This is a chronological list of sopranos who have performed in operas from classical music of the Western world. The list spans from operatic sopranos active in the first operas of the late 16th century to singers currently performing. Singers who have recorded opera arias or sung them in concert but have never performed in an opera are not included in this list. Singers are sorted by their year of birth. Those singers whose birth year is unknown are sorted by the first year that they are known to have flourished. This list should not include singers who have never performed in a staged opera with the exception of historic non-white singers who were barred from the opera stage in varying parts of the world due to discrimination prior to the mid-20th century. This list is limited to those whose notability is established by reliable sources in other Wikipedia articles.
1800
1801
1802
1803
1804
1801
1805
1806
1807
1808
1809
1810
1811
1812
1813
1814
1815
1816
1817
1819
1820
1821
1822
1823
1824
1825
1826
1827
1828
1829
1830
1831
1832
1833
1834
1835
1836
1837
1838
1839
1840
1841
1842
1843
1844
1845
1846
1847
1848
1849
1850
1851
1852
1853
1854
1855
1856
1857
1858
1859
1860
1861
1862
1863
1864
1865
1866
1867
1868
1869
1870
1871
1872
1873
1874
1875
1876
1877
1878
1879
1880
1881
1882
1883
1884
1885
1886
1887
1888
1889
1890
1891
1892
1893
1894
1895
1896
1897
1898
1899
1900
1901
1902
1903
1904
1905
1906
1907
1908
1909
1910
1911
1912
1913
1914
1915
1916
1917
1918
1919
1920
1921
1922
1923
1924
1925
1926
1927
1928
1929
1930
1931
1932
1933
1934
1935
1936
1937
1938
1939
1940
1941
1942
1943
1944
1945
1946
1947
1948
1949
1950
1951
1952
1953
1954
1955
1956
1957
1958
1959
1960
1961
1962
1963
1964
1965
1966
1967
1968
1969
1970
1971
1972
1973
1974
1975
1976
1977
1978
1979
1980
1981
1982
1983
1984
1985
1986
1987
1988
1989
July 29 is the 210th day of the year in the Gregorian calendar; 155 days remain until the end of the year.
The Wagner tuba is a four-valve brass instrument commissioned by and named after Richard Wagner. It combines technical features of both standard tubas and French horns, though despite its name, the Wagner tuba is more similar to the latter, and usually played by horn players. Wagner commissioned the instrument for his four-part opera cycle Der Ring des Nibelungen, where its purpose was to bridge the acoustical and textural gap between the French horn and trombone.
This is a list of music-related events in 1806.
Ars nova refers to a musical style which flourished in the Kingdom of France and its surroundings during the Late Middle Ages. More particularly, it refers to the period between the preparation of the Roman de Fauvel (1310s) and the death of composer Guillaume de Machaut in 1377. The term is sometimes used more generally to refer to all European polyphonic music of the fourteenth century. For instance, the term "Italian ars nova" is sometimes used to denote the music of Francesco Landini and his compatriots, although Trecento music is the more common term for the contemporary 14th-century music in Italy. The "ars" in "ars nova" can be read as "technique", or "style". The term was first used in two musical treatises, titled Ars novae musicae by Johannes de Muris, and a collection of writings attributed to Philippe de Vitry often simply called "Ars nova" today. Musicologist Johannes Wolf first applied to the term as description of an entire era in 1904.
Abū Isḥāq Ibrāhīm al-Mawṣilī was an Arab musician of Persian origin who was among the greatest composers of the early Abbasid period. After Arab and Persian musical training in Ray, he was called to the Abbasid capital of Baghdad where he served under three successive Abbasid caliphs: Al-Mahdi, Al-Hadi and Harun al-Rashid. He became particularly close with the latter and emerged as the leading musician of his time. He championed the conservative school of Arab music against progressives such as Ibn Jami. His son and student Ishaq al-Mawsili would succeed him as the leader of the conservative tradition and his other pupils included the musicians Mukhariq, Zalzal and Ziryab. He appears in numerous stories of One Thousand and One Nights.
