Mashru (also historically spelled mashroo, misru, mushroo or mushru) is a woven cloth that is a blend of silk and cotton. It was historically a hand-woven satin silk fabric variety found in the Indian subcontinent, and its proper use is described in the 16th-century Ain-i-Akbari .
Mashru is explicitly mentioned in the administrative document, the Ain-i-Akbari, of the 16th-century Mughal Empire, under silken kinds of stuff: "... the ordinary orthodox Muslim was only anxious to wear clothes of simple material like linen and to avoid silk, velvet, brocade, or fur and coloured ... Mashru." [1] Mixed silk-and-cotton textiles were worn, because, by canon, a Muslim must not wear a dress of pure silk. [1] Varieties containing silk and cotton admixtures gained greater currency in the empire, more particularly after the issuance of the Ain-i-Akbari. [2] During the Mughal period, Mashru was used for the costumes of courtiers and nobles. [3] Mashru is presumed to be an Indian innovation. [2]
The word mashru means 'permitted', derived from mashry in Arabic, and misry (or misru) refers to a mixture in Sanskrit. [4] [5] [6] In India, Mashru is also known under such names as bandha, patolu, telia rumal, chitki, or simply tie. These names generally mean 'permitted', but it is also related to the Sanskrit word misru, meaning 'mixed'. [7]
Mashru has been primarily produced in Punjab, and western parts of India. [8] [9] [10] It is a double-layered material with a thick cotton base and covered with an almost single stranded silken warp and woof. Mashru is a stout, silken, warp-faced fabric textile with a variegated pattern. In its weaving, the loom brings the cotton yarn down and the silk fibers up. This produces a cloth that exhibits a silk face and cotton backing. [11] Hence it was a mix of silk and cotton, although with a satin finish. The result is a thick and heavy cloth with less lustrous and feminine-like pure silk. [11]
Mashru with silk face and cotton inside was useful for various dresses and household items. [9] [10] Indigenous mashru was famous for its strength and aesthetics. "All 'Mushroos' wash well, especially the finer kinds..." [10] There are varieties of mashru clothes, including gulbadan and sufi. Superior kinds of material are categorized as mashru; and lower quality are called sangi. [12] Mashru is less expensive than pure silk. [13]
The wearing of pure silk, particularly next to the skin, was widely held to be an impious luxury for good Muslims. "Pure silk is not allowed to men, but women may wear the most sumptuous silk fabrics" [14] [11] Unlike pure silk, the blend was lawful. Hence, it was an acceptable and popular type of cloth among Muslim men in northern India and Pakistan. A similar type of cloth called kutnu was found in the Near East. [1] "The ikat velvet pieces which have been located so far and can be identified as Indian are similar in style to the mashru being woven in western India ... for the basic foundation and this may have been prepared specially for the conservative Muslim who did not use silk thread. 19 Ain-i-Akbari also mentions that Akbar received textiles signed by Giyatyad - Din Ali Naqshband. [15] [16] [17] [6] [18] [19]
Crêpe, also spelled crepe or crape is a silk, wool, or synthetic fiber fabric with a distinctively crisp and crimped appearance. The term "crape" typically refers to a form of the fabric associated specifically with mourning. Crêpe was also historically called "crespe" or "crisp".
Chikankari is a traditional embroidery style from Lucknow, India. Translated, the word means embroidery, and it is one of Lucknow's best known textile decoration styles. The main market in Lucknow for Chikankari based products is Chowk. Production is mainly based in Lucknow and in the adjoining districts.
Longcloth refers to a plain cotton cloth originally made in comparatively long pieces.
Meera Mehta is a weaver and textile designer, based in Mumbai, India. Textiles she has created have been displayed in museums and galleries around the world. Mehta is best known for her revival of the Paithani sari.
Cloth of gold or gold cloth is a fabric woven with a gold-wrapped or spun weft—referred to as "a spirally spun gold strip". In most cases, the core yarn is silk, wrapped (filé) with a band or strip of high content gold. In rarer instances, fine linen and wool have been used as the core.
Silk In India, about 97% of the raw mulberry silk is produced in the Indian states of Karnataka, Andhra Pradesh, Tamil Nadu and West Bengal. Mysore and North Bangalore, the upcoming site of a US$20 million "Silk City", contribute to a majority of silk production. Another emerging silk producer is Tamil Nadu where mulberry cultivation is concentrated in Salem, Erode and Dharmapuri districts. Hyderabad, Andhra Pradesh and Gobichettipalayam, Tamil Nadu were the first locations to have automated silk reeling units.
The manufacture of textiles is one of the oldest of human technologies. To make textiles, the first requirement is a source of fiber from which a yarn can be made, primarily by spinning. The yarn is processed by knitting or weaving, which turns yarn into cloth. The machine used for weaving is the loom. For decoration, the process of colouring yarn or the finished material is dyeing. For more information of the various steps, see textile manufacturing.
