Ashoka, also known as Asoka or Aśoka, and popularly known as Ashoka the Great, was Emperor of Magadha from c. 268 BCE until his death in 232 BCE, and the third ruler from the Mauryan dynasty. His empire covered a large part of the Indian subcontinent, stretching from present-day Afghanistan in the west to present-day Bangladesh in the east, with its capital at Pataliputra. A patron of Buddhism, he is credited with playing an important role in the spread of Buddhism across ancient Asia.
Chandragupta Maurya was the founder of the Maurya Empire, which ruled over a geographically-extensive empire based in Magadha. He reigned from 320 BCE to 298 BCE. The Magadha kingdom expanded to become an empire that reached its peak under the reign of his grandson, Ashoka the Great, from 268 BCE to 231 BCE. The nature of the political formation that existed in Chandragupta's time is not certain. The Mauryan empire was a loose-knit one with large autonomous regions within its limits.
Magadha was an ancient Indian kingdom and one of the sixteen Mahajanapadas during the Second Urbanization period, based in the eastern Ganges Plain. Magadha played an important role in the development of Jainism and Buddhism.
Greco-Buddhism or Graeco-Buddhism denotes a supposed cultural syncretism between Hellenistic culture and Buddhism developed between the 4th century BC and the 5th century AD in Gandhara, in present-day Pakistan and parts of north-east Afghanistan. While the Greco-Buddhist art shows clear Hellenistic influences, the majority of scholars do not assume a noticeable Greek influence on Gandharan Buddhism beyond the artistic realm.
Bindusara was the second Mauryan emperor of Magadha in Ancient India. The ancient Greco-Roman writers called him Amitrochates, a name likely derived from his Sanskrit title Amitraghāta.
The Maurya Empire was a geographically extensive Iron Age historical power in South Asia based in Magadha. Founded by Chandragupta Maurya in 322 BCE, it existed in loose-knit fashion until 185 BCE. The primary sources for the written records of the Mauryan times are the Arthashastra, a work first discovered in the early 20th century, and previously attributed to Kautilya, but now thought to be composed by multiple authors in the first centuries of the common era; partial records of the lost history of Megasthenes in Roman texts of several centuries later; and the Edicts of Ashoka, which were first read in the modern era by James Prinsep after he had deciphered the Brahmi and Kharoshthi scripts in 1838.
Dasharatha Maurya was the 4th Mauryan emperor from 232 to 224 BCE. He was a grandson of Ashoka the Great and is commonly held to have succeeded him as the Emperor of Magadha. Dasharatha presided over a declining imperium and several territories of the empire broke away from central rule during his reign. He had continued the religious and social policies of Ashoka. Dasharatha was the last Mauryan emperor to have issued imperial inscriptions—thus the last Mauryan emperor to be known from epigraphical sources.
Jambudvīpa is a name often used to describe the territory of Indian Subcontinent in ancient Indian sources.
Buddhism and Jainism are two Indian religions that developed in Magadha (Bihar) and continue to thrive in the modern age. Gautam Buddha and Mahavira are generally accepted as contemporaries. Jainism and Buddhism share many features, terminology and ethical principles, but emphasize them differently. Both are śramaṇa ascetic traditions that believe it is possible to attain liberation from the cycle of rebirths and deaths (samsara) through spiritual and ethical disciplines. They differ in some core doctrines such as those on asceticism, Middle Way versus Anekantavada, and self versus non-self.
The dharmachakra or wheel of dharma is a symbol used in the Dharmic religions. It has a widespread use in Buddhism. In Hinduism, the symbol is particularly used in places that underwent religious transformation. The symbol also finds its usage in modern India.
The chatra or chhatra, also known under various translations including the ceremonial, state, royal, or holy umbrella or parasol, is a symbol of royal and imperial power and sanctity in Indian art and a symbol of holiness in Hinduism, Jainism, and Buddhism. There are also various specific forms, including 3-, 7-, 8-, and 9-tiered chatra and the bejewelled chatraratna.
Sculpture in the Indian subcontinent, partly because of the climate of the Indian subcontinent makes the long-term survival of organic materials difficult, essentially consists of sculpture of stone, metal or terracotta. It is clear there was a great deal of painting, and sculpture in wood and ivory, during these periods, but there are only a few survivals. The main Indian religions had all, after hesitant starts, developed the use of religious sculpture by around the start of the Common Era, and the use of stone was becoming increasingly widespread.
Jain cosmology is the description of the shape and functioning of the Universe (loka) and its constituents according to Jainism. Jain cosmology considers the universe as an uncreated entity that has existed since infinity with neither beginning nor end. Jain texts describe the shape of the universe as similar to a man standing with legs apart and arms resting on his waist. This Universe, according to Jainism, is broad at the top, narrow at the middle and once again becomes broad at the bottom.
The Solar dynasty or Sūryavaṃśa, also called the Ikshvaku dynasty, is a legendary Indian dynasty said to have been founded by Ikshvaku. In Hindu literature, it ruled the Kosala Kingdom with their capital at Ayodhya and later at Shravasti. They prayed to their clan deity Surya, after whom the dynasty formed its namesake. Along with the Lunar dynasty, the Solar dynasty comprises one of the main lineages of the Kshatriya varna in Hinduism.
Devaraja was a religious order of the "god-king," or deified monarch in medieval Southeast Asia. The devarāja order grew out of both Hinduism and separate local traditions depending on the area. It taught that the king was a divine universal ruler, a manifestation of Bhagavan. The concept viewed the monarch to possess transcendental quality, the king as the living god on earth. The concept is closely related to the Indian concept of Chakravarti. In politics, it is viewed as the divine justification of a king's rule. The concept was institutionalized and gained its elaborate manifestations in ancient Java and Cambodia, where monuments such as Prambanan and Angkor Wat were erected to celebrate the king's divine rule on earth.
According to the Jain cosmology, the Śalākāpuruṣa "illustrious or worthy persons" are 63 illustrious beings who appear during each half-time cycle. They are also known as the triṣaṣṭiśalākāpuruṣa. The Jain universal or legendary history is a compilation of the deeds of these illustrious persons. Their life stories are said to be most inspiring.
The Lion Capital of Ashoka is the capital, or head, of a column erected by the Mauryan emperor Ashoka in Sarnath, India, c. 250 BCE. Its crowning features are four life-sized lions set back to back on a drum-shaped abacus. The side of the abacus is adorned with wheels in relief, and interspersing them, four animals, a lion, an elephant, a bull, and a galloping horse follow each other from right to left. A bell-shaped lotus forms the lowest member of the capital, and the whole 2.1 metres (7 ft) tall, carved out of a single block of sandstone and highly polished, was secured to its monolithic column by a metal dowel. Erected after Ashoka's conversion to Buddhism, it commemorated the site of Gautama Buddha's first sermon some two centuries before.
Dhamma is a set of edicts that formed a policy of the 3rd Mauryan emperor Ashoka the Great, who succeeded to the Mauryan throne in modern-day India around 269 B.C.E. Ashoka is considered one of the greatest kings of ancient India for his policies of public welfare.
Chakravartin Ashoka Samrat is a 2015 Indian historical drama TV series that aired on Colors TV from 2 February 2015 to 7 October 2016. with Siddharth Nigam portraying the young version of the character.
The information about the mother of Ashoka, the 3rd Mauryan emperor of ancient India, varies between different sources. Ashoka's own inscriptions and the main texts that provide information about his life do not name his mother. The Asokavadanamala names her Subhadrangi, while Vamsatthapakasini calls her Dharma. Different texts variously describe her as a Brahmin or a Kshatriya.
