which is distinct from une belle mère "a beautiful mother". Some of them use an archaic form of the feminine adjective that lacks the final -e. These used to be written with an apostrophe, but a hyphen is now (at least since 1960) considered more correct: une grand-route (formerly, une grand'route) "a main country road", which is distinct from une grande route "a long way", and une grand-mère (formerly, une grand'mère) "a grandmother", which is distinct from une grande mère "a tall mother".
As in English, adverbs in French are used to modify adjectives, other adverbs, verbs, or clauses. Most adverbs are derived from an adjective by adding the suffix -ment, usually to its feminine form (-ment is analogous to the English suffix -ly): e.g. anciennement "anciently", "of old", "in olden times"; grandement "greatly"; lentement "slowly"; though there are some systematic deviations (e.g. patient → patiemment "patiently", malaisé → malaisément "uneasily"), some adverbs are derived irregularly (bon "good" → bien "well") and others do not derive from adjectives at all.
Adverbs themselves are generally invariable. An exception to this is the adverb tout "wholly, very" which agrees in gender and number with the adjective it modifies when it is in the feminine and begins with a consonant (e.g. tout petit "very small, m.s.", tous petits "very small, m.pl." but toute petite "very small, f.s.", toutes petites "very small, f.pl." — when beginning with a vowel however: tout entier, tout entiers, tout entière, tout entières "completely, as a whole" (with liaison)).
Prepositions
French prepositions link two related parts of a sentence. In word order, they are placed in front of a noun in order to specify the relationship between the noun and the verb, adjective, or other noun that precedes it. Some common French prepositions are: à (to, at, in), à côté de (next to, beside), après (after), au sujet de (about, on the subject of), avant (before), avec (with), chez (at the home/office of, among), contre (against), dans (in), d'après (according to), de (from, of, about), depuis (since, for), derrière (in back of, behind), devant (in front of), durant (during, while), en (in, on, to), en dehors de (outside of), en face de (facing, across from), entre (between), envers (toward), environ (approximately), hors de (outside of), jusque (until, up to, even), loin de (far from), malgré (despite), par (by, through), parmi (among), pendant (during), pour (for), près de (near), quant à (as for, regarding), sans (without), selon (according to), sous (under), suivant (according to), sur (on), vers (toward).
In French, pronouns can be inflected to indicate their role in a clause (subject, direct object, etc.), as well as the person, gender, and number of their referent. Not all of these inflections may be present at once; for example, the relative pronounque (that, which, whom) may have any referent, while the possessive pronounle mien (mine) may have any role in a clause.
As noted above, French (like English) is a non-pro-drop ("pronoun-dropping") language; therefore, pronouns feature prominently in the language. Impersonal verbs (e.g., pleuvoir 'to rain') use the impersonal pronoun il (analogous to English 'it').
French object pronouns are all clitics. Some appear so consistently – especially in everyday speech — that some have commented that French could almost be considered to demonstrate polypersonal agreement.[3]
Negation
French usually expresses negation in two parts, with the particlene attached to the verb, and one or more negative words (connegatives) that modify the verb or one of its arguments. Negation encircles a conjugated verb with ne after the subject and the connegative after the verb, if the verb is finite or a gerund. However, both parts of the negation come before the targeted verb when it is in its infinitive form. For example:
Je les ai pris 'I took them' → Je ne les ai pas pris 'I did not take them'
Je voudrais regarder un film et m'endormir 'I would like to watch a movie and fall asleep' → Je voudrais regarder un film et nepas m'endormir. 'I would like to watch a movie and not fall asleep'
Other negative words used in combination with ne are:
negative adverbs
ne … plus — not anymore, no longer
ne … jamais — never
ne … nulle part – nowhere
ne … guère — not much, hardly (literary)
ne … point / aucunement / nullement — not, not at all (literary)
negative pronouns
ne … rien — nothing
ne … personne — nobody
others
(determiner) ne … aucun — no/not any (also nul, literary)
(restrictive particle) ne … que — only
Examples:
Je ne sais pas. — I do not know.
