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Jubilate Deo is a small hymnal of Gregorian chant in the Latin Rite of the Catholic Church, produced after the liturgical reforms of Vatican II. It contains a selection of chants used in the Mass and various liturgies (e.g. Benediction of the Blessed Sacrament), as well as Marian antiphons and seasonal hymns.
In 1974, Pope Paul VI presented the document as a “minimum repertoire of Gregorian chant”, [1] for use of the faithful. In promulgating the hymnal, the Congregation for Divine Worship stated the book would be “extremely useful if the faithful learn the chants contained in the volume, as the Pope and the Congregation for Divine Worship intend.” [2]
The Maltese choir, Jubilate Deo, is named after this document.
Chants of the Ordinary
Hymns
The Te Deum is a Latin Christian hymn traditionally ascribed to AD 387 authorship, but with antecedents that place it much earlier. It is central to the Ambrosian hymnal, which spread throughout the Latin Church with other parts of the Ambrosian Rite of Milan in the 6th to 8th centuries. It is sometimes known as the Ambrosian Hymn, although authorship by Saint Ambrose is unlikely. The term Te Deum can also refer to a short religious service based upon the hymn.
Christian music is music that has been written to express either personal or a communal belief regarding Christian life and faith. Common themes of Christian music include praise, worship, penitence and lament, and its forms vary widely around the world. Church music, hymnals, gospel and worship music are a part of Christian media and also include contemporary Christian music which itself supports numerous Christian styles of music, including hip hop, rock, contemporary worship and urban contemporary gospel.
"Gloria in excelsis Deo" is a Christian hymn known also as the Greater Doxology and the Angelic Hymn/Hymn of the Angels. The name is often abbreviated to Gloria in Excelsis or simply Gloria.
The Easter Vigil, also called the Paschal Vigil, the Great Vigil of Easter, or Holy Saturday at the Easter Vigil on the Holy Night of Easter is a liturgy held in traditional Christian churches as the first official celebration of the Resurrection of Jesus. Historically, it is during this liturgy that people are baptized and that adult catechumens are received into full communion with the Church. It is held in the hours of darkness between sunset on Holy Saturday and sunrise on Easter Day – most commonly in the evening of Holy Saturday or midnight – and is the first celebration of Easter, days traditionally being considered to begin at sunset.
Marian hymns are Christian songs focused on Mary, mother of Jesus. They are used in both devotional and liturgical services, particularly by the Roman Catholic, Eastern Orthodox, Oriental Orthodox, Anglican, and Lutheran churches. They are often used in the month of May devotions. Some have also been adopted as Christmas hymns. Marian hymns are not popular among some Protestants, as they see Marian veneration as idolatry. However, the practice is very common among Christians of Catholic traditions, and a key component of the Eastern Orthodox liturgy. There are many more hymns to Mary within the Eastern Orthodox yearly cycle of liturgy than in Roman Catholic liturgy.
Asperges is the rite of sprinkling a congregation with holy water. The name comes from the first word in the 9th verse of Psalm 51 in the Latin translation which is sung during the traditional form of the rite except during Eastertide. The 51st Psalm is also one of the antiphons that may be sung in the rite under the Mass of Paul VI.
Liturgical music originated as a part of religious ceremony, and includes a number of traditions, both ancient and modern. Liturgical music is well known as a part of Catholic Mass, the Anglican Holy Communion service and Evensong, the Lutheran Divine Service, the Orthodox liturgy, and other Christian services, including the Divine Office.
Benediction of the Blessed Sacrament, also called Benediction with the Blessed Sacrament or the Rite of Eucharistic Exposition and Benediction, is a devotional ceremony, celebrated especially in the Roman Catholic Church, but also in some other Christian traditions such as Anglo-Catholicism, whereby a bishop, a priest, or a deacon blesses the congregation with the Eucharist at the end of a period of adoration.
Catholic liturgy means the whole complex of official liturgical worship, including all the rites, ceremonies, prayers, and sacraments of the Church, as opposed to private devotions. In this sense the arrangement of all these services in certain set forms is meant. Liturgy encompasses the entire service: prayer, reading and proclamation, singing, gestures, movement and vestments, liturgical colours, symbols and symbolic actions, the administration of sacraments and sacramentals.
The Divine Service is a title given to the Eucharistic liturgy as used in the various Lutheran churches. It has its roots in the Pre-Tridentine Mass as revised by Martin Luther in his Formula missae of 1523 and his Deutsche Messe of 1526. It was further developed through the Kirchenordnungen of the sixteenth and seventeenth centuries that followed in Luther's tradition.
Contemporary Catholic liturgical music encompasses a comprehensive variety of styles of music for Catholic liturgy that grew both before and after the reforms of the Second Vatican Council. The dominant style in English-speaking Canada and the United States began as Gregorian chant and folk hymns, superseded after the 1970s by a folk-based musical genre, generally acoustic and often slow in tempo, but that has evolved into a broad contemporary range of styles reflective of certain aspects of age, culture, and language. There is a marked difference between this style and those that were both common and valued in Catholic churches before Vatican II.
Theodore Norbert Marier was a church musician, educator, arranger and scholar of Gregorian Chant. He founded St. Paul's Choir School in Cambridge, Massachusetts in 1963, and served as the second president of the Church Music Association of America.
A liturgical book, or service book, is a book published by the authority of a church body that contains the text and directions for the liturgy of its official religious services.
Catholic Marian music shares a trait with some other forms of Christian music in adding another emotional dimension to the process of veneration and in being used in various Marian ceremonies and feasts. Marian music is now an inherent element in many aspects of the veneration of the Blessed Virgin Mary in Catholic Mariology.
St Cecilia's Abbey, Ryde is an abbey of Benedictine nuns in the Isle of Wight, England.
Lutheran Worship (LW) is one of the official hymnals of The Lutheran Church–Missouri Synod (LCMS). Published in 1982 by Concordia Publishing House in St. Louis, Missouri, it is the denomination's third English-language hymnal and was intended to replace The Lutheran Hymnal (TLH). Additional hymns and service music are contained in the companion, Hymnal Supplement 98.
GIA Publications, Inc. is a major publisher of hymnals, other sacred music, and music education materials that is currently located in Chicago. The organization was initially the publishing arm of the Gregorian Institute of America (1941–1965); a school affiliated with the Roman Catholic Church that was initially established in Pittsburgh but operated for the majority of its history in Toledo, Ohio. The school specialized in training choral conductors in the methods of teaching choirs to sing Gregorian chant. After the school's closure following the Second Vatican Council, the publishing part of the school was sold to the Harris family.
Hymnody in continental Europe developed from early liturgical music, especially Gregorian chant. Music became more complicated as embellishments and variations were added, along with influences from secular music. Although vernacular leisen and vernacular or mixed-language carols were sung in the Middle Ages, more vernacular hymnody emerged during the Protestant Reformation, although ecclesiastical Latin continued to be used after the Reformation. Since then, developments have shifted between isorhythmic, homorhythmic, and more rounded musical forms with some lilting. Theological underpinnings influenced the narrative point of view used, with Pietism especially encouraging the use of the first person singular. In the last several centuries, many songs from Evangelicalism have been translated from English into German.