Jasleen Dhamija is an Indian textile art historian, crafts expert and former UN worker. Based in Delhi, she is best known for her pioneering research on the handloom and handicraft industry, especially history of textiles and costumes. She has remained professor of living cultural traditions at the University of Minnesota. Over the years, during her career as a textile revivalist and scholar, she has authored several books on textiles, including Sacred Textiles of India (2014).
The Kutch Embroidery is a handicraft and textile signature art tradition of the tribal community of Kutch District in Gujarat and Sindh. This embroidery with its rich designs has made a notable contribution to the Indian embroidery traditions. The embroidery, practiced normally by women is generally done on fabrics of cotton, in the form of a net using cotton or silk threads. In certain patterns, it is also crafted over silk and satin. The types of stitches adopted are “square chain, double buttonhole, pattern darning, running stitch, satin and straight stitches”. The signature effect of the colorful embroidery sparkles when small mirrors called abhla are sewn over the geometrically shaped designs. Depending on the tribal sub groups of Rabari, Garasia Jat, and Mutava involved with this craft work many hand embroidered ethnic styles have evolved. These six styles: Suf, khaarek, paako, Rabari, Garasia Jat, and Mutava.
Bafta is a kind of calico, initially made in India.
Tansukh cloth was a fine cotton cloth primarily used for feminine dresses in medieval India, Tansukh is one of the seven explicitly mentioned cloths named in the exhaustive list of cotton cloths in Ain-i-Akbari. The bodices made of Tansukh and Bafta are referred by the poet Bhikhari Das. Tansukh was a woven material with another class of muslin with a very soft and delicate texture.
Khes is a thin cotton blanket cloth in the Indian subcontinent; it is a damask cloth used for blankets and winter wraps. Khes is generally hand-woven with coarse cotton yarns. Khes as a garment is a simple clothing item to wear loosely to cover the upper body by men in Pakistan and northwest India. Khes is an important cloth in the Punjab region, a region which is famous for its production and historically has been known for not only the production of Khes but also many other coarse cotton textiles, especially in the 19th and 20th centuries. Khes is a comfort object used in bedding, and is also usable as a cover.
Piece goods were the textile materials sold in cut pieces as per the buyer's specification. The piece goods were either cut from a fabric roll or produced with a certain length, also called yard goods. Various textiles such as cotton, wool, silk, etc., were traded in terms of piece goods. The prices were determined as per the fabric quality.
Qutni(cuttanee, couthnys, Koetnies, Kutni) is an old silk and cotton mix cloth with a striped pattern. Qutni is a satin weave structure with silk in warp and cotton in the weft. It was made In Gujarat, India. Qutni was also produced at Damascus, Aleppo, Hama.
Alacha is a lightweight striped cloth made primarily of silk, sometimes cotton, or a mixture of both. The stripe pattern was evident on both sides of the fabric. A typical length of alacha is five yards. It was produced in various parts of India, for example Baikunthpur, Bihar. The cloth was popular in use for female garments such as dupattas (odhni), veils, and petticoats.
Gulbadan was a kind of striped silk produced in Hindustan. The gulbadan was a light textured cloth of silk and cotton. Gulbadan has vertical variegated stripes with a different color than the base color of the cloth. In appearance, it was similar to a glazed calico, unlike Mashru, which has the satin (lustrous) surface.The contemporary silk piece goods were Daryai and Dhupehan. Gulbadan was available in many color combinations and sizes. Gulbadan of Amritsar and Lahore were famous. "Sufi" was another name for Gulbadan striped fabric.
Katan was a thin silk cloth. It was made of double twisted yarns of pure silk yarns in warp and weft both.
A blend is a mixture of two or more fibers. In yarn spinning, different compositions, lengths, diameters, or colors may be combined to create a blend. Blended textiles are fabrics or yarns produced with a combination of two or more types of different fibers, or yarns to obtain desired traits and aesthetics. Blending is possible at various stages of textile manufacturing. The term, blend, refers to spun fibers or a fabric composed of such fibers. There are several synonymous terms: a combination yarn is made up of two strands of different fibers twisted together to form a ply; a mixture or mixed cloth refers to blended cloths in which different types of yarns are used in warp and weft sides.
Sangi was a kind of silk produced in Hindustan. It was a mixed woven cloth, a common cloth in the nineteenth century. The fabric was constructed with a cotton warp and a silk weft, or vice versa.
Garbhasuti was a mixed cloth of tussar silk and cotton produced in Bengal. It was a handwoven material in the 19th century, Manbhum and Bankura produced most of it. Garbhasuti was a common name for fabrics with a cotton warp and a silk weft. Typically, it was ten yards long and one yard wide, which cost Rs. eight per piece. More often Garbhasuti was a made-to-order material.
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