Il ne fume plus. — He does not smoke anymore.
Nous n'avons vu personne. — We did not see anybody.
Elle n'a rien bu. — She didn't drink anything.
Je n'ai aucune idée. — I have no idea.
Vous ne mangez que des légumes? — You only eat vegetables?
The negative adverbs (and rien) follow finite verbs but precede infinitives (along with ne):
Il prétend ne pas/ne jamais/ne rien fumer. — He claims not to smoke/to never smoke/to smoke nothing.
Moreover, it is possible for rien and personne to be used as the subject of a sentence, which moves them to the beginning of the sentence (before the ne):
Rien n'est certain. — Nothing is certain.
Personne n'est arrivé. — Nobody came.
Several negative words (other than pas) can appear in the same sentence, but the sentence is still usually interpreted as a simple negation. When another negative word occurs with pas, a double negation interpretation usually arises, but this construction is criticised.
Elle n'a plusjamaisrien dit à personne. — She never said anything else to anybody.
Elle n'a pas vu personne. — She did not see nobody (i.e., she saw somebody).
Colloquial usage
In colloquial French, it is common to drop the ne, although this can create some ambiguity with the ne … plus construction when written down, as plus could mean either 'more' or 'not anymore'. Generally when plus is used to mean more, the final ⟨s⟩ is pronounced ([plys]), whereas it is never pronounced when used to mean 'not anymore' ([ply]).
As an example, the informal sentence Il y en a plus could be pronounced with the final [s] ([iliɑ̃naplys,jɑ̃naplys]) to mean "there is more", or it could be pronounced without it ([iliɑ̃naply,jɑ̃naply]) to mean "there is none left".
Independent ne
In certain, mostly literary constructions, ne can express negation by itself (without pas or another negative word). The four verbs that can use this construction are pouvoir ("to be able to"), savoir ("to know"), oser ("to dare"), and cesser ("to cease").
(standard, ne + pas) Je n'ai pas pu venir. — "I was not able to come."
(casual, pas only) J'ai pas pu venir. [same]
(literary, ne only) Je n'ai pu venir. [same]; cf. phrase Je ne sais quoi — "I do not know what [it is]" remaining in colloquial speech as a fossilized phrase
Expletive ne
In certain cases in formal French, the word ne can be used without signifying negation; the ne in such instances is known as expletive ne (French: ne explétif):
J'ai peur que cela ne se reproduise. — "I am afraid that it might happen again."
Il est arrivé avant que nous n'ayons commencé. — "He arrived before we started."
Ils sont plus nombreux que tu ne le crois. — "There are more of them than you think."
Expletive ne is found in finite subordinate clauses (never before an infinitive). It is characteristic of literary rather than colloquial style.[4] In other registers French tends to not use any negation at all in such clauses, e.g., J'ai peur que cela se reproduise.
The following contexts allow expletive ne
the complement clause of verbs expressing fear or avoidance: craindre (to fear), avoir peur (to be afraid), empêcher (to prevent), éviter (to avoid)
the complement clause of verbs expressing doubt or denial: douter (to doubt), nier (to deny)
adverbial clauses introduced by the following expressions: avant que (before), à moins que (unless), de peur/crainte que (for fear that)
comparative constructions expressing inequality: autre (other), meilleur (better), plus fort (stronger), moins intelligent (less intelligent), etc.
Existential clauses
In French, the equivalent of the English existential clause "there is/are" is expressed with il y a (infinitive: y avoir), literally, "it there has" or "it has to it". As an impersonal verb, the verb may be conjugated to indicate tense, but always remains in the third person singular. For example
Il y a deux bergers et quinze moutons dans le pré. – "There are two shepherds and fifteen sheep in the meadow."
Il y aura beaucoup à manger. – "There will be a lot to eat."
Il y aurait deux morts et cinq blessés dans l'accident. – "There appears to have been (lit. would have) two dead and five injured in the accident." (as in news reporting)
Il n'y avait personne chez les Martin. – "There was nobody at the Martins' home."
