Manchester Law Library | |
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![]() The oldest provincial law library in England | |
Type | Former library |
Location | Manchester, Greater Manchester, England |
Coordinates | 53°28′48″N2°14′38″W / 53.48°N 2.2438°W |
Built | 1872–73 |
Architect | Thomas Hartas |
Architectural style(s) | Venetian Gothic |
Owner | Privately owned |
Listed Building – Grade II* | |
Official name | Manchester Law Library |
Designated | 3 October 1974 |
Reference no. | 1219102 |
The former Manchester Law Library at 14 Kennedy Street, Manchester, England, is a Grade II* listed building in the Venetian Gothic style. The building is notable as having housed the oldest provincial law library in England. Its architect, Thomas Hartas, is little known, and the former law library appears to be his only documented building. In 2015, the Manchester Incorporated Law Library Society sold the premises, and moved to new offices on Booth Street.
Designed by Thomas Hartas, [1] the library was built by William Holt between 1884 and 1885 to provide a meeting place, and reading room, for the Manchester Law Society. [2] The building has a fine Venetian Gothic façade, "three bays, each divided into three again with richly traceried and strongly moulded frames to the openings". [1] Internally, a lending library is located on the ground floor, "now with twentieth century furnishings. [1] On the first floor, a reading room "with most of the (slightly rearranged) attractive, original fittings." [3] These include the central oak table, three fireplaces, and tall bookcases, some set at right angles to the walls to maximise the available storage space. The "stained glass is a noteworthy feature (including) three roundels containing the images of bewigged judges". [2] Offices are above this. "The building is noteworthy by virtue of having been built for the purposes of a law library and, London and the old universities aside, it is believed to have performed this function for a period longer than any other provincial law library". [2]
Hartas is an elusive architect and the library appears to be his only documented building. [4] He has no entry in the RIBA Directory of British Architects 1834–1914 an exhaustive survey of practising architects of the Victorian era. [5] The library is a Grade II* listed building. [6]
In 2015, the building was put up for sale. The law library relocated to new premises on Booth Street where it remains a private library open only to subscribing members of the legal profession. [7]
100 King Street, formerly the Midland Bank, is a former bank premises on King Street in Manchester, England. It was designed by Sir Edwin Lutyens in 1928 and constructed in 1933–35. It is Lutyens' major work in Manchester and was designated a Grade II* listed building in 1974.
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The Reform Club in Manchester, England, is a former gentlemen's club dating from the Victorian era. Built in 1870–1871 in the Venetian Gothic style, it was designed by Edward Salomons, in collaboration with an Irish architect, John Philpot Jones. The building is situated on the corner of King Street and Spring Gardens. Claire Hartwell, in her Manchester Pevsner City Guide considers the club Salomons' "best city-centre building" and it has a Grade II* heritage designation. The contract for construction was awarded to Mr Nield, a Manchester builder, and had a value of £20,000. The Reform was constructed as the club house for Manchester's Liberal Party, and was opened by Granville Leveson-Gower, 2nd Earl Granville, Liberal Foreign Secretary, on 19 October 1871.
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The Church of St Peter in Old Market Street, Blackley, Manchester, England, is a Gothic Revival church of 1844 by E. H. Shellard. It was a Commissioners' church erected at a cost of £3162. The church is particularly notable for an almost completely intact interior. It was designated a Grade II* listed building on 20 June 1988.
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Nugent Francis Cachemaille-Day (1896–1976), often referred to as NF Cachemaille-Day, was an English architect who designed some of the most "revolutionary" 20th-century churches in the country. His Church of St Nicholas, Burnage has been called "a milestone in the history of church architecture in England." He was a leading British exponent of Expressionist architecture.
Greater Manchester is a metropolitan county in North West England. It was created by the Local Government Act 1972, and consists of the metropolitan boroughs of Bolton, Bury, Oldham, Rochdale, Stockport, Tameside, Trafford, Wigan and the cities of Manchester and Salford. This is a complete list of the Grade I listed churches in the metropolitan county as recorded in the National Heritage List for England. Buildings are listed by the Secretary of State for Culture, Media and Sport on the recommendation of English Heritage. Grade I listed buildings are defined as being of "exceptional interest, sometimes considered to be internationally important"; only 2.5 per cent of listed buildings are included in this grade.
Edwin Hugh Shellard was an English architect who practised in Manchester, being active between 1844 and 1864. Most of his works are located in Northwest England, in what is now Greater Manchester, Lancashire, Cheshire, and Derbyshire. He was mainly an ecclesiastical architect, and gained contracts to design at least 13 churches for the Church Building Commission, these churches being known as Commissioners' churches. Most of his designs were in Gothic Revival style, usually Early English or Decorated, but he also experimented in the Perpendicular style. He employed the Romanesque Revival style in his additions to St Mary's Church, Preston. The National Heritage List for England shows that at least 23 of his new churches are designated as listed buildings, four of them at Grade II*. The authors of the Buildings of England series consider that his finest work is St John's Minster in Preston, Lancashire.
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The Church of St Mary in the Baum or Church of St Mary-in-the-Baum is a church in the town of Rochdale, Greater Manchester, England. Commissioned in 1738, and opened in 1742 as a chapel of ease, the chapel was extended in the 19th century. In the very early 20th century the church authorities determined to construct a new building and they commissioned Ninian Comper to undertake the task. Comper designed a completely new church to an unusual plan, due to the constriction of the urban site. He incorporated elements of the original chapel into the new design.
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