Baude Cordier was a French composer in the ars subtilior style of late medieval music. Virtually nothing is known of Cordier's life, aside from an inscription on one of his works which indicates he was born in Rheims and had a Master of Arts. Some scholars identify him with Baude Fresnel, a harpist and organist in the court of Philip the Bold, though other scholars have rejected this.
Concerto in E-flat, inscribed Dumbarton Oaks, 8.v.38 (1937–38) is a chamber concerto by Igor Stravinsky, named for the Dumbarton Oaks estate of Robert Woods Bliss and Mildred Barnes Bliss in Washington, D.C., who commissioned it for their thirtieth wedding anniversary. Composed in Stravinsky's neoclassical period, the piece is one of Stravinsky's two chamber concertos and is scored for a chamber orchestra of flute, B♭ clarinet, bassoon, two horns, three violins, three violas, two cellos, and two double basses. The three movements, Tempo giusto, Allegretto, and Con moto, performed without a break, total roughly twelve minutes. The concerto was heavily inspired by Bach's set of Brandenburg Concertos, and was the last work Stravinsky completed in Europe, started in spring 1937 at the Château de Montoux near Annemasse, near Geneva, Switzerland, and finished in Paris on March 29, 1938.
Manṣūr Zalzal al-Ḍārib or simply Zalzal, was an Iranian musician during the early Abbasid period. The renowned musician Ishaq al-Mawsili was his student; he declared Zalzal to be the most outstanding lutenist of his time.
Claude Victor Palisca was an American musicologist. An internationally recognized authority on early music, especially opera of the Renaissance and Baroque periods, he was the Henry L. and Lucy G. Moses Professor Emeritus of Music at Yale University. Palisca is best known for co-writing the standard textbook A History of Western Music, as well as for his substantial body of work on the history of music theory in the Renaissance, reflected in his editorship of the Yale Music Theory in Translation series and in the book Humanism in Italian Renaissance Musical Thought (1985). In particular, he was the leading expert on the Florentine Camerata. His 1968 book Baroque Music in the Prentice Hall history of music series ran to three editions.
La sposa fedele is an opera buffa in three acts by Pietro Alessandro Guglielmi. The Italian libretto was by Pietro Chiari.
Carl Michael Alfred Steinberg was an American music critic and author who specialized in classical music. He was best known, according to San Francisco Chronicle music critic Joshua Kosman, for "the illuminating, witty and often deeply personal notes he wrote for the San Francisco Symphony's program booklets, beginning in 1979." He contributed several entries to the New Grove Dictionary of Music and Musicians, wrote articles for music journals and magazine, notes for CDs, and published a number of books on music, both collected published annotations and new writings.
Jubal is a biblical figure in Genesis 4:21 of the Hebrew Bible and Old Testament. Mentioned only once, he is sometimes regarded by Christians, particularly by medieval commentators, as the 'inventor of music'. A descendant of Cain, his father is Lamech and his brother is Jabal.
Trevor Noël Goodwin was an English music critic, dance critic and author who specialized in classical music and ballet. Described as having a "rare ability to write about music and dance with equal distinction", for 22 years Goodwin was Chief music and dance critic for the Daily Express. He held criticism posts at many English newspapers, including the News Chronicle, Truth and The Manchester Guardian among others; from 1978 to 1998 he also reviewed performances for The Times. Goodwin wrote an early history of the Scottish Ballet and was coauthor for two books: London Symphony: Portrait of an Orchestra with Hubert J. Foss and a Knight at the Opera with Geraint Evans.
The Conservatorio di Musica Arrigo Boito, better known in English as the Parma Conservatory, is a music conservatory in Parma, Italy. It was originally established as the Regia Scuola di Canto, a school for singing in 1819 by Marie Louise, Duchess of Parma, and expanded into a conservatory of music in 1825. In 1840 instrumental music instruction began, followed by the addition of music composition, conducting, and other musical studies.
{{cite book}}
: CS1 maint: location missing publisher (link){{cite web}}
: CS1 maint: numeric names: authors list (link)