This construction is also used to express the passage of time since an event occurred, like the English ago or it has been:
Je l'ai vu il y a deux jours. – "I saw him two days ago."
Il y avait longtemps que je ne l'avais pas vu. – "It had been a long time since I had seen him."
Le langage d'il y a cent ans est très différent de celui d'aujourd'hui. – "The language/usage of one hundred years ago is very different from that of today."
In informal speech, il y is typically reduced to [j], as in:
Y a [ja] deux bergers et quinze moutons dans le pré.
Y aura [joʁa] beaucoup à manger.
Y avait [javɛ] personne chez les Martin.
Je l'ai vu y a deux jours.
Word order
The components of a declarative clause are typically arranged in the following order (though not all components are always present):[5]
Adverbial(s)
Subject
ne (usually a marker for negation, though it has some other uses)
First- and second-person object pronoun (me, te, nous, vous) or the third-person reflexive pronoun (se)
Third-person direct-object pronoun (le, la, les)
Third-person indirect-object pronoun (lui or leur)
The pronoun y
The pronoun en
Finite verb (may be an auxiliary)
Adverbial(s)
(second marker for negation) The pronouns pas, rien, personne, aucun.e, peu, que (if not subject)
Main verb (if the finite verb is an auxiliary)
Adverbial(s)
Direct object
Indirect object
Adverbial(s)
What is called in English (and above) an indirect object is in many cases called complément circonstanciel d'attribution according to French grammar conventions (e.g., in donner quelque chose à quelqu'un 'to give sth. to s.o.' or 'to give s.o. sth.'). What the French call complément d'objet indirect is a complement introduced by an essentially void à or de (at least in the case of a noun) required by some particular, otherwise intransitive, verbs: e.g. Les cambrioleurs ont profité de mon absence 'the robbers took advantage of my absence' — but the essentially synonymous les cambrioleurs ont mis mon absence à profit has a direct object instead. Unlike in English, in French neither an indirect object nor a circumstantial can become the subject of the passive voice: He was given a book has no direct equivalent in French.
The most common word order in French is subject-verb-object (SVO).
J’adore le chocolat (I love chocolate).
French also allows for verb-object-subject (VOS) though the usage is relatively rare and various constraints apply. The most common instance of this word order is in more formal texts or in response to questions with a focus on the subject, as opposed to more broad questions such as, Qu’est-ce qui s’est passé? (what happened?). Below are examples of each circumstance.
Formal or administrative text – Recevront un bulletin de vote les étudiants et le personnel académique (students as well as academic staff will receive a ballot paper).
Response to questions with a focus on the subject – Qui a mangé les gâteaux? (who ate the cakes?)
Ont mangé les gâteaux Marie, Pierre et Stéphanie (Marie, Pierre and Stephanie are those who ate the cakes).
Finally, in a comparatively limited number of instances French allows for object-subject-verb (OSV) word order, such as when adding emphasis
Le chocolat j’adore (chocolate I LOVE).
In regard to word order, French is more restrictive than other Romance languages. For example, Spanish allows for all six possible word orders, compared to French’s three. Additionally, unlike other Romance languages, specifically Spanish and Italian, French does not have free inversion, which is often explained by French not being a pro-drop language (while Spanish and Italian are).[6]
Negation
As mentioned above, French expresses negation in two parts, the first with the particle ne attached to the verb and one or more negative words, which modify either the verb or one of its arguments. The participle ne comes before the verb in the sentence that is marked for tense and before any unstressed object pronouns that come before the verb. The location of the second part of the negation varies, however.[7]
History
Modern French allows for fewer word orders than Latin or Old French, both of which Modern French has evolved from. In both Latin and Old French, all six potential word orders are possible:
While linguistic evolution occurs on a continuum, the major shift towards increased grammaticalization occurred in French most distinctly between the mid 12th century and end of the 15th century. It is believed that the progressive move towards SVO as the dominant French word order occurred during this time, as a result of a "progressive fixation of the subject in preverbal position from the fourteenth century on".[8]
Question formation
Broadly speaking, there are two types of questions; yes/no questions and information questions.
Yes/no questions
In French there are four ways to form yes/no questions, each of which is typically associated with a different degree of formality.
1. Raising intonation
The simplest and most informal way to ask a yes/no question is by raising intonation at the end of a declarative sentence. This question formation structure is common in informal spoken French, but relatively uncommon in more formal spoken French or written French. Examples include:
Elle va rester ici? (Is she going to stay here?)
Je peux mettre mes photos au mur? (Can I put my photos on the wall?)
2. Est-ce que
Yes/no questions may also be formed by adding est-ce que to the beginning of a declarative sentence. This structure may be used in any style of French; formal, informal, spoken, or written.
Est-ce qu’elle va rester ici? (Is she going to stay here?)
Est-ce que je peux mettre mes photos au mur? (Can I put my photos on the wall?)
This is like adding "is it not?" to the end and it is pronounced [n‿ɛspɑ].
Tu es Jane, n'est-ce pas?
Tu parles anglais, n'est-ce pas?
4. Inversion of verb and subject
Finally, yes/no questions may be formed by inverting the verb and the subject. This sentence structure is typically used in formal and written French. These questions may be formed in one of two ways, depending on whether the pronoun is stressed or unstressed. If the pronoun is unstressed, it changes places with the verb that it agrees with.
Es-tu content? (Are you happy?)
This subject-verb inversion is similar to question formation in English, though in English the inversion may only occur with auxiliary verbs, while in French it may occur with all verbs.
If the subject is anything other than an unstressed pronoun, an unstressed subject pronoun that agrees with the subject is added to the right of the verb.
Pierre est-il content? (Is Pierre happy?)
Two additional notes on subject verb inversion in French. First, when the inversion results in the adjacency of two vowels ⟨t⟩ is inserted between them.
T-insertion: A-t-il 17 ans? (Is he 17?)
Secondly, only the most formal French inverts the verb with 'je'. It has become more common, both in spoken and written French, to replace je with est-ce-que. For example, the following two sentences are ungrammatical in French.
There are four ways to form information questions in French. Like yes/no questions, each form is associated with a different degree of formality.
1. Addition of question word or phrase
The simplest and generally most informal way to form an information question in French is by replacing a word in a declarative sentence with a question word or phrase and adding rising intonation to the end of the sentence. The question word or phrase may occur at the beginning or end of the sentence, depending on which word is being replaced, unlike in English, where the question word typically occurs at the start of the sentence.
Declarative sentence – L’étudiant(e) téléphonera à son député demain. (The student will telephone his/her MP tomorrow.)
L’étudiant(e) téléphonera à son député quand? (When will the student telephone his/her MP?)
Qui téléphonera à son député demain? (Who will telephone his/her MP tomorrow?)
2. Moving question word or phrase
Another common and informal way of forming information questions is by replacing an item in a declarative sentence by a question word or phrase then moving the question word or phrase to the front of the sentence.
Qui vous avez vu? (Who did you see?)
À qui Marcel a écrit? (Who did Marcel write to?)
3. Addition of "est-ce que"
Another way to form a question in French is by following the steps outlined above in one and two, and in addition inserting est-ce que after the question word. This style of question formation may be used in all styles of French.
Qui est-ce que vous avez vu? (Who did you see?)
À qui est-ce que Marcel a écrit? (Who did Marcel write to?)
4. Inversion of verb and subject
Finally, information questions in French may be formed by following the steps outlined above in one and two and additionally, inverting the subject and verb. This is typically the most formal form of question formation and is found in written and formal spoken French. As in yes/no question formation, if the subject is an unstressed pronoun, it switches places with the verb:
Qui avez-vous vu? (Who did you see?)
If the subject is anything other than an unstressed pronoun, an unstressed subject pronoun is added after the verb.
Qui Robert a-t-il rencontré? (Who did Robert meet?)[7]
Cleft sentences
Cleft sentences are sentences that consist of two clauses, one of which is a copular clause and one of which is a relative clause, also known as a cleft clause. The copular clause consists of a copula followed by the cleft constituent. Cleft sentences are found in many European languages, including French. In the sentence, c'est Stella qui lit Kant ('It's Stella who reads Kant') "c'est Stella" is the copular clause, "Stella" is the cleft constituent, and "qui lit Kant" is the cleft clause.[10]
Types of clefts
While cleft sentences are common in European languages, the types of possible cleft sentences vary dramatically by language. Subject clefts, in which the cleft constituent acts as the subject of both the main verb and the cleft clause, are the most common clefts and are found in all languages that have clefts. C'est Stella qui lit Kant ('It's Stella who reads Kant') is an example of a subject cleft. In complement clefts the cleft constituent is a complement of both the main verb of the cleft clause and the non-cleft clause. For example, c'est Kant que Stella lit ('it's Kant that Stella reads'). The final type of clefts are adverbial clefts, which are the most common clefts in French, but are not found in all languages with clefts, such as German. In adverbial cleft sentences, the cleft constituent has an adverbial syntactic function. Therefore, the cleft constituent is not subcategorized by the cleft clause's main verb and it is not required in corresponding non-cleft clauses.
Adverbial cleft sentence: C'est avec facilité que Stella lit Kant ('It is with ease that Stella reads Kant')
1 2 The gerundive mood, the perfect, and the passive and reflexive voices are not synthetic but analytic; that is, they are expressed using multi-word verb forms.
1 2 The preterite and imperfect are sometimes called, somewhat redundantly, the preterite past and imperfect past. The preterite is also called the simple past, a translation of its French name (le passé simple).
↑ In some of its uses, the conditional acts as a tense of the indicative mood; in other uses, including the use from which it takes its name, it acts as a distinct mood.
↑ This article uses asterisks to indicate ungrammatical examples.
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↑ Bonami, Olivier; Boyé, Gilles (2005). "French Pronominal Clitics and the Design of Paradigm Functional Morphology". On-Line Proceedings of the Fifth Mediterranean Morphology Meeting: 291–322.
Judge, Anne; Healey, H. (1983). A reference grammar of modern French. London: E. Arnold.
Lang, Margaret; Perez, Isabelle (2004). Modern French grammar: A practical guide (2nded.). London/NY: Routledge.
L'Huillier, Monique (1999). Advanced French grammar. Cambridge: Cambridge University Press.
Price, Glanville (2008). A comprehensive French grammar (6thed.). Oxford: Blackwell.
Special studies
Jean-Pierre Gabilan. L'Imparfait français et ses traductions en anglais: Approche méta-opérationnelle. Chambéry: Presses universitaires de Savoie, 2011.
Jean-Marie Merle. Étude du conditionnel français et ses traductions en anglais. Paris: Ophrys, 2002.
Christine Tellier & Daniel Valois. Constructions méconnues du français. Montreal: Presses de l’Université de Montréal, 2006.
Comparison with English
Paul Boucher. A linguistic handbook of French for translators and language students. Amsterdam: John Benjamins, 2018.
Robert Breuil. Syntaxe comparée français-anglais, anglais-français. L'Hay-les-Roses: Éditions du Lombarteix, 1974.
Hélène Chuquet & Michel Paillard. Approche linguistique des problèmes de traduction anglais <-> français, rev'd edn. Paris: Ophrys, 1989.
Jacqueline Guillemin-Flescher. Syntaxe comparée du français et de l'anglais. Paris: Ophrys, 1981.
Morris Salkoff. A French-English grammar: A contrastive grammar on translational principles. Amsterdam/Philadelphia: John Benjamins, 1999.
Jean-Paul Tremblay. Grammaire comparative du français et de l'anglais. Quebec: Presses de l'Université Laval, 1972.
Alain Vercollier, Claudine Vercollier, & Kay Bourlier. Difficultés expliquées du français for English speakers. Paris: CLE International, 2004.
Jean-Paul Vinay & Jean Darbelnet. Comparative stylistics of French and English: A methodology for translation. Trans. Juan C. Sager & M.-J. Hamel. Amsterdam: John Benjamins, 1995